Blanche quotes and critics Flashcards

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1
Q

Blanche admitting to deceit to Mitch

A

“it is a part of womanhood”

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2
Q

Blanche influencing Stella

A

“pig”“drunk animal thing”- Stella. She copies Blanche’s use of animalistic imagery. Blanche’s manipulation of Stella imposes a threat to Stanley’s dominance.

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3
Q

Blanche talking about her trunk

A

“everything I own is in that trunk”

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4
Q

Blanche on bathing MOTIF

A

“I take hot baths for my nerves. Hydro-therapy, they call it”- alludes to Christian baptism implying water is symbolic of forgiveness from past sins-escape from reality.

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5
Q

Blanche and paper lantern MOTIF

A

“cries out as if the lantern was herself”- stage directions. Paper lantern is central plastic theatre

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6
Q

Blanche and desire, cemeteries and Elysian Fields MOTIF

A

“They told me to take a streetcar named desire, and then transfer to one called cemeteries and ride six blocks and get off at- Elysian fields”-Blanche. Desire for love after death of Allan. Death as fate of patriarchy, also interpreted as death of South. Elysian fields according to myth was a temporary place for souls back to life.

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7
Q

Blanche and desire for love

A

“After the death of Allan- intimacies with strangers was all I seemed able to fill my empty heart with”

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8
Q

Blanche on fantasy and realism

A

“I don’t want realism, I want magic”

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9
Q

Blanche and young man

A

“Young man! Young, young, young, young-man” “honey lamb” -Blanche. Blanche fears ageing and desperately wants to be young by asserting her sexuality on young men. Her drive for destruction links to Freud’s theory of Thanatos

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10
Q

Blanche’s last line

A

“I have always depended on the kinds of strangers”

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11
Q

Blanche and the dark

A

“I like the dark. The dark is comforting to me”

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12
Q

Blanche’s appearance in scene 1

A

“incongruous to the setting” “dressed in a white suit with a fluffy bodice”

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13
Q

Blanche and light

A

“her delicate beauty must avoid a strong light”

“her white clothes suggest a moth”

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14
Q

Blanche prompting Stella about her appearance

A

“I want you to look at my figure!”

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15
Q

Blanche’s self awareness

A

“my looks are slipping” “funerals are pretty compared to deaths”

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16
Q

Blanche confronting Stella about Belle Reve

A

“where were you? In bed with your polack!”

17
Q

Blanche and alcohol

A

“No, I rarely touch it”- Blanche struggles with her ideal traits of femininity that were embraced by the old south. However Stanley doesn’t face these problems because he is a man- double standards in the patriarchy.
“where could it be? oh I spy, I spy!”

18
Q

Blanche about young love

A

“its touching to notice them making their first discovery of love”

19
Q

Blanche and her promiscuous past

A

“I’ve run for protection from one roof to another leaky roof”

20
Q

Blanche’s metaphorical death(critic)

A
  • symbolic of Old south over New south
  • power of the working class over the upper class from Marxist theory
  • symbolic of victim of the patriarchy from modern feminist lens
21
Q

J.M. McGlinn

A

[Stanley] wishes to destroy [Blanche’s] composure to make her recognise that she is the same as he is, a sexual animal”

22
Q

Katrina Duerre

A

[Blanche] attempts to maintain her past luxurious life by holding onto and creating new desires rather than adjusting to her reality”

23
Q

P. Allan

A

“She craves ‘magic’ because the truth about postwar America is too harsh to bear.”

24
Q

Blanche as classist in the opening

A

“her expression is one of shocked disbelief” when viewing Elysian fields

25
Q

diversity in Elysian Fields

A

“New Orleans is a cosmopolitan city where there is a relatively warm and easy intermingling of the races in the old part of town”

26
Q

how does Blanche react to the Varsouviana polka?

A

“she is drinking to escape it”

27
Q

Blanche during rape scene

A

“night is filled with inhuman voices like cries in a jungle flame”
Stanley “springs” at Blanche shouting “tiger” (animalistic)

28
Q

Blanche at the end of the play in her most grotesque bridal self?

A

-wearing a “soiled and crumpled white statin evening gown”
-“murmuring excitedly as if to a group of spectral admirers”

29
Q

Blanche hearing shot, flashback?

A

“a distant revolver shot is heard, Blanche seems relieved”- Her relief illustrates her lack of vitality as a result of the trauma.

30
Q

Shadows during rape scene?

A

“shadows are of a grotesque and menacing form”- shadows illustrate the form of society, plastic theatre. Blanche’s worst fears and nightmares are projected onto the wall. Plastic theatre.
Williams is exposing the workings of her vulnerable mind. Expressionist technique.

31
Q

Stage directions (music) due to Mitch’s influence on Blanche

A

‘The music fades away’- It epitomises how Mitch is moving Blanche towards happiness. She doesn’t need to be lonely any more. She has found a sense of hope.

32
Q

Blanche struggling to uphold ‘old fashioned ideals’ to Mitch (rolling eyes)

A

‘She rolls her eyes, knowing that he cannot see her face’

33
Q

Paper moon quote

A

‘It’s only a paper moon…it wouldn’t be make-believe if you believed in me’

34
Q

Blanche’s fantasy

A

‘Frantically’ ‘Hiding the bottle in a closet crouching the mirror and dabbing her face with cologne and powder’- Sums her up, highlights the facade to her’, the notion she is doing this frantically shows how she is physically getting into another character.

35
Q

Sex corrupting Blanche

A

‘Stella pours the coke into the glass. It foams over and spills. Blanche gives a piercing cry.’- Creates a crude image of ejaculation. The staining of her white skirt emphasises how sex has corrupted her, her cry is likely a mixture of pleasure and pain.

36
Q

Blanche telling Mitch the truth

A

“Yes, a big spider. Thats where I bought my victims”

37
Q

Blanche infantilising Stella to manipulate and gain control

A

‘honey’

38
Q

Blanche’s family history

A

“French by extraction”
“French Huguenots”