B1P3 Flashcards

1
Q

What is perceptual redundancy

A

Perceptual redundancy refers to the information contained within an audio or visual signal that can be removed without affecting the recipient’s experience of the signal.

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2
Q

What is coding efficiency

A

Minimising the bit rate for a prescribed video quality; alternatively, maximising the video quality for a defined bit rate

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3
Q

What is distortion

A

An error that reflects how much the reconstructed version of the source signal differs from the original source

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4
Q

What is meant by bit rate

A

In digital communications, the number of bits passing a given point in the network in a given amount of time. This is usually one second, so bit rate is normally expressed as the number of bits per second (bps or bit s-1).

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5
Q

What three processing blocks does Pulse code modulation consist of

A

sampling, quantising and encoding

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6
Q

What is sampling

A

The process of converting a continuous analogue time signal into a discrete time representation
The signal must be sampled using sampling theorem

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7
Q

What is meant by quantising

A

The combined process of sampling and quantising is performed by an analogue to digital converter ADC. The number of bits, n, it uses in its quantised representations of the samples. A 3-bit ADC provides eight (23) discrete levels represented by three bits: 000, 001, 010 etc.

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8
Q

What is quantisation noise

A

the difference between the original and digital signal

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9
Q

What is encoding

A

The formal process of arranging a sequence of binary data (can also be symbols or characters) into an efficient format for either transmission or storage.

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10
Q

what is Differential PCM (DPCM)

A

Differential pulse-code modulation DPCM is a variant of PCM

Coverts a source analogue signal into a digital representation but able to achieve lower bit rate by including sample prediction in its coding

Send the receiver the first sample (220) followed by the differences:

So sending 220 +1 +4

Instead of 220 221 225

In predictive coding, both the encoder and decoder predict the next sample

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11
Q

What is the objective of JPEG and MPEG coding

A

removal of as much statistical and perceptual redundancy as possible, to achieve the highest compression (lowest bit rate) for a given picture quality

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12
Q

What are the 2 stages of JPEG and MPEG compression

A

Spatial compression – exploits the fact that many real pictures have considerable similarity between neighbouring areas of an image. This is called intra-frame compression
Temporal compression – exploits the fact that in most sequences, very little changes between consecutive frames. This is called inter-frame compression

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13
Q

Is JPEG coding lossy of lossless

A

De facto lossy compression standard

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14
Q

How does JPEG pre processing work

A

Image is first divided into a number of equally sized macroblocks to which DCT is then applied. Generally uses 8 x 8 pixel macroblocks

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15
Q

What is DCT

A

Converts spatial pixel values (measure of brightness and darkness of each pixel) into alternative mathematical representations

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16
Q

What is the d.c coefficient

A

top left component, and represents the average greyscale value of macroblock

17
Q

How does JPEG2000 compare to JPEG

A

Offers bitsteam scalability – which means it can change its representation to satisfy the requirements of an application or receiver
Instead of DCT, it usesd DWT discrete wavelet transform
Greater interactive flexibility than jpeg

18
Q

What are the 3 MPEG picture types

A

I-frame (intra-frame)
P-frame(prediction)
B-frame(bidirectional prediction)

19
Q

What are the features of a I-frame (intra-frame)

A
  • JPEG coded
  • Used a reference for random access with MPEG bit streams
  • Coded independently without reference to other picture types
  • Do not use motion vectors
20
Q

What are the features of a P-frame (prediction)

A

• Use motion prediction and compensation to achieve higher compression than I frames

21
Q

What are the features of a B-frame (bidirectional predicition)

A
  • Interpolated frames between I and P frames in both forward and backward direction
  • ‘Fill in; missing frames
  • Highest compression
22
Q

What is perceptual masking

A

when the composition of sound can alter the ears ability to perceive specific frequencies at specific amplitudes

23
Q

What is noise masking

A

combination of frequency masking and temporal masking

24
Q

What is meant by frequency masking

A

A perceptual effect where loud sounds mask lower-amplitude sounds and render them inaudible, especially for neighbouring frequencies. At low amplitudes this masking is contained within a relatively narrow band around the masking signal, but at higher amplitudes the masking effect is extended.

25
Q

What is meant by temporal masking

A

A perceptual effect where a loud (high-amplitude) sound temporarily masks a much quieter sound immediately after hearing the loud sound.