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ESTILL EXAM > Bradlee > Flashcards

Bradlee Flashcards

1
Q

NAME THE 9 STRUCTURES FOUND INSIDE THE LARYNX

A

TRACHEA, HYOID BONE, CRICOID CARTILAGE, THYROID CARTILAGE, AREPIGLOTIS SPINCHTER, FALSE VOCAL FOLDS, TRUE VOCAL FOLDS, ARETENOIDS, EPIGLOTIS

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2
Q

ARE THE TRUE VOCAL FOLDS FOUND BELOW ARE ABOVE THE FALSE VOCAL FOLDS

A

BELOW

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3
Q

WHAT IS THE SPACE BETWEEN THE TRUE VOCAL FOLDS

A

GLOTTIS

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4
Q

WHAT IS THE GLOTTIS

A

SPACE BETWEEN THE TRUE VOCAL FOLDS

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5
Q

WHAT TWO STRUCTURES ARE ABLE TO BE VERTICLE AND TILT

A

CRICOID AND THYROID CARTILAGE

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6
Q

WHAT DO THE THYROID AND CRICOID REGULATE

A

THE LENGTH OF TRUE VOCAL FOLDS

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7
Q

DEFINITION OF PITCH

A

PERCEPTION OF VIBRATORY FREQUENCIES AND CHANGES IN AIR PRESSURE THAT CREATES SOUND WAVES

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8
Q

NAME AND DESCRIBE THE THREE ONSETS AND OFFSETS

A

GLOTTAL: THE TRUE VOCAL FOLDS CLOSE BEFORE EXHALATION BEGINS
ASPIRATE: EXHALATION BEGINS BEFORE THE TRUE CAN CLOSE, CAN BE ABRUPT OR GRADUAL.
SMOOTH: EXHALATION AND TRUE VOCAL FOLD MOVEMENT OCCURS SIMILATANEUOSULY

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9
Q

NAME THE THREE CONDITIONS OF THE FALSE VOCAL FOLDS

A

MID CONSTRICTED AND RETRACTED

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10
Q

DEFINE EFFORT

A

WHERE THE MUSCLES ARE WORKING AND HOW HARD THEY ARE WORKING RATED OUT OF TEN. IT IS THE IMPACT OF ENERGY INTO THE VOICE PRODUCTION SYSTEM.

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11
Q

WHAT IS THE VALUE OF EFFORT

A

MAKES HIGH INTENSITY SINGING EASY AND ALSO HELPS TO AVOID LARYNGEAL CONSTRICTION

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12
Q

NAME THREE RELAXATION MANEUVERS

A

ROLL TONGUE ROUND TEETH, HEAD NECK ROLLING, FACIAL MASSAGE, CHEWING

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13
Q

DEFINE RECOIL

A

THE SENSATION OF BREATH RUSHING INTO THE BODY WITHOUT ACTIVELY HAVING TO BREATHE

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14
Q

NAME THE STATES OF AES

A

WIDE OR NARROW

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15
Q

NAME THE STATES OF THYROID/CRICOID

A

VERTICLE OR TILT

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16
Q

NAME THE STATES OF FALSE VOCAL FOLDS

A

MID, CONSTRICTED, RETRACTED

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17
Q

NAME THE STATES OF BODY COVER

A

SLACK, THICK, STIFF AND THIN

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18
Q

NAME THE POSITIONS OF THE LARYNX

A

HIGH, MID LOW

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19
Q

NAME THE POSITIONS OF THE VELUM

A

HIGH, MID, LOW

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20
Q

NAME THE POSITIONS OF THE TONGUE

A

HIGH, MID, LOW

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21
Q

NAME THE POSITIONS JAW

A

FORWARD, MID, BACK, DROPPED

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22
Q

NAME THE POSITIONS OF THE LIPS

A

PORTRUDED, MID, SPREAD

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23
Q

NAME THE STATES OF ANCHORING

A

RELAX OR AHCNOR

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24
Q

NAME THE FIVE PARTS OF THE TONGUE

A

BODY, TIP, BLADE, DORSUM, ROOT

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25
Q

BENEFIT OF AES NARROWING

A

MAKES THE VOICE LOUDER AND ADDS BRIGHTNESS

26
Q

WHAT CAN THE LIPS DO TO LENGTHEN THE VOCAL TRACT

A

PROTRUDED LIPS

27
Q

WHAT CAN THE LIPS DO TO SHORTEN THE VOCAL TRACT

A

SPREAD LIPS

28
Q

BENEFITS OF ANCHORING

A

PROVIDES GREATER STABILITY AND CONSISTENCY TO THE VOICE IN PERFORMANCE

29
Q

IN TORSO WHAT MUSCLES ARE ENGAGED

A

TORSO AND LATS

30
Q

THE LONGER THE TRUE VOCAL FOLDS REMAIN CLOSED THE ____ ____ THE SOUND?

A

INTENSE

31
Q

THE SHORTER THE TRUE VOCAL FOLDS REMAIN CLOSED THE ____ ____ THE SOUND?

A

LESS INTENSE

32
Q

ANOTHER NAME FOR THE VELUM

A

SOFT PALETTE

33
Q

NAME THE STATES OF THE VELUM AND WHAT CONDITIONS IT GIVES TO THE VOICE

A

LOW: NASAL
MID: NASALISED
HIGH: ORAL

34
Q

NAME THE DOORWAY TO THE VELUM

A

PHARYNGEAL PORT

35
Q

WHAT IS CLAVICULAR BREATHING

A

A SHORT INTAKE OF BREATH USED IN BELTING

36
Q

DEFINE THE BERNOULLIS PRINCIPLE

A

VIBRATIONS OCCUR WHEN THE TRUE VOCAL FOLDS ARE SUCKED TOGETHER BY THE STREAM OF BREATH

37
Q

WHAT STRUCTURE RELATE TO POWER SOURCE AND FILTER

A

POWER: LUNGS, SOURCE: TRUE VOCAL FOLDS AND FILTER: VOCAL TRACT

38
Q

WHAT CAN THE LUNGS, TRUE VOCAL FOLDS AND VOCAL TRACT BE KNOWN AS

A

POWER, SOURCE AND FILTER

39
Q

WHAT IS THE FUNCTION OF ARTICULATORS. GIVE TWO EXAMPLES

A

TO SHAPE VOWELS AND CONSONANTS AND TO IMPROVE CLARITY, LIPS AND TONGUE

40
Q

DEFINE ATTRACTOR STATE

A

POSITION OF STABILTIY IN THE VOICE

41
Q

CLAVICULAR BREATHING IS USED IN WHAT VOICE QUALITY

A

BELT

42
Q

VOICE USE IN A DYNAMIC SYSTEM DISCUSS THIS USING AN EXAMPLE

A

VOICE IS PRODUCED BY COMPLEX STRUCTURES THAT ARE ALL LINKED AND LOWERING OR RAISING ONE WILL CAUSE AND AFFECT ANOTHER.

43
Q

NAME THE INTRINSIC PHARYNGEAL CARTILAGE CLOSES TO DEFLECT FOOD AND WATER DOWN THE OESOPHAGUS

A

EPIGLOTIS

44
Q

WHAT IS THE EPIGLOTIS

A

IS THE INTRINSIC PHARYNGEAL CARTILAGE CLOSES TO DEFLECT FOOD AND WATER DOWN THE OESOPHAGUS

45
Q

WHAT IS THE GLOTTIS

A

SPACE BETWEEN THE TRUE VOCAL FOLDS

46
Q

NAME AN EXERCISE TO MAINTAIN THE RETRACTION OF FALSE VOCAL FOLDS

A

SILENT LAUGHING

47
Q

IN GENERAL TERMS TRUE VOCAL ARE BLANK AND BLANK AT HIGH PITCHES AND BLANK AND BLACK AT LOW PITCHES

A

LONG AND THIN VS SHORT AND THICK

48
Q

WHAT CAN A SIREN BE USED TO DETERMINE

A

VOCAL HEALTH AND RANGE

49
Q

DEFINE MIRINING

A

SIRENING WHILST MOUTHING THE WORDS

50
Q

IN TWNAG WHAT IS NARROWED

A

ARRYEPPIGLOTTIS SPINCHTER

51
Q

WHAT STRUCTURE HAS ITS ROOTS AT THE FRONT OF THE THROAT AND WHAT THREE CONDITIONS CAN IT BE PLACED IN

A

TONGUE, HIGH MID LOW

52
Q

DESCRIBE THE TERM ANCHORING IN RELATION TO SINGING TECHNIQUE

A

LARGER MUSCLES BEING ENGAGED TO SUPPORT THE SMALLER MUSCLES IN THE LARYNX

53
Q

NAME THE TWO COMPULSORY ANCHORING FIGURES AND THEIR CONDITIONS

A

HEAD AND NECK AND TORSO, ANCHOR VS RELAX

54
Q

WHAT AND WHERE ARE THE STERNOCLYDOMASTOIDS

A

MUSCLES THAT ARE USED IN HEAD AND NECK ANCHORING LOCATED BEHIND SKULL THAT RUN TO THE NECK UNDERNEATH THE EARS AND CONNECT TO THE CHEST.

55
Q

NAME THE SIX ESTILL VOICE QUALITIES

A

TWANG, BELT, SOB, SPEECH, FALSETTO, OPERA

56
Q

WHAT IS VOLUME LINKED

A

AIR PRESSURE OF BREATH (THICKER FOLDS EQUALS LOUD WHILST THINNER EQUALS QUIETER)

57
Q

WHAT IS THE SUBGLOTTIS

A

AIR PRESSURE BEFORE THE TRUE VOCAL FOLDS

58
Q

WHAT DO SUPRAHYOID MUSCLES DO

A

RAISE THE LARYNX

59
Q

WHAT DO INFRAHYOID MUSCLES DO

A

LOWER THE LARYNX

60
Q

WHAT AND WEAR ARE THE STERNOCLYDOMASTOIDS

A

MUSCLES THAT HELP AND SUPORT HEAD AND NECK ANCHORING. LOCATED BEHIND THE SKULL, THAT RUN TO THE NECK, UNDERNEATH THE EARS AND CONNECT TO THE CHEST.

61
Q

WHAT ARE THE MUCLES USED IN TORSE ANCHORING

A

PECTORALIS MAJOR
QUADRATUS LUMBORUM
LATISSMUS DORSI

62
Q

ANOTHER NAME FOR THE VELUM

A

SOFT PALETTE

ESTILL EXAM (1 decks)

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