BLOQUE 1. INTRODUCTION TO ADAPTATION STUDIES.

Question 1

Text is

Answer 1

a mosaic of quotations, a space

BUT NOT CREATING

Question 2

ADAPTATION BEGINS WITH THE

Answer 2

FIDELITY DEBATE, first seen in cinema

FIDELITY IS A ROMANTIC CONCEPT

Question 3

Creativity and originality

Answer 3

ended due to having different sources and people

Question 4

AN ORIGINAL SOURCE SEEN AS GOOD AND GENUINE IS A

Answer 4

ROMANTIC IDEA

Question 5

NO TODAS LAS SOURCES SON

Answer 5

TEXTOS LITERARIOS

Question 6

THESE IDEAS ARE DEMOLISHED -

Answer 6

LITERATURE AS HIGH CULTURE AND VALUE

CINEMA AS DERIVATIVE, BAD AND IMPURE

Question 7

ALL FILMS ARE

Answer 7

ADAPTATIONS

Question 8

THE IDEA OF ‘INTERTEXTUALITY’ WAS PRESENTED BY

Answer 8

JULIA KRISTEVA

Question 9

PALIMPSESTS WERE

Answer 9

MANUSCRIPTS IN MEDIEVAL TIMES

Question 10

Intertextuality mentions that

Answer 10

the text is a mosaic of quotations, the text is an intersection of different texts

Question 11

PASTICHE IS

Answer 11

a collage or pieces of other works

Question 12

HOMAGE OR TRIBUTE, PASTICHE AND PARODY ARE

Answer 12

IMITATIONS

Question 13

PARODY IS

Answer 13

a pastiche to make people laugh

Question 14

SHREK 3 ASPECTS

Answer 14

• IS A PASTICHE
• HAS LOTS OF ECHOES
• MAYBE A PARODY

Question 15

PARODY OFFERS

Answer 15

CRITICAL POSITION, NOT JUST IMITATING

Question 16

PASTICHE IS

Answer 16

COPYING AND IMITATING FOR THE SAKE OF IMITATING

Question 17

EXAMPLE OF PASTICHE

Answer 17

STRANGER THINGS, good dose of plagiarism

Question 18

PASTICHE engaña porque

Answer 18

NO dice que está robando

Question 19

PASTICHE =

Answer 19

NEUTRAL IMITATION, NOT AN ADAPTATION

Question 20

PASTICHES ARE NOT

Answer 20

ECHOES, ECHOES ARE JUST ONE SECOND

Question 21

PASTICHE HAS

Answer 21

NEGATIVE CONNOTATIONS

Question 22

A HOMAGE OR TRIBUTE IS ALWAYS A

Answer 22

PASTICHE

Question 23

PACIFIC RIM IS

Answer 23

A PASTICHE

Question 24

THE ARTIST IS

Answer 24

A PASTICHE

Question 25

TODO ES UN

Answer 25

PASTICHE

Question 26

PARODY IS AN EXTENDED

Answer 26

IMITATION BUT EXAGGERATED TO MAKE THE AUDIENCE LAUGH

Question 27

FILM ADAPTATION IS ANNOUNCED AS

Answer 27

AN ADAPTATION, NOT A PASTICHE

Question 28

TODO DE QUENTIN TARANTINO ES

Answer 28

UN PASTICHE

Question 29

FAMILY GUY IS

Answer 29

A PARODY, CREATED A MOMENT OF TRANSMEDIA

Question 30

MATRIX IS A

Answer 30

PASTICHE IMITATES THE STYLE OF - Cyberpunk - Science-Fiction - Religion and mythology

Question 31

PARODY =

Answer 31

IMITATION AND MOCKING

Question 32

MEMES AND FANFICTION ARE

Answer 32

PARTICIPATORY CULTURE

Question 33

SOMETIMES NOT AN ADAPTATION BUT

Answer 33

TRANSMEDIA

Question 34

ADAPTATIONS ARE NOT

Answer 34

ALLUSIONS AND ECHOES PLAGIARISMS

Question 35

WHAT IS ADAPTATION?

Answer 35

1. the product 2. the process 3. the process of reception

Question 36

CRITERIA

Answer 36

* An acknowledged transposition of a recognizable other work or works * A creative and an interpretive act of appropriation/salvaging [rescatar] * An extended intertextual engagement with the adapted work (8)

Question 37

+ SANDERS - A

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RECEPTIVE PROCESS – ‘Adaptations are recognized and enjoyed as adaptations by audiences

Question 38

ADAPTATIONS EXIST BECAUSE

Answer 38

WE ARE PROLONGING THE PLEASURE THAT THE STORY GAVE US

Question 39

ALL APPROPRIATIONS ARE

Answer 39

ADAPTATIONS

Question 40

JULIE SANDERS

Answer 40

SAYS THE SAME AS LINDA HUTCHEON

Question 41

APPROPRIATIONS constitute

Answer 41

“sustained engagement with the text, but often adopts a posture of critique (perhaps even assault)”.

Question 42

When the adaptation is radical =

Answer 42

APPROPRIATIONS

Question 43

It has political and ideological connotations =

Answer 43

APPROPRIATIONS

Question 44

Appropriations often

Answer 44

re-interpret a text through a political or ethical lense

Question 45

AN APPROPRIATION…. 5 REMARKS

Answer 45

* IS INDEED AN ADAPTATION * BUT Julie Sanders explains that: “Appropriations often re-interpret a text through a political or ethical lense” (2006, 26). * SO appropriations go FURTHER * Appropriations often reflect the political/ideological/religious concerns of the director * Appropriations can be quite controversial!

Question 46

AN EXAMPLE OF APPROPRIATION

Answer 46

ALADDIN

Question 47

REMAKES ARE ALWAYS

Answer 47

ADAPTATIONS

Question 48

REMAKE HAS THE MEANING OF

Answer 48

LIKING THE MOVIE, BUT WANTING TO MAKE IT HIS WAY

Question 49

REMAKE =

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REPETITION AND VARIATION

Question 50

ADAPTATION -

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REMAKE - REBOOT

Question 51

REBOOT IS A

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TYPE OF REMAKE

Question 52

REBOOT =

Answer 52

FORGETTING CONTINUITY, NOT CONTINUING THE STORY

Question 53

SPIN-OFFS ARE NOT

Answer 53

ADAPTATIONS

Question 54

REBOOT 3 REMARKS

Answer 54

(-) DISCARDS CONTINUITY + original series (+) CREATES A NEW TIMELINE with the SAME but younger characters (+) TO START A FRANCHISE of new SEQUELS

Question 55

IN REBOOTS, CHARACTERS

Answer 55

ARE THE SAME

Question 56

A SPIN-OFF DERIVES AND DEPARTS

Answer 56

FROM a film, tv series, video game, etc.

Question 57

SPIN-OFF focuses on and develops

Answer 57

one character in a DIFFERENT setting

Question 58

SEQUELS AND PREQUELS ARE NOT

Answer 58

ADAPTATIONS

Question 59

SEQUELS AND PREQUELS 3 REMARKS

Answer 59

+ Same characters + Same universe + TO CONTINUE THE STORY

Question 60

ECHOES AND ALLUSIONS ARE NOT

Answer 60

ADAPTATIONS

Question 61

REPLICAS ARE NOT

Answer 61

ADAPTATIONS

Question 62

FANFICTIONS AND FANARTS ARE NOT

Answer 62

ADAPTATIONS

Question 63

EASTER EGGS ARE NOT

Answer 63

ADAPTATIONS

Question 64

MEMES ARE NOT

Answer 64

ADAPTATIONS