Bach Cantata BWV 78 Flashcards

1
Q

Chorale

A

a four part German hymn tune written for SATB

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2
Q

Who wrote Jesu Der Du Meine Seele?

A
  • Johann Rist
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3
Q

Aria

A
  • a song performed with orchestral accompaniment from an opera/oratorio
  • vocal line is dramatic and elaborate (melismatic, melodic, metrical)
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4
Q

Recitative

A
  • mainly positioned between two arias and the text will be sung just once
  • a song sung in the form of speaking from an opera (syllabic, unmetrical, no ellaborate melody)
  • 3 types - secco, accompagnato/stromentato, arioso
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5
Q

cantata

A
  • a sacred/secular, narrative work written for soloists, chorus and orchestra.
  • comprises of several movements (arias, recitatives, duets and choruses)
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6
Q

Why was the cantata written?

A
  • for Sunday mass, based on the Gospel of the day
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7
Q

When was it composed

A

1724

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8
Q

opera

A

a dramatic work in one or more acts, set to music for orchestra and voices

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9
Q

oratorio

A
  • a large scale narrative piece for orchestra and voices on a religious theme
    (a religiously themed opera)
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10
Q

Ritornello Form

A

a recurring orchestral theme in between song sections

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11
Q

Polyphonic - give in relation!!!

A
  • Tenor, alto and bass sing the chaconne theme in cannon while the soprano singa a counter melody from movement 7 (the chorale theme)
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12
Q

Chaconne

A
  • the ground bass (ostinato) repeated throughout the movement but heard not just in the bass part but also in the upper parts
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13
Q

Ground bass

A

a recurring bassline over which the melody changes and the instruments performing the line are called the continuo

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14
Q

De Capo Aria

A
  • where the first section contrasts with the second; the first is then repeated
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15
Q

Canon

A
  • strict imitation
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16
Q

Continuo

A
  • basso continuo is a single bassline usually played by the c or db
  • the organ or harpsichord usually plays the same bassline but harmonizes it with chords (ie. figured bass)
17
Q

Figured bass

A

refers to the numbers beneath the bassline which represent the intervals above the bassnotes that form the harmonies that the keyboardist will play

18
Q

Episodes

A

contrasting sections in between each statement of the ritornello theme

19
Q

Obbligato

A

an essential line in the music usually played by a solo instrument as counter melody to a vocal performance

20
Q

Recitative Secco

A
  • the simple chordal accompaniment is restricted to a continuo (either harpsichord/organ and cello)
  • singing in the style of speaking
21
Q

Recitative Accompagnato/Stromentato

A
  • the accompaniment is an elaborate string accompaniment

- declaratory singing mixed with arioso style

22
Q

Recitative Arioso

A

a more lyrical form of a recitative used to convey the emotion of the text (melisma, metrical, more melodic)

23
Q

Ritornello FORM

A

a recurring musical idea with contrasting episodes in between (Chorus, aria duet, tenor aria, bass aria)

24
Q

Features of Baroque Music

A
  • ritornello
  • sequences
  • walking bass
  • recycling ideas (chorus and chorale)
  • modulating to almost related keys
25
concierto
a piece for instruments which features a tutti section and a soloist section piece alternates between the tutti playing anf the soloist playing
26
cantatta
a medium-length narrative piece of music for voices with instrumental accompaniment, typically with solos, chorus, and orchestra.