Baroque Era Flashcards
dates of Baroque Era
ca. 1600 - ca. 1750
1600 coincides w/birth of opera
1750 = death of J. S. Bach
elements of Baroque style
- basso continuo
- major-minor tonal system
- polyphonic texture
- idiomatic writing
- improvisation
- virtuosity
- ornamentation
- terraced dynamic
- motor (driving) rhythm
- dance rhythms
- the Affections
Antonio Vivaldi
1678-1741
Italian
“il prete rosso” (the red priest)
considered himself a composer of opera
today: famous for contributions to Baroque concerto repertoire
Vivaldi’s Musical Style and Contributions
development of 3-mvmt concerto structure
leader in establishing ritornello form
developed idiomatic writing for strings
exploited string virtuosity through technically demanding writing, including rapid passagework, string crossings, arpeggio figuration, double stops
incorporated programmatic writing, descriptive titles
frequent use of sequences
"The Four Seasons" 500+ concertos "Orlando Furioso" & "Griselda" (operas, 40+) "Judith Triumphans" (oratorio) "Agitata da due venti" from "Griselda"
Johann Sebastian Bach
1685-1750
born in Eisenach, Germany
trained by father, then oldest brother Johann Crhistoph
trained in instrument building and repair
Cantata No. 140 “Wachet auf, ruft uns die Stimme”, BWV 140
“Brandenburg Concerto(s)”
J. S. Bach - Arnstadt, Muhlhausen
1703-1708
various positions
went to visit Buxtehude
married Maria Barbara
two sons CPE & WF
J. S. Bach - Weimar
1708-1717
court organist & chamber musician to Wilhelm Ernst, Duke
increasing fame as organist
wrote “Orgelbuchlein” (chorale preludes)
composed music for Lutheran services
J. S. Bach - Cothen
1717-1723
Kapellmeister to Prince Leopold
many solo, chamber works composed, incl. WTC vol. 1
wife died; married Anna Magdalena Wilcke (court singer)
sons Johann Christian & Johann Christoph
J. S. Bach - Leipzig
1723-1750
Cantor of St. Thomas School
director of Collegium Music (performing ensemble of university students)
wrote “Goldberg Variations”, “Art of Fugue”, “The Musical Offering” (theme provided by Frederick the Great
Bach’s Musical Style and Contributions
personal style synthesized leading musical developments of the era
composed works in virtually every genre except opera
master of contrapuntal art
absorbed influences of international styles - German (chorale, counterpoint); French (dance rhythms, ornamentation); Italian (operatic lyricism, ritornello form, idiomatic string writing)
perfect existing forms rather than defining new ones
“Brandenburg Concertos”
Notebooks for Anna Magdalena and Wilhelm Friedemann
St. Matthew/John Passions
Mass in B Minor
George Frideric Handel
1685-1759
born in Halle, Germany
studied law at Univ of Halle
after father died, pursued music professionally
absorbed aspects of Italian musical style & language
visited major cities
patrons: Queen Anne; King George I; Earl of Burlington; Duke of Chandos
cofounded The Royal Academy of Music
interred at Westminster Abbey
“Water Music”, “Music for the Royal Fireworks” (orchestral)
“Rinaldo”, “Guilio Cesare”, “Serse”, “Orlando” (operas)
“Messiah”, “Judas Maccabeus”, “Israel in Egypt” (oratorios)
“Ode for Saint Cecilia”, Te Deum (sacred vocal)
Handel’s Musical Style and Contributions
cosmopolitan style; absorbed international currents of the day: German counterpoint, Italian opera, French overture, English choral style
alternation of homorhythmic passages w/contrapuntal textures
use of very basic musical elements (chordal passages, scale figures)
sense of pageantry & dramatic theatrical style through grandiose gestures, bold contrasts of dynamics
effective use of word painting
extended sequential writing