Bach Flashcards

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1
Q

What is the concertino? What instruments are part of it?

A

Concertino- group of soloists
Flute, violin and harpsichord

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2
Q

What is the ripieno? What instruments are part of it?

A

Ripieno - the orchestra/accompanying instruments
Viola, non solo violin, cello/double bass

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3
Q

What is the purpose of the harpsichord?

A

It plays as part of the ripieno and as a soloist instrument, playing an extended virtuosic part including many semiquaver, scalic runs and lots of ornamentation.

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4
Q

What is a concerto grosso?

A

It is a baroque concerto where there is a concertino (small group of soloists) and a ripieno (orchestra including a basso continuo)

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5
Q

What is the basso continuo?

A

The combination of a bass instrument (e.g. cello or double bass) and a chordal instrument (e.g lute or harpsichord)

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6
Q

What is unusual about the instrumentation?

A

Most baroque concertos had one or two solo violins but this one has a flute, violin and harpsichord. The harpsichord plays as part of both the concertino and ripieno.

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7
Q

Describe the structure.

A

It is in ternary form (ABA)

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8
Q

Describe the melody in the A section.

A
  • Leap of a 4th to consolidate key e.g. bar 1
  • based on fugal subject
  • mostly conjunct
  • ornaments (especially in harpsichord)
  • Scalic runs (mostly in harpsichord)
  • Melodic sequences
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9
Q

What is ornamentation? Give some examples.

A

Ornaments are melodic decorations by adding notes or modifying rhythms, like trills, mordents, turns and appoggiaturas

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10
Q

What is the tempo and metre?

A

In 2/4 but the triplets make it compound duple time
Baroque gigue so it is at a lively tempo of allegro

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11
Q

Common rhythms?

A

Triplets, dotted rhythms, semiquaver runs

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12
Q

Describe the B section melody

A

More lyrical
Longer note durations —> minims in the place of triplets
In the relative minor
Variant of A subject

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13
Q

Describe the overall texture.

A
  • Contrapuntal
    -harpsichord plays in two part counterpoint
  • Fugal style (not an actual fugue)
  • Imitation
  • some dialogue e.g. bar 177-186
  • sometimes the flute and violin play in thirds (the harpsichord also does this)
  • the flute and violin play in unison when the ripieno is playing
  • tonic pedal (B) in the middle section
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14
Q

What is the harmony like in the A section

A
  • Starts in D Major
  • modulates to related keys (A major e.g. bar2-3[dominant], E Major e.g. 23-24[secondary dominant] and G major e.g. 64-65 [sub dominant]
  • Diatonic
  • Functional harmony, uses standard chords
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15
Q

What is the harmony like in the B section

A
  • B minor (relative minor key)
  • modulates to F# minor, E minor, A major and D major
  • some suspensions occasionally
  • perfect cadences announce the end of sections
  • also diatonic
  • FUNCTIONAL HARMONY
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16
Q

What are the dynamics in this piece

A
  • terraced
  • harpsichord cannot play varied dynamics
  • most come from changes in texture
  • very few are actually marked on the score