Beginning Woodwind Methods Flashcards

Flute, Clarinet and Alto Saxophone Tips

1
Q

Flute Instrumet Care

A
  • Remove head joint, shake out excess water
  • Put a clean cloth on the end of the cleaning rod
  • Twist middle and foot joints apart and swab each
  • Carefully wip the outside to maintain shine
  • Put pieces in case, do not force
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2
Q

Clarinet Instrument Care

A
  • Remove reed and wipe off excess water
  • Remove mouthpiece and wipe out with cloth
  • Put weighted end of cotton swab in bell and pull through barrel
  • Gently twist to remove all pieces
  • Put pieces in case, do not force
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3
Q

Alto Saxophone Instrument Care

A
  • Remove reed and wipe off excess water
  • Remove mouthpiece and wipe out with cloth
  • Loosen neck screw and remove the neck piece
  • Put weighted end of cotton swab in bell and pull through the body several times
  • Put pieces in case, do not force
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4
Q

Problem: Alto Saxophone Mis-fingering

A

Solution: Put a Sticker over the keys to skip or a sticker on the key where fingers line up

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5
Q

I-pad

A

An electronic device that is useful in mirroring or demonstrating student posture, breathing, embouchure, tone, etc.

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6
Q

Concert G#

A

Pitch created by the A.S. mouthpiece & neck alone

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7
Q

Concert F#

A

Pitch created by the Clarinet mouthpiece and barrel

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8
Q

Reed Tip for improving Clarinet/Alto Saxophone Tone

A
  • Don’t start on any reeds lower than 2.5

- Have various reed strengths available for students to “graduate” to with incentives

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9
Q

Tip for Clarinet Right Thumb

A
  • Place a bandaid on right thumb with the cushioned side placed where the thumb meets the thumb key
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10
Q

Common Flute Finger Issue

A
  • Right thumbe is too far under the instrument

- Pinky is not properly aligned with the D#/Eb key

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11
Q

Pop-ups

A
  • A woodwind warm-up exercise to improve octave shifts
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12
Q

12th

A
  • The range the Clarinet Octave key jumps each low note
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13
Q

Reasons for Cl/AS squeaking

A
  • Reed quality
  • No biting/pinching reeds
  • Check for complete sealing on note keys (by fingers or pads)
  • Constant/Consistent air flow
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14
Q

Articulation

A
  • How/when the tongue interrupts the air flow
  • Da for smooth, Ta for crisp
  • More focused on the release than the attack
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15
Q

Chopsticks

A

A useful tool in developing correct Flute embouchure

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16
Q

Straw

A

A useful tool in developing correct Clarinet/Alto Saxophone Embouchures

17
Q

Correct Clarinet posture

A
  • Feet flat on the floor
  • Sitting Tall with head straight ahead
  • Bell not rested on the knees
  • 45 degrees out from body
18
Q

Correct Flute posture

A
  • Feet flat on floor
  • Body turned towards chair corner
  • Sitting Tall with head straight ahead
  • Instrument 20 degrees below parallel
19
Q

Correct Alto Saxophone posture

A
  • Feet flat on floor
  • Sitting tall with head straight ahead
  • Bell to the Right side of body
20
Q

Correct Clarinet Embouchure

A
  • Lips toward the mouthpiece
  • Chin and nose pull away
  • get taller between your nose and the top of chin
  • Flat Chin/rolled lower lip
21
Q

Correct Flute Embouchure

A
  • Flute tone hole is centered on lips
  • Lower lip is relaxed
  • Lip should cover only 1/4 of the tone hole
22
Q

Buzzing the Mouthpiece

A

Playing the instrument using only the mouthpiece or upper pieces to ensure that embouchure and airflow are optimized before using the entire instrument

23
Q

Clarinet Assembly

A
  • Wet Reed
  • Secure smiling reed on mouthpiece with ligature
  • Connect lower joint to bell
  • Connect upper joint to lower joing (raise bridge key)
  • Connect barrel to upper joint
  • Connect mouthpiece to barrel
24
Q

Flute Assembly

A
  • Connect head joint to middle joint

- Connect middle joint to foot joint

25
Q

Alto Saxophone Assembly

A
  • Wet Reed
  • Secure smiling reed on mouthpiece with ligature
  • Connect mouthpiece to neck
  • Connect neck to body (make sure neck screw is untightened before connecting)
  • Connect neck strep to body
26
Q

Flute Vibrato

A
  • Ha ha ha ha ha
27
Q

Long Tones

A
  • Most effective woodwind warm-up to increase quality air support and therefore improve overall tone quality
28
Q

Flute Embouchure Errors

A
  • Cover too much of the flute hole
  • Direction of air flow
  • Too wide of an apeture
29
Q

F or V

A

Syllables to help students shape correct Cl/AS embouchures

30
Q

Singing the Pitch

A

-Method to help students understand oral cavity shaping when which helps them produce more accurate and in tune pitches

31
Q

What balances a Flute?

A
  • Chin
  • Left Thumb
  • Right Thumb
32
Q

Common Reed Embouchure Issue

A
  • Biting the Reed
  • Mushy bottom lip
  • not enough mouthpiece in mouth
  • thin/chipped reed
33
Q

What causes Cl/AS squeaks

A
  • Flat fingers (not fully sealing holds/pressing keys)
  • Lack of quality air support
  • Lack of quality reed
  • Biting down or pinching the reed
  • Articulation issues
34
Q

Examples that illustrate deep breathing

A

Take a breath like

  • someone is about to dunk your head under water
  • you are about to blow out trick birthday candles
  • you are trying to move paper with air only
  • a sleeping baby (tummy rises and falls)
35
Q

Breathing Exercises

A
  • Lie on your back (In for 1 and out for 4)
  • Walk at a normal pace (In for 4, out for 4, hold for 4)
  • While seated bend forward at the waist and lift your upper body by inhaling deeply