Atonement Part 1 Flashcards

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1
Q

What is Post Modernism Literature and how is it shown in Atonement?

A

-Relies on fragmentation, paradox and questionable narrators. It distrusts the idea that there is only 1 truth. Includes intertextuality, irony, characteristics of WW2 and is self-aware.
Links to Atonement - B creates her own reality (tricking the reader), fragmented POVs, focus on the effects of WW2, and it’s self-aware.

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2
Q

What is it important to remember about the narration?

A

That Briony is NOT an omniscient narrator - she doesn’t have access to everyone’s thoughts and feelings.

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3
Q

What are some of the crime elements in Atonement?

A
  • Motive, secrecy, money
  • Restoration of order/justice
  • Imp of setting
  • Comment on society
  • Formation of Criminal/Detective/Victim
  • Gossip & discussion
  • Misinterpretation of Events - not EoC but important
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4
Q

Characterisation of Cecilia

A

-nurturing, wants to be needed. She took on her mothers role. Cares abt her looks and reputation.
Victim of Briony’s lies

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5
Q

Characterisation of Briory in Part 1

A

Intense and controlling but dedicated, creating an everlasting impression. Her naivety is present and obvious throughout.
Easily misinterprets things inevitably causing her to commit a crime - she inserts herself as a detective yet only sees what she wants
A Criminal attempting to atone

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6
Q

Characterisation of Robbie

A
-Educated and despite the explicit nature of ch8, we don't perceive him as a threat (possibly because we know the feelings are reciprocated). His class is consistently mentioned/referred to - emphasises the class divide and the stereotypes surrounding the working class.
Victim of Briony's lies
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7
Q

Characterisation of Paul Marshall

A

Criminal Tendencies are shown yet brushed over due to the fact they are often paired with his comedic appearance, egotistical nature, and social standing.
On second reading his behaviour is more alarming.
The criminal

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8
Q

‘she was one of those children…

A

possessed by a desire to have the world just so’

Ch1, Briony

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9
Q

‘Nothing in her life was…

A

sufficiently interesting or shameful to merit hiding’

ch1, Briony

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10
Q

her movements were savage, and she would not meet his eye…

A

he did not exist, he was banished, and this also was the punishment’
Ch2, Cecilia

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11
Q

how easy it was…

A

to get everything wrong, completely wrong

Ch3, Briony

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12
Q

Robbie imperiously raised his hand now…

A

at his insistence… he looked on impatiently

Ch3, Briony POV

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13
Q

It’s the…

A

wrong genre!

Ch4, Briony

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14
Q

she noticed him…

A

hanging around the children lately. Perhaps he was interested in Lola.
Ch4, Cecilia abt Hardman

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15
Q

Marshall took control…

A

of the conversation with a ten-minute monologue

Ch4

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16
Q

one member was even accusing…

A

Marshall of being a warmonger

Ch4

17
Q

she felt him…

A

touch her lightly on her forearm. Or it may have been a leaf.
Ch4, Cecilia abt Marshall

18
Q

he woke, hot across his chest and throat…

A

uncomfortably aroused.
Ch5, Marshall after having dreams abt his sisters
EWEWEWEWEW

19
Q

you remind me…

A

of my favourite sister…

Ch5, Marshall to Lola

20
Q

he crossed and uncrossed his legs. Then he took a deep breath…

A

‘Bite it’ … ‘You’ve got to bite it’

Ch5, Marshall to Lola

21
Q

in her condition…

A

this was the only contribution she could make

Ch6, Emily

22
Q

intended as a point of interest…

A

an eye-catching feature to enhance the pastoral ideal

Ch7, the architecture

23
Q

fraying the nettles was becoming…

A

a self-purification

Ch7, Briony

24
Q

she would simply wait on the bridge…

A

calm and obstinate, until events, real events, not her own fantasies, rose to her challenge, and dispelled her insignificance
Ch7, Briony

25
Q

the air was…

A

still and heavy

Ch8

26
Q

he stood suddenly…

A

seized by horror and absolute certainty

Ch8, Robbie abt the letter

27
Q

but there…

A

was no choice

Ch9, Cecilia

28
Q

he lifted a glass and…

A

presented it to her ‘I insist you try it’

Ch9, Marshall to Cecilia

29
Q

Briony? Briony, did you read this?

A

But Briony, engaged in a shrill response to her brother’s suggestion
Ch9, Cecilia

30
Q

but it was right, it was essential…

A

for her to know everything

Ch10, Briony abt the letter

31
Q

the man’s a…

A

Maniac. A maniac.

ch10, Briony abt Robbie

32
Q

it was Paul Marshall who…

A

broke more than three minutes of asphyxiating silence.

Ch11