ATONEMENT Flashcards

1
Q

Features of a Postmodern text

A

Fragmentation, scepticism, questionable narrators

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2
Q

What is a pastiche?

A

Mimicking of other texts

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3
Q

Atonement as a metafiction

A

Reflection at the end- self aware

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4
Q

Fragmentation in Atonement

A

Unexpected narrative twist

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5
Q

Intertextuality in Atonement

A

Epigraph nods to Northanger Abbey by Jane Austen

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6
Q

The vase

A

Symbolises the appearance of something ‘fixed’ but is really fundamentally broken

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7
Q

‘that ____, _________, _________ little girl’

A

‘that busy, priggish, conceited little girl’

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8
Q

‘_____-___ year assignment’

A

‘fifty nine year assignment’

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9
Q

‘guilty of a ______ rather than ___________ ________ ‘(via McEwan)

A

‘guilty of a mistake rather than intentional mendacity’

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10
Q

The image of the ruined tongue

A

Symbol for our incapability to render ourselves accurately or truthfully

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11
Q

Briony’s desire to control reality

A

Through the act of writing, seen in her farm animals in her bedroom

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12
Q

Effect of timeslips

A

Emphasises the separateness of different points of view

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13
Q

Perspective of class and impact on narrative

A

‘class tinted spectacles’ ultimately leads to Robbie’s imprisonment. The note- ‘cunt’- shocking to middle class

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14
Q

Lack of justice- Lola and Paul

A

Their continuation of wealth points toward social corruption

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15
Q

Guilt/atonement

A

Briony’s writing of the novel is her act of atonement- metafiction

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16
Q

Love

A

Breakdown of Lola’s parents marriage, sexual love

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17
Q

‘Briony was a ______ to her ___________ _____’

A

‘Briony was a shrine to her controlling demon’

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18
Q

‘A ______ to be ________ for a _______’

A

‘A rosary to be fingered for a lifetime’

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19
Q

‘Her mothers’ _________ _____’

A

‘her mothers’ heartless smile’

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20
Q

Dear Miss Morland, consider the ________ ______ of the ____________ you have ___________’

A

‘Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained’

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21
Q

‘her _______ ______ dolls’

A

‘her straight backed dolls’

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22
Q

‘______ and _________ were too chaotic for her tastes, and she ___ ___ ____ __ __ ___ __ __ _____’

A

‘mayhem and destruction were too chaotic for her taste, and she did not have it in her to be cruel’

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23
Q

‘it was a _____ face’

A

‘it was a cruel face’

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24
Q

‘quite the little ___-_________ _______’

A

‘quite the little pre-Raphaelite princess’

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25
Q

‘this wealthy young entrepreneur might not be ____ _ ___ ____ if he was willing to pass the time of day entertaining children’

A

‘this wealthy young entrepreneur might not be such a bad sort if he was willing to pass the time of day entertaining children’

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26
Q

‘an outrageous ___ __ ___ ____’ (about Lola)

A

‘an outrageous lie on her lips’

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27
Q

‘something ________, _____, perhaps even ______’

A

‘something elemental, brutal, perhaps even criminal’

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28
Q

‘some ________ __ ________’

A

‘some principle of darkness’

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29
Q

‘he was the __________ __ ____’

A

‘he was the incarnation of evil’

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30
Q

‘he’s ________ us for years’

A

‘he’s deceived us for years’

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31
Q

‘with a ____, ___________ heart’

A

‘with a dark, unfulfilled heart’

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32
Q

‘she meant it, and was _________ ______’

A

‘she meant it, and was perfectly honest’

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33
Q

‘she marched into the _________ __ ___ ___ __________’

A

‘she marched into the labyrinth of her own construction’

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34
Q

Quotations for Robbie’s suffering

A

‘vanished life’

‘wasted day’

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35
Q

‘not every child is so _________ and ______’

A

‘not every child is so purposeful and malign’

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36
Q

‘Briony had contemplated a _______ ________ ____’

A

‘Briony had contemplated a ghostly parallel life’

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37
Q

Quotations for Briony’s suffering at the hospital

A

‘fiercely pinched her toes’

‘rubbed her neck raw’

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38
Q

‘she would never ____ the ______. She was __________’

A

‘She would never undo the damage. She was unforgivable’

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39
Q

‘her secret ______’

A

‘her secret torment’

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40
Q

‘_________ of their ________’

A

‘mausoleum of their marriage’

41
Q

‘she hadn’t intended to _______, she hadn’t acted out of ______’

A

‘she hadn’t intended to mislead, she hadn’t acted out of malice’

42
Q

‘a final act of ________’

A

‘a final act of kindness’

43
Q

Evidence to suggest that Paul knew the police

A

Offering them cigarettes from a ‘gold case’

Pats senior officer on his shoulder

44
Q

Three forms of injustice in Atonement

A

Paul Marshall’s evasion of all legal punishment
Robbie’s wrongful accusation
Briony’s lack of legal punishment

45
Q

‘absolute power of ________ _______’

A

‘absolute power of deciding outcomes’

46
Q

‘she lay in the dark ___ ____ __________’

A

‘she lay in the dark and knew everything’

47
Q

What is the moral purpose of The Trials of Arabella?

A

To convince Leon to marry

48
Q

What is Briony’s moral purpose in writing her novel ?

A

To bring Robbie and Cecilia back from the dead

49
Q

Where are the direct allusions to Northanger Abbey?

A
  1. Epigraph

2. Tilney’s hotel

50
Q

How can dark irony be heard in Henry Tilney’s words in the epigraph?

A

References the importance of ‘our laws’ in English society- McEwan exposes these

51
Q

3 things the vase can symbolise

A
  1. The fragility of Robbie and Cecilia’s love
  2. The wealth of the Tallis’ and how it will be lost
  3. War
52
Q

What can amo bars be seen to symbolise?

A

Exploitation

53
Q

Amo bars- allusion to war

A

Amo- ammunition

‘shell’

54
Q

What does Marshall use amo bars as a tool for?

A

Exploiting Lola

55
Q

Briony’s comedically pretentious language

A

‘the extrinsic fellow’

56
Q

‘Mother and chid had been _________’

A

‘Mother and child had been vaporised’

57
Q

How does McEwan show how war turns murder into a science?

A

Robbie’s focaliser- ‘mother and child had been vaporised’

58
Q

Which two writers was Atonement influenced by, and what were they well known for?

A

Henry James and Virginia Woolf, known for their psychological analysis

59
Q

McEwan uses ________ to create an _________ ______

A

McEwan uses narration to create an artificial reality

60
Q

20th century class system

A

Rigid class system- upper class inherited money, land and often homes

61
Q

Emily on Briony

A

‘to love her is to be soothed’

62
Q

‘Into an ________ ____’

A

‘into an eternal loop’

63
Q

What crime can be seen to be the catalyst for everything else?

A

Emily’s neglect

64
Q

McEwan on Briony

A

‘I never thought of her as a wicked person’

65
Q

‘that she was ______’

A

‘that she was needed’

66
Q

‘her arm was _____ _______ ___ ________ ____ ___ _______’

A

‘her arm was much thinner and lighter than her mother’s’

67
Q

Quotation for Lola’s youth

A

‘Quite the little Pre-Raphaelite princess’

‘her arm was much thinner and lighter than his mother’s’

68
Q

‘barely more than _ _____, ______ ____ ___ ____, __ _____ ___ ______’

A

‘barely more than a child, prised open and taken, to marry her rapist’

69
Q

‘her mother’s __________ _____”

A

‘her mother’s heartless smile’

70
Q

Quotations for Paul’s apparent harmlessness

A

‘conventionally dull’

71
Q

Postmodern elements of Atonement

A

The idea that there is no absolute truth

72
Q

Metafictive nature of Atonement, and impact

A

Trials of Arabella, and London 1999 highlight the constructed nature of the novel
Encourages reader to question everything

73
Q

Dunkirk as a metaphor

A

For Robbie’s suffering, and also Briony’s self-absorption

74
Q

Country house setting can be seen as….

A

A version of England that will never return after the war

75
Q

Irony of Briony becoming a nurse

A

She is unable to fix the metaphorical wounds inflicted upon Robbie and Cecilia

76
Q

How does McEwan piece together pieces of different subgenre?

A

Contrasting settings allude to different crime fiction eras

77
Q

Irony in setting of part 1

A

Briony’s childhood home is ironically idyllic and peaceful

78
Q

Evidence of Briony’s childish behaviours continuing into adulthood

A

Her constructed, false ending of her novel can be seen to be a rearranging of destinies to fit her own tidy our

79
Q

‘the ______ ____ odour of _____ blood’

A

‘the sticky sour odour of fresh blood’

80
Q

What does the opening evoke?

A

Allusion to Austen novels?

81
Q

What does the allusion to Northanger Abbey prepare us for?

A

The deceit and naivety to follow

82
Q

What was the country house a symbol of after WW2?

A

The declining upper class

83
Q

What is the effect of our first impression of Paul Marshall?

A

Overtly sexual and predatory (‘comically kinked like pubic hair’)
‘uncomfortably aroused’

84
Q

‘uncomfortably ______’

A

‘uncomfortably aroused’

Sets him up as a suspect in the context of rape

85
Q

What can be said about the police force ?

A

Ineffectual and obtuse
‘You saw him, then’
Declarative rather than interrogative

86
Q

Language of the police force

A

Declarative rather than interrogative

87
Q

Briony’s language when talking to the police

A

Monosyllabic- cold ?

‘Yes, I saw him’

88
Q

Which character does McEwan draw parallels between with Robbie?

A

Malvolio from Twelfth Night

89
Q

Why does McEwan parallel Robbie and Malvolio?

A

Draw similarities between them as tortured lovers
Foreshadows tragedy/ fate of Robbie
Helps the reader to empathise with the extent of what he has lost

90
Q

Line said by both Robbie and Malvolio

A

‘Nothing that can be can come between me and the full prospect of my hopes’

91
Q

Early on example of Briony’s controlling nature

A

Wanting to ‘guide’ Leon to the ‘right’ wife

92
Q

‘possessed by the desire to…

A

..have the world just so’

93
Q

McEwan’s use of diabolical imagery

A

‘possessed’, ‘demon’

May foreshadow turbulence

94
Q

Briony needing to be the centre of attention

A

All the animals positioned to face her

95
Q

How does Clarissa foreshadow future events?

A

Heroine is seduced and raped by the villain (Robert Lovelace)

96
Q

‘The truth…

A

…instructed her eyes’

97
Q

Tilney’s Hotel

A

Reminder for readers that stories cannot be trusted’

98
Q

Lack of justice

A

Robbie and Cecilia (the victims) die
Paul (the rapist) is ennobled
Briony (the liar) becomes a fêted author