Bach Brandenburg Concerto Flashcards

1
Q

Period

A

Baroque

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2
Q

Genre

A

Concerto Grosso

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3
Q

What’s in the concertino?

A

Flute, violin, and harpsichord

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4
Q

What’s in the ripieno?

A

Second violin, viola, celo and contrabasso

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5
Q

What’s special about the harpsichord in this piece?

A

This concerto is the first ever to feature a solo harpsichord part

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6
Q

What two parts does the harpsichord play?

A

Solo instrument and an accompanying role in the basso continuo

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7
Q

What is the structure?

A

Ternary form (ABA)

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8
Q

What key is section A in?

A

D major

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9
Q

What key is section B in?

A

B minor

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10
Q

What is section A like?

A

A Fugue, it is a fugato in D major.

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11
Q

What is a fugue?

A

A tune in which the opening subject is taken up in turn by the other instruments. Each new part enters in imitation of the previous part, overlapping with it, often at a higher or lower pitch.

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12
Q

What is section B like?

A

It begins and ends in B minor and has a ritornello structure in which episodes based on just the first four notes of the subject alternate in ritornelli of other material from section A

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13
Q

What is ritornelli?

A

Little returns

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14
Q

Is the second section A a direct repeat of the first section A?

A

Apart from the D major chord at the start of bar 233, it is a repeat of the opening fugato. It is a ‘da capo’ form of ternary structure

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15
Q

What key is the movement in?

A

D major

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16
Q

How does Bach create contrast?

A

Changes in texture

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17
Q

Where does section A include modulations to?

A

The dominant (A major)

18
Q

How is the key of the B section related to the key of the A section?

A

The B section is in B minor which is the relative minor of D major, the key of the A section.

19
Q

What does the B section include modulations to?

A

The dominant (F# minor) and A major

20
Q

What is the entire movement based on?

A

Triadic and scalic ideas heard in the first few bars

21
Q

How does section B start?

A

With the opening 4 notes of section A transposed up from D major to B minor

22
Q

How is the accompaniment in section B similar to Section A?

A

The rippling quavers that accompany the flute at the start of section B are similar to the accompaniment section found in bar 5 (A section)

23
Q

What melodic device is frequently used in the piece?

A

Sequences

24
Q

What type of ornaments are frequently used?

A

The trill and appoggiatura

25
Q

What is the tempo?

A

Allegro (fast) and it doesn’t change

26
Q

What is weird about the tempo?

A

It is written in 2/4 time but sounds like 6/8 due to the triplet quavers

27
Q

What dance is the music in the style of?

A

A Gigue (it is generally in 6/8 time)

28
Q

What sort of rhythms are very prominent?

A

Triplets and dotted rhythms, plus semiquavers in the harpsichord part

29
Q

What texture are bars 1-2 and bars 233-234?

A

Monophonic

30
Q

What is the general texture of the piece?

A

Contrapuntal with frequent use of imitation

31
Q

What could the texture of section A be described as?

A

Fugual, but IT IS NOT A FUGUE

32
Q

What starts in bar 64, just before the end of the A section?

A

A stretto (close imitation)

33
Q

Where does the contrabasso play?

A

In the tutti sections, mainly doubling the cello

34
Q

How do the flute and violin work together?

A

They sometimes double (33-44) or play in parallel thirds (107-114)

35
Q

How does Bach create contrast with texture?

A

.The opening 4 part texture contrasts with the following more fully textured tutti
.The harpsichord solo in bars 163-176 has only a two-part canonic texture
.A free canon (between the flute and violin) begins in bar 193

36
Q

Is their many dynamics?

A

No instead Bach uses changes in texture to achieve the same effect, as many Baroque composers did

37
Q

What sort of dynamics are generally used?

A

Terraced dynamics

38
Q

What sort of chords are played?

A

.Simple diatonic chords
.triads in the root or first position
.dominant sevenths in root or inversion

39
Q

How does Bach create melodic decoration?

A

.Appogiaturas and suspensions

40
Q

Does Bach make use of pedals?

A

Tonic and dominant pedals outline the various changes of key in the B section

41
Q

What does each of the 3 main sections end with?

A

A perfect cadence