BRAQUE, houses at l'Estaque, 1908 Flashcards
year
1908
cezanne context
soon after cezannes death in 1906, Braque travelled down to l’estaque (fishermans village)
homage to cezanne
l’estaque context
spent the autumn and beginning of winter of 1907 there, his responses were fauve in style
was enthralled by the light there
due to initial shock of the light, braque revisited between 1907-08 and came back with a series of paintings of houses at l’estaque
characteristics of this ‘first cubist work’
rethinks the depiction of space, volume and mass
conceptual rather than perceptual view of the world proposed
how did cubism emerge
this work comes before the exchanges between piccasso and braque that would later characterise analytical cubism
during exhibition of braques paintings at the Daniel-Henry Kannweiler gallery louis vauxcelles spoke of ‘small cubes’ to describe the compositions
was rejected by the salon d’automne when he submitted his 1908 collection of landscapes due to cubist style
subject
-landscape characterised by roofs and facades
-villiage landscape seen from a hill
-tree is superimposed diagonally across the paintings lower frontal area
space and perspective
-inspired by cezanne, braque and cubists quite logically reasoned that in order to actually portray the reality of an object they must represent the various perspectives of the object at the same time
-rejects single point linear perspective
-bildings portrayed from different viewpoints
-creates volume through colour (influence of cezanne who modelled by colour rather than tonal modelling
no aerial perspective
colour
-creates volume through colour (influence of cezanne who modelled by colour rather than tonal modelling
treatment of form
cubes used to depict houses
reduces trees to long shapes (geometrical abstract simplication of form)
in cases forms overlap/ are piled ontop eachother
forms tilt in and out of the picture
faceting
faceting used: forms abut one another like shards of glass
passage
-picked up from cezanne
-breaking of contours defining both things depicted (surfaces flow together, blurring distinction between solid form and space)