Book 1 Summary Flashcards

1
Q

What purpose does the proemium serve in the Aeneid?

A
  • It sets the theme by declaring the subject—warfare and a man at war—and invokes the Muse to guide the narrative, establishing the tone and purpose of Aeneas’s journey
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2
Q

Who is Aeneas and what is his mission at the start of the poem?

A
  • Aeneas is the Trojan hero fleeing the ruins of Troy; he is destined to lead his people to Italy, where his new settlement will eventually give rise to the Roman race
  • he is currently trying to cross the Mediiterranean from Troy to Italy, his father has just died in Scicily
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3
Q

Which goddess opposes Aeneas and why?

A
  • Juno opposes Aeneas because of her longstanding grudge against Troy
  • This stems partly from the Judgment of Paris
  • and a prophecy that Trojans will one day destroy her beloved city, Carthage
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4
Q

How does Juno attempt to hinder Aeneas’s journey?

A
  • Juno enlists Aeolus, the god of winds, to unleash a fierce storm that scatters the Trojan fleet and threatens to doom their voyage
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5
Q

how does Aeneas react to Juno’s storm

A
  • we expect him to show courage & resolution,
  • but he is terrified - (his limbs grew weak’ & he exlaims how lucky those who died at troy were
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6
Q

why has Aeneas been shown as weak in the midst of Juno’s storm

A
  • Virgil has deliberately shown Aeneas as a frail mortal, put under pressures which are almost too great for him,
  • and under this latest disaster, of his seven-year wanderings, almost ready to give up
  • We realise at the outset that our hero is not someone of superhuman strength,
  • but rather a brave man at the end of his tether
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7
Q

how is the conflicting values of furor & pietas depicted in the calming of the storm

A
  • A simile is used in which a statesman calms a violent mob
  • It uses two key words of the poem - furor for the violent mob, and pietas for the responsible statesman
  • The task of Aeneas throughout the poem is to calm the force of furor in others and himself by means of pietas
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8
Q

Who intervenes to save the fleet and what does this intervention involve?

A

Neptune, the god of the sea, intervenes by calming the storm after Aeolus oversteps his bounds, ensuring that Aeneas’s fleet is not completely lost - 7 of 20 still intact

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9
Q

What is the outcome of the storm for Aeneas’s fleet?

A
  • The storm scatters the ships; out of an original twenty, only seven remain intact, and they are cast ashore on the coast of Libya.
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10
Q

When they land in Africa, how does Aeneas lead his men in spite of his emotions

A
  • Once they land in Africa Aeneas goes out to forage and organise food for his men
  • His rousing speech as they feast on the stags he has shot - ‘we have suffered worse before, and this too will pass’
    • is nevertheless not truly felt by Aeneas himself who ‘kept his misery deep in his heart’ (209)
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11
Q

What does Venus do with Jupiter to ensure he is protected

A
  • Venus, Aeneas’s divine mother, first pleads with Jupiter to relieve Aeneas’s suffering
  • ‘Is this our reward for piety and obedience?’
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12
Q

What prophecy does Jupiter deliver regarding Aeneas’s future in response to Venus?

A
  • Jupiter assures Venus—and implicitly Aeneas—that he will safely reach Italy and establish a settlement, from which the mighty Roman race will eventually emerge
  • Aeneas will begin a process of taming the wickedness and frenzy in men’s hearts by means of pietas, devotion to others.
  • SCROLLS OF FATE (257-259)
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13
Q

What is revealed about Aenea’s take on his fate when he sets out to explore Carthage

A
  • He declares himself as ‘Aeneas, known for my devotion’ - his own use of this epithet emphasises his knowledge that he is a man with a calling
  • Yet this reference to his devotion also highlights the injustice which he believes has been inflicted upon him after seven years of travails
  • Yet he does not give up - this is the essence of a new kind of heroism
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14
Q

What do Venus instruct Aeneas and why can he proceed

A
  • Venus then appears to Aeneas in disguise, and tells him that he has landed in Carthage;
  • she relates the story of Dido, herself an exile and a widow, who is trying to found a new settlement just as Aeneas must do
  • Aeneas, protected and concealed by a mist in which Venus has enveloped him
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15
Q

What does Aeneas see when he moves inland

A
  • sees the Tyrians building the new Carthage;
  • the temple which is being built in honour of Juno-significantly, the anti-Trojan goddess is worshipped by the city which will one day, under Hannibal, be Rome’s greatest enemy
  • scenes from the Trojan war are depicted, by which Aeneas is deeply moved, especially since he himself is included in the pictures: his fame has got to Carthage before him
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16
Q

How does Venus further influence the events in Carthage?

A
  • Venus sends Cupid, disguised as Aeneas’s son Ascanius, to deliver gifts that spark Dido’s passion for Aeneas
  • leading her to fall in love with him and his companions and to invites him to recount his adventures
17
Q

What recurring epic motif is evident in Aeneas’s journey in Book 1?

A
  • The interplay of fate and divine intervention—mortal destinies are steered by the gods, ensuring that Aeneas’s trials ultimately fulfill his preordained role in founding a great civilization
18
Q

In what way does Virgil both emulate and revise the epic traditions of Homer?

A
  • While following Homer’s example (with an invocation to a muse and themes of heroic struggle),
  • Virgil revises the tradition by emphasizing his narrative voice and embedding uniquely Roman themes of destiny, duty, and the founding of an empire
19
Q

what is said about Aeneas fatein first lines of book 1

A
  • We are told in the first line that Aeneas is ‘fated to be an exile’.
  • This is not a Homeric fate which determines the problems of the moment or at the most a man’s lifetime; this fate has its plan for hundreds of years ahead
  • In a paradoxical way it requires the cooperation of a man for its fulfilment.
20
Q

what is the reaction of Aeneas when he finally recognises Venus (who had be dressed as a huntress disguised to guide him

A
  • he rebukes her, ‘You too are cruel’ (407)
  • He is clearly a lonely figure, with a dead father, a young son, and no strong companions to help him
21
Q

‘can there be so much anger in the hearts of the heavenly gods’

A
  • the poem is a meditation of this problem
  • raising insoluble problems about the struggle between man & the gods
  • between juno & jupiter - king & queen of the gods
  • & function of the gods on the freewill of human beings - whether the gods seek to help or destroy