Brahms Symphony Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

What is between bars 1-60

A

Introduction

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2
Q

What bars are part 1 of the introduction

A

1-30

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3
Q

What bars are part 2 of the introduction

A

31-62

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4
Q

What is between bars 63-185

A

Exposition

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5
Q

What bars is the first theme of the exposition

A

63-94

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6
Q

What bars is the transition of the exposition

A

94-118

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7
Q

What bars is the second theme of the exposition

A

118-142

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8
Q

What bars is the codetta of the exposition

A

142-185

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9
Q

What is between bars 186-367

A

Recapitulation

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10
Q

What bars is the first theme of the recapitulation

A

186-220

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11
Q

What bars is the transition of the recapitulation

A

220-301

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12
Q

What bars is the second theme of the recapitulation

A

301-326

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13
Q

What bars is the codetta of the recapitulation

A

326-367

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14
Q

What is between 367-457

A

Coda

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15
Q

Features of the introduction part 1

A

Motif X
Echos of theme 1 in accompaniment
Pizzicato - used later
Call and response between descending chords and low strings

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16
Q

Features of introduction part 2

A

Alphorn theme opens part 2 in C major

Chorale displayed - only appears again in coda

17
Q

Features in theme 1 exposition

A

Theme plays on strings and woodwind

18
Q

Describe how theme 1 is similar to ode to joy

A

Dactylic rhythms
diatonic harmonies
conjunct melody
hymn-like

19
Q

Features in the transition of exposition

A

Begins with fragmented theme 1
Uses running scales from introduction
Alphorn returns in bar 114 over string arpeggios

20
Q

Features in theme 2 of exposition

A

Reimagined from motif ‘x’ in diminution

21
Q

Features in codetta in exposition

A

Modulates to E minor to start
Reimagined theme 2 with brass cadences over the top
Triplet figures in accompaniment
Tetrachord returns in woodwind

22
Q

Features of theme 1 of recapitulation

A

Fuller scoring
First theme modulates to unrelated key - Eb major
Horns echo closure of statements
2nd statement accompanied by pizzicato from intro 1
Phrases are odd lengths or are interrupted

23
Q

Features of transition of recapitulation

A

C major re-established
Descending dotted rhythms from transition 1
Scalic patterns from intro 1
New dramatic material in 257
Dramatic unison theme 1
Alphorn theme introduced to end the section

24
Q

Features of theme 2 of recapitulation

A

Fuller scoring than original playing
Tonic key
Tetrachords in cannon over main theme

25
Q

Features of codetta of recapitulation

A

Starts in tonic key and moves to minor

Some harmonic differences from first playing

26
Q

Features of coda

A

Coda begin C minor with harmonic progression to C minor
Chorale interrupts at 407 heard in augmentation
417 triplets return
Symphony ends in plagal cadence and then repeats C major chords