Banquo Flashcards

1
Q

‘Can the Devil speak true?’ - Act 1 Scene 3

A

The metaphor of ‘devil’, symbolises the Jacobean distrust of supernatural and witchcraft, which creates a contrast to Macbeth who still believes the witches do it in his favour

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2
Q

‘The instruments of darkness tell us truths’ - Act 1 Scene 3

A

• metaphor of ‘instruments of darkness’ and alliteration of ‘tell us truths’ emphasises the theme of reality vs appearances
• B is able to distinguish the evil forces from their equivocal language which relates to common Jacobean superstitions which B demonstrates
• witch hunts - witches can’t be trusted

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3
Q

‘In heaven their candles are all out’ - Act 2, Scene 1

A

• hyperbole to describe the weather - foreshadowing the darkness to come
• God has withdrawn when Divine Right is affected
• Christian language is the antithesis to Macbeth’s pagan attitude and abandonment of God

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4
Q

‘In the great hand of God… I fight of treasonous malice’

A

• outraged and disgusted by the death with the dynamic verb ‘fight’ and adjective ‘great’ - contrasts Macbeth
• echoes the Jacobean horror of the Divine Right being betrayed
• emphasises the corrupting influence of ambition

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5
Q

‘I fear thou play’dst most foully for it’

A

• shocked at ambition and violation of the GCOB - very critical of Macbeth, proxy of the ideal Jacobean
• questions the appearances of Macbeth - however he doesn’t act on this
• ‘foully’ repeats the witches - could show his desire to be part of it

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6
Q

Holinshed’s Chronicles/Context

A

• S borrowed the character of B from ‘Holinshed’s Chronicles’ published in 1587 - they were a history of Britain
• in these chronicles, B is an accomplice of M in the act of regicide
• however to flatter James I, S changes this as one of James I claims to the throne is being a descendant of B
critics see it as creating B for a policymakers alliance

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7
Q

How Shakespeare undermines B’s nobility - ‘partner’s rapt’

A

• motives are ambiguous - he does not accuse M although he has reason to, ‘look how our partner’s rapt’
• ‘rapt’ adjective (repeated in this scene) suggests Banquo is aware of how enticed and ambitious Macbeth is
• this is contrasted by ‘partner’ - suggests he considers them to be a team/tied - embracing the ambition?

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