Black Mirror San Junipero (audience/distrubution) Flashcards

1
Q

Genre?

A

Science fiction, dystopian,anthology

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2
Q

Created by?

A

Charlie Brooker

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3
Q

Co producer?

A

Anabelle Jones

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4
Q

Director?

A

Owen Harris

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5
Q

First season premiere?

A

Channel 4 in 2011

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6
Q

Bought by which large conglomerate

A

Netflix in 2016

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7
Q

Production company?

A

Broke&Bones

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8
Q

Charlie Brooker past work

A

Dead set
Screen wipe
Themes of cynical,satirical,dark comedy

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9
Q

Audience and distribution for black mirror?

A

Sound track available
Teasers in Friends- vertical integration
Billboards posters
Online interactive games

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10
Q

Marketing for black mirror?

A

Guerrilla Marketing- social media, global platform
Marketing stunts- Streamberry, Joan is awful
Trailers
Posters/Billboards-emmy nominations

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11
Q

End of Audience Theory?

A

Clay Shirky
Media users are active and involved in circulation and construction of textual meaning
Internet has effect on relationship between media and audience
Audience no longer passive consumers of mass media content-speak back,producers

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12
Q

Uses & Gratifications

A

Blulmer& Katz
Audience is active -4main uses for media
Surveillance
Entertainment
Social Interaction
Personal Identity

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13
Q

Audience targeting and appeal in San Junipero

A

Genre conventions- sci fi iconography,music,stock characters
Narrative - narratice devices typical of genre,flashbacks,flexi narrative,enigma driven plots
Aesthetic- high production value
Representation-counter stereotypical of gender and sexuality
Diverse cast

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14
Q

Marketing tatics used to promote SJ

A

Sold on genre w twist- sci fi period drama+ romance(sold on narrative enigma)
Sold on stars- Mackenzie Davies
Sold as hyper-reality- play on audience fears
Comic con

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15
Q

How did they minimise risk maximizse audience?

A

Vertical and horizontal integration
Formatting
Bankable stars- Mackenzie Davies
Popular genre

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16
Q

Cultural Industries theory

A

David Hesmondhalgh
Minimise risk maximise audience
Conglomerates opperate across number of cultural industries

17
Q

How does Hesmondhalgh apply?

A

Co production minimise financial risk
Tried and tested genre
Staggered US/UK release dates
Use of stars
Produced by major global media institution
Franchise

18
Q

Target audience for BM

A

Netflix mainstream audience
Rated 15
Sci fi fans
Speculative fiction fans
Brooker fans

19
Q

Target audience for BM (Primary)

A

Netflix mainstream audience
Rated 15
Sci fi fans
Speculative fiction fans
Brooker fans

20
Q

Target audience for BM?(secondary)

A

Market for LGBTQ+ audiences
Older audiences for nostalgic reasons
Tertiary audience

21
Q

Stuart Hall reception theory

A

Audience take either dominant,oppositional or negotiated response to text

22
Q

What is the dominant response to SJ?

A

LGBTQ+ audience would appreciate ‘against the odds’ romance

23
Q

What is the negotiated response to SJ?

A

Afterlife inside virtual reality

24
Q

What is the oppositional response to SJ?

A

Seasons on ch4 more dark
Netflix more americanised
Moral questions- euthanasia , life after death?

25
Theory of fandom
Henry Jenkins Fans form a participatory culture in which audiences are active and creative participants -active participants -textual poaching - construction of identity
26
Femslash fiction
Sub genre of fan fiction focussed on romantic/ sexual relationships between female fictional characters
27
Ways fans have participated in SJ
Rating videos Fan fiction Fan art Memes Competitions