Birdsong Flashcards

1
Q

Song learning - how is it related to humans?

A

Closest analogy to language learning in humans (model system)

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2
Q

Note

A

The most basic unit of song

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3
Q

Syllable

A

Two or more notes

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4
Q

Phrase

A

Groups of syllables (can consist of a single note or syllable)

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5
Q

Syntax

A

Specific timing and ordering of notes, syllables, and phrases

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6
Q

Structures for coordinating singing w/ respiration

A

Air sacs provide air while singing
Vocal organ (syrinx) - bronchial rings bring in air while singing
Tympaniform membranes vibrate when sounds are produced

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7
Q

Experiments by Thorpe in song learning

A

Young chaffinches were isolated and taped songs were played → if isolated birds were not exposed to tutoring/were exposed after sexual maturity, songs that developed were oversimplified and abnormal

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8
Q

Timeline of song learning

A
  1. Sub-song - variable in timing and pattern (similar to babbling)
  2. Plastic song - similar to adult song, duration of song and composite syllables are varied
  3. Crystallized song - adult song
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9
Q

Important phases of song development

A
  1. Sensory phase - exposure to song (critical period)
  2. Sensory-motor phase - sub-song, plastic song (no exposure to song during this)
    NOT THE SAME TIME COURSE FOR ALL BIRDS: seasonal breeders have separate phases (i.e. white-crowned sparrow), year-round breeders have overlapping phases (i.e. zebra finch)
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10
Q

Differences in phases of song acquisition across different birds

A

White-crowned sparrows (seasonal closed learners) - critical period ends after sensory phase and before sensory-motor phase
Zebra finches (age-limited learners) - critical period closes after sensory-motor phase has started
Canaries (open-ended learners) - can learn new songs (no end of critical period), sensory phase potentially restarts when crystallized song happens

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11
Q

Timing of different stages within the same species

A

Coastal - plastic song onset starts sooner, overlap between phases
Montane - plastic song onset starts later, very distinct phases (no overlap)
Innate and environmental components

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12
Q

Creativity in song production

A

Crystallized songs of young birds include some improvisation (can be almost identical to tutor, depends on # of tutors)

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13
Q

Songs involve learning + genes

A

Birds that are isolated but untrained → similar # of elements to adult song, similar syntactic and phonemic structure
Birds that are isolated and trained → similar to adult song
Birds that are deafened before subsong stage → disrupted production of song

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14
Q

Major principles of song learning

A
  1. Learning from a tutor - vocal learning
  2. Critical period
  3. Important hypothesis - template matching
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15
Q

Template matching

A

Ear → brain → vocal organ → template of song → back to ear (feedback provided in this model via external song)

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16
Q

Neural pathways in the birdsong system - song production (motor)

A

HVc - higher vocal center
RA - robust nucleus of the archistratum
nXIIts - hypoglossal nucleus

17
Q

Neural pathways in the birdsong system - song learning (sensory)

A

Area X
DLM - m dorsolateral thalamus
LMAN - L magnocellular n. of anterior neostriatum

18
Q

Neural correlates of song production - HVc contribution

A

HVc neurons active prior to RA neurons → hierarchical processing
HVc neurons contribute to fine temporal structure within syllables

19
Q

Michael Long experiment with HVc neurons

A

Particular area involved in controlling song timing → cooling that area should slow the song (timing between syllables is increased when HVc is cooled → song is stretched out)

20
Q

Experiment to determine role of RA

A

Temperature of RA is manipulated → no impact on fine temporal structure of song

21
Q

Role of LMAN

A

Lesions of LMAN in juvenile zebra finches caused severe deficits in song (adult zebra finches produce crystallized songs normally but cannot display context-dependent changes in variability and do not deteriorate following deafening) → LMAN contributes to learning of song

22
Q

Interactions between LMAN, RA, and HVc

A

Electrical stimulation of LMAN (not HVc) evoked excitatory synaptic potentials from virtually all RA neurons in brain slices prepared from male & female zebra finches less than 25 days in age → HVc and LMAN interact in RA

23
Q

Role of error signals in singing

A

LMAN brings in auditory feedback-related info, HVc brings in motor output for singing → RA compares and generates error signal (good match = small signal)

24
Q

Role of error signals in learning

A

Songbirds use auditory feedback to learn to sing and have a dopaminergic projection from VTA to Area X (a nucleus required for song learning) → auditory error-based reinforcement signal is computed, tells vocal motor circuits if recent vocalization was “good” or “bad”

25
Q

Experiment to determine the role of dopamine

A

Recorded from VTA while playing a distorted song → dopamine activity was phasically suppressed after distorted syllables (worse-than-predicted outcome), was phasically activated at the precise moment of the song when a predicted distortion did not occur (better-than-predicted outcome)