Banquo Flashcards
“I dream’d of the three weird sisters last night” (Banquo) “I think not of them” (Macbeth)
Guilt and Appearance vs Reality and Supernatural
Banquo (Act 2)
The abstract noun “dream’d” signifies Banquo’s affliction (pain), suggesting that he is haunted not only in his waking moments but also in the realm of sleep.
This implies the intrusion of superstition into Banquo’s consciousness, trespassing on his unconscious mind.
The motif of sleep in the play becomes synonymous with the loss of innocence. As Macbeth grapples with guilt, he declares he “sleeps no more”, echoing Lady Macbeth’s somnambulant (sleep-walking) state.
Intriguingly, Banquo retains the capacity to sleep but acknowledges his ability to “dream”. This contrast illuminates Banquo’s preservation of innocence, as he truthfully admits to being captivated by the supernatural without succumbing to guilt-induced insomnia like Macbeth and Lady Macbeth.
Banquo’s sincerity operates as a foil to Macbeth’s deceit, as Macbeth falsely asserts that he does not “think” of the prophecies.
Banquo’s moral characterisation is strategically employed to heighten the contrast with Macbeth’s dishonesty and duplicity. This deliberate juxtaposition serves to accentuate the moral divergence (dividing) between the two characters.
“He hath wisdom that doth guide has valour to act in safety” (said by M) Ambition
Banquo (Act 3)
Macbeth epitomises the sin of envy (7 deadly sins) as he desires for Banquo’s capacity for courage in tempering ambition and abstaining from succumbing to these “deep desires.”
The diction (word choice) of “guide” connotes/ suggests leadership, revealing Macbeth’s initial attempt to direct and lead his ambition. However, he succumbs to its potent/strong influence, rendering him vulnerable. In stark contrast, Banquo emerges as a figure capable of self-guidance, steering clear of the temptations of sin.
The ambivalent (uncertain) portrayal of Banquo stands as the anthesis/contrast to Macbeth’s bloodthirsty depiction, underscoring the contrast in their responses to ambition’s compelling force.
“Look not like th’ inhabitants o’th’earth” Supernatural
Banquo (Act 1)
The witches’ physiognomy (when appearances are believed to be reflective of your true character) exposes them as inhumane and evil.
Banquo’s perceptiveness in recognising their depraved demeanour is important, especially considering the historical belief that he was an ancestor of King James I.
This perceptiveness serves as a subtle form of indirect flattery, aligning Banquo with a quality associated with the monarch and subtly reinforcing his sagacity/deep wisdom.
The word “earth” cultivates a natural image, accentuating the Witches’ unnatural essence and their deliberate attempt to subvert the natural order.
Banquo’s perceptiveness, unaffected by the malevolent nature crafted by the Witches, serves as a testament to his purity and moral integrity - he is immune to the corrupting influences that engulf others like Macbeth.
