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CM Anglo-Americana > BLOQUE 1. INTRODUCTION TO ADAPTATION STUDIES. > Flashcards

BLOQUE 1. INTRODUCTION TO ADAPTATION STUDIES. Flashcards

1
Q

Text is

A

a mosaic of quotations, a space

BUT NOT CREATING

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2
Q

ADAPTATION BEGINS WITH THE

A

FIDELITY DEBATE, first seen in cinema

FIDELITY IS A ROMANTIC CONCEPT

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3
Q

Creativity and originality

A

ended due to having different sources and people

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4
Q

AN ORIGINAL SOURCE SEEN AS GOOD AND GENUINE IS A

A

ROMANTIC IDEA

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5
Q

NO TODAS LAS SOURCES SON

A

TEXTOS LITERARIOS

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6
Q

THESE IDEAS ARE DEMOLISHED -

A

LITERATURE AS HIGH CULTURE AND VALUE

CINEMA AS DERIVATIVE, BAD AND IMPURE

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7
Q

ALL FILMS ARE

A

ADAPTATIONS

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8
Q

THE IDEA OF ‘INTERTEXTUALITY’ WAS PRESENTED BY

A

JULIA KRISTEVA

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9
Q

PALIMPSESTS WERE

A

MANUSCRIPTS IN MEDIEVAL TIMES

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10
Q

Intertextuality mentions that

A

the text is a mosaic of quotations, the text is an intersection of different texts

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11
Q

PASTICHE IS

A

a collage or pieces of other works

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12
Q

HOMAGE OR TRIBUTE, PASTICHE AND PARODY ARE

A

IMITATIONS

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13
Q

PARODY IS

A

a pastiche to make people laugh

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14
Q

SHREK 3 ASPECTS

A
  • IS A PASTICHE
  • HAS LOTS OF ECHOES
  • MAYBE A PARODY
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15
Q

PARODY OFFERS

A

CRITICAL POSITION, NOT JUST IMITATING

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16
Q

PASTICHE IS

A

COPYING AND IMITATING FOR THE SAKE OF IMITATING

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17
Q

EXAMPLE OF PASTICHE

A

STRANGER THINGS, good dose of plagiarism

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18
Q

PASTICHE engaña porque

A

NO dice que está robando

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19
Q

PASTICHE =

A

NEUTRAL IMITATION, NOT AN ADAPTATION

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20
Q

PASTICHES ARE NOT

A

ECHOES, ECHOES ARE JUST ONE SECOND

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21
Q

PASTICHE HAS

A

NEGATIVE CONNOTATIONS

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22
Q

A HOMAGE OR TRIBUTE IS ALWAYS A

A

PASTICHE

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23
Q

PACIFIC RIM IS

A

A PASTICHE

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24
Q

THE ARTIST IS

A

A PASTICHE

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25
Q

TODO ES UN

A

PASTICHE

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26
Q

PARODY IS AN EXTENDED

A

IMITATION BUT EXAGGERATED TO MAKE THE AUDIENCE LAUGH

27
Q

FILM ADAPTATION IS ANNOUNCED AS

A

AN ADAPTATION, NOT A PASTICHE

28
Q

TODO DE QUENTIN TARANTINO ES

A

UN PASTICHE

29
Q

FAMILY GUY IS

A

A PARODY, CREATED A MOMENT OF TRANSMEDIA

30
Q

MATRIX IS A

A

PASTICHE

IMITATES THE STYLE OF
- Cyberpunk
- Science-Fiction
- Religion and mythology

31
Q

PARODY =

A

IMITATION AND MOCKING

32
Q

MEMES AND FANFICTION ARE

A

PARTICIPATORY CULTURE

33
Q

SOMETIMES NOT AN ADAPTATION BUT

A

TRANSMEDIA

34
Q

ADAPTATIONS ARE NOT

A

ALLUSIONS AND ECHOES

PLAGIARISMS

35
Q

WHAT IS ADAPTATION?

A
  1. the product
  2. the process
  3. the process of reception
36
Q

CRITERIA

A
  • An acknowledged transposition of a recognizable other work or works
  • A creative and an interpretive act of appropriation/salvaging [rescatar]
  • An extended intertextual engagement with the adapted work (8)
37
Q

+ SANDERS - A

A

RECEPTIVE PROCESS – ‘Adaptations are recognized and enjoyed as adaptations by audiences

38
Q

ADAPTATIONS EXIST BECAUSE

A

WE ARE PROLONGING THE PLEASURE THAT THE STORY GAVE US

39
Q

ALL APPROPRIATIONS ARE

A

ADAPTATIONS

40
Q

JULIE SANDERS

A

SAYS THE SAME AS LINDA HUTCHEON

41
Q

APPROPRIATIONS constitute

A

“sustained engagement with the text, but often adopts a posture of critique (perhaps even assault)”.

42
Q

When the adaptation is radical =

A

APPROPRIATIONS

43
Q

It has political and ideological connotations =

A

APPROPRIATIONS

44
Q

Appropriations often

A

re-interpret a text through a political or ethical lense

45
Q

AN APPROPRIATION…. 5 REMARKS

A
  • IS INDEED AN ADAPTATION
  • BUT Julie Sanders explains that: “Appropriations often re-interpret a text
    through a political or ethical lense” (2006, 26).
  • SO appropriations go FURTHER
  • Appropriations often reflect the political/ideological/religious concerns of the
    director
  • Appropriations can be quite controversial!
46
Q

AN EXAMPLE OF APPROPRIATION

A

ALADDIN

47
Q

REMAKES ARE ALWAYS

A

ADAPTATIONS

48
Q

REMAKE HAS THE MEANING OF

A

LIKING THE MOVIE, BUT WANTING TO MAKE IT HIS WAY

49
Q

REMAKE =

A

REPETITION AND VARIATION

50
Q

ADAPTATION -

A

REMAKE - REBOOT

51
Q

REBOOT IS A

A

TYPE OF REMAKE

52
Q

REBOOT =

A

FORGETTING CONTINUITY, NOT CONTINUING THE STORY

53
Q

SPIN-OFFS ARE NOT

A

ADAPTATIONS

54
Q

REBOOT 3 REMARKS

A

(-) DISCARDS CONTINUITY + original series

(+) CREATES A NEW TIMELINE with the SAME but younger characters

(+) TO START A FRANCHISE of new SEQUELS

55
Q

IN REBOOTS, CHARACTERS

A

ARE THE SAME

56
Q

A SPIN-OFF DERIVES AND DEPARTS

A

FROM a film, tv series, video game, etc.

57
Q

SPIN-OFF focuses on and develops

A

one character in a DIFFERENT setting

58
Q

SEQUELS AND PREQUELS ARE NOT

A

ADAPTATIONS

59
Q

SEQUELS AND PREQUELS 3 REMARKS

A

+ Same characters

+ Same universe

+ TO CONTINUE THE STORY

60
Q

ECHOES AND ALLUSIONS ARE NOT

A

ADAPTATIONS

61
Q

REPLICAS ARE NOT

A

ADAPTATIONS

62
Q

FANFICTIONS AND FANARTS ARE NOT

A

ADAPTATIONS

63
Q

EASTER EGGS ARE NOT

A

ADAPTATIONS

64
Q

MEMES ARE NOT

A

ADAPTATIONS

CM Anglo-Americana (5 decks)

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