Assessment for barry's class Flashcards

1
Q

what are things a Director in a theatre company would be responsible for?

A

Directors are responsible for bringing a Playwright’s words to life on stage or leading the Actors in a direction to create a story, called ‘devising’. They oversee every detail of the creative process and create a cohesive and compelling play by using their own artistic interpretation of the script.

  • directing
  • informing stage manager
    -making sure everything runs smoothly
  • ensuring that the actors have learned their lines.
  • making sure scenes are blocked
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2
Q

what job is the actor responsible for ?

A

Interpret serious or comic role by speech, gesture, and body movement to entertain or inform audience for stage, motion picture, television, radio, or other media production. Rehearse and memorize lines. Entertain, convey characters and express emotions in front of a live audience.

  • learning their lines
  • knowing their blocking
    -keeping track of their props
    -making sure they know the full story
    -to be able to understand what is going on and the actors relation with everything.
  • be in charge of their ques
    -exists
  • being aware of their space on stage
  • attending rehearsals
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3
Q

what’s the overall job of the director ?

A

As the name suggests, they are responsible for ‘directing’ how the overall film is made by taking a script, visualising it and creating an overarching cinematic tone for the project. In doing so they guide the actors and the various crew heads of departments to realise the vision which they have.

Directors are responsible for bringing a Playwright’s words to life on stage or leading the Actors in a direction to create a story, called ‘devising’. They oversee every detail of the creative process and create a cohesive and compelling play by using their own artistic interpretation of the script

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4
Q

what is important between the actor and director ?

A

In order for the professional relationship to flourish, there needs to be a mutual level of respect and trust between an actor and the director. The actor should support the director’s artistic vision and direction, but also feel able to offer suggestions in a professional way if they disagree.

  • listen to each other
  • be able to communicate
  • be open to ideas on both sides
  • respect for each other
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5
Q

what are the disadvantages of a proscenium arch ?

A

Disadvantages of a Proscenium Stage
Limited Audience Interaction: The separation of the audience from the action on stage can reduce the potential for interactive elements.

A disadvantage is that the audience can be quite far from the stage, making it difficult for them to see and hear the performers, or be as immersed in the action.

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6
Q

what are the advantages of a proscenium arch ?

A

End on/Procenium staging: The design enhances the visual and acoustic quality of
the performances, provides a focused viewing experience and the proscenium
arch provides a natural frame for the performance, directing the audience
attention to the action on stage

Their design enhances both the visual and acoustic quality of performances, contributing to their popularity. Focused Viewing Experience: The proscenium arch creates a natural frame for the performance, directing the audience’s attention to the action on stage.

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7
Q

what are the disadvantages of an end on stage ?

A

Disadvantages: Designers cannot use backdrops as it would obscure the view of the audience. Stage furniture has to be chosen carefully so that sightlines are not blocked. Actors have to keep moving around so the audience do not miss important pieces of action.

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8
Q

what are the advantages of an end on stage ?

A

End on/Procenium staging: The design enhances the visual and acoustic quality of
the performances, provides a focused viewing experience and the proscenium
arch provides a natural frame for the performance, directing the audience
attention to the action on stage

Advantages: The audience is close to the stage and there is an extended first row. The actors enter and exit through the audience, which can make the audience feel more engaged.

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9
Q

what are the disadvantages of theatre in the round?

A

Disadvantages: Designers cannot use backdrops as it would obscure the view of the audience. Stage furniture has to be chosen carefully so that sightlines are not blocked. Actors have to keep moving around so the audience do not miss important pieces of action.

One of the main challenges of theater in the round is that there is no clear front or back of the stage. This means that the actors have to constantly move and rotate to address different sections of the audience, and that the set has to be visible and accessible from all angles.

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10
Q

what are the advantages of theatre in the round ?

A

In the Round staging: the audience is close to the stage and can feel included in
the action, they are more likely to be engaged with the action as they can see the
other audience members and there are different viewpoints on show. In the round
also creates a sense of community for an audience.

Theatre in the round is a staging configuration when the audience are seated around all sides of the stage. Advantages: The audience is close to the stage and there is an extended first row. The actors enter and exit through the audience, which can make the audience feel more engaged.

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11
Q

what are the disadvantage’s of a traverse stage?

A

Cons: The opposing sides of the audience might see two entirely different shows and sight lines are still an issue.

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12
Q

what are the advantages of a traverse stage ?

A

Traverse staging: the audience is close to the action and can see the action form
both sides, as well as being able to see each other, which can help with the
immersive performance. Actors can enter form different places.

Pros: The audience on either side can clearly see work that happens at two sides. The audience can see each other, creating intimacy.

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13
Q

what are the disadvantages of a thrust stage ?

A

Disadvantages: Sightlines for those on extreme ends may be limited or obstructed.

Disadvantages

Actors may feel intimidated.

Limited entrances and exits for the actors.

Set can be viewed from multiple angles so must be 3D.

Audience may be distracted by each other.

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14
Q

what are the advantages of a thrust stage ?

A

Thrust staging: The audience surrounds the stage on 3 sides creating an intimate
atmosphere and bringing audience closer to the action, you can still access
backstage areas with thrust staging.

Advantages: Can use large back drop, there are three front rows, audience interaction may be easier.

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15
Q

what are the disadvantages of promenade theatre ?

A

Disadvantages: Audience members in the back rows may feel distant from the stage. The auditorium could seem very formal and rigid. Audience interaction may be difficult. To promenade means ‘to walk’ and promenade theatre is when the audience stand or follow the actors through their performance.

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16
Q

what are the advantages of promenade theatre ?

A

Advantages: the audience are a part of the action, it is very intimate, different spaces can be used, so the audience are moving instead of the set. You can use the outdoors, castles of very picturesque setting for your performance. The audience can experience different things in each part of the performance.

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17
Q

What is end on staging ?

A

studios are set up with end-on staging, meaning that the stage space is on one side of the room and the audience sit on the opposite side.

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18
Q

What is proscenium arch staging ?

A

A proscenium arch. describes the frame that surrounds a stage space, separating the audience from the stage. This helps to create a fourth wall close fourth wallAn imaginary fourth wall between the audience and the actors to help establish the illusion of reality., which is particularly appropriate for naturalistic.

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19
Q

what is in the round staging ?

A

theatre-in-the-round, form of theatrical staging in which the acting area, which may be raised or at floor level, is completely surrounded by the audience. It has been theorized that the informality thus established leads to increased rapport between the audience and the actors.

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20
Q

what is traverse staging ?

A

A traverse stage, also commonly known as an alley, corridor stage, tennis court, or catwalk, is a form of theatrical in which the audience is predominantly on two sides of the stage, facing towards each other.

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21
Q

what is a thrust stage ?

A

In theatre, a thrust stage is one that extends into the audience on three sides and is connected to the backstage area by its upstage end. A thrust has the benefit of greater intimacy between performers and the audience

22
Q

what is promenade theatre ?

A

Promenade theatre is when the audience move from place to place during the performance. This is a popular device used by various modern practitioners.

23
Q

What is ^ ?

A

Pause

24
Q

What is a > ?

A

Diminuendo gradually getting quiter

25
Q

What is < ?

A

Crescendo gradually getting louder

26
Q

What is cross SR ?

A

Cross stage right ( blocking)

27
Q

What is the offstage areas on the stage right and left called ?

A

The wings

28
Q

USR ?

A

Upstage right

29
Q

US?

A

Upstage

30
Q

USL?

A

Upstage left

31
Q

SR ?

A

Stage right

32
Q

CS?

A

Centre stage

33
Q

SL?

A

Stage left

34
Q

DSR?

A

Downstage right

35
Q

DS?

A

Downstage

36
Q

DSL?

A

Downstage left

37
Q

What are the different types of staging ?

A

End on

Thrust

Traverse

In the round

Promenade

Proscenium arch

Extra :

Black box

Amphitheaters

Platform stage

Almeida theatre

Arena theatres

Site specific theatre

38
Q

What is a cyclorama ?

A

The cyclorama is a large
(most often) muslin style
white cloth that is hung at
the back of the stage.
The cyclorama is often
used to light or project
onto to create different
atmospheres or
backdrops for the
performance.

39
Q

What are tabs, legs and borders ?

A

These are all names for theatre curtains.
Borders are short & wide curtains hung above the
stage, they block any scenery or lighting that
might be seen on the fly floor.
Tabs & Legs are the names used for the tall and
narrow curtains that can be found at either side
of the stage. These are used to block the view of
the wings from the audience.
Theatre curtains are generally made of a thick,
black, light blocking velour material.

40
Q

What is the fly system ?

A

The fly system is a series of rope
lines, bars, pulleys and
counterweights that can be used to
fly in scenery, curtains lights or
even people.
Within the fly system are a series
of bars that can be flown in and
out of the theatre.
These bars are used to rig lights,
hang curtains or hold pieces of
backdrop or scenery.

41
Q

What is the fly system ?

A

The fly system is a series of rope
lines, bars, pulleys and
counterweights that can be used to
fly in scenery, curtains lights or
even people.
Within the fly system are a series
of bars that can be flown in and
out of the theatre.
These bars are used to rig lights,
hang curtains or hold pieces of
backdrop or scenery.

42
Q

What is the prompt corner ?

A

Prompt Corner is where the Deputy
Stage Manager sits throughout
each performance.
Their role is to communicate with
the technical team to cue the lights,
sound, projection throughout the
performance.
They are also responsible for
giving the front of house message
to audience ‘The house is now open’
etc
They also give the actors their calls
- ‘this is your half hour call’ ‘Your 5
minute call’

43
Q

What is the role of an actor ?

A

The Role
Communicating a character or situation to an audience.
Interpreting the words of the writer under instruction & support of
the director.
Creating a character in a collaborative devising process.

44
Q

What are the responsibilities of an actor ?

A

The Responsibilities
Research the play/character
Learn lines/blocking
Take direction from the director
Work creatively with the director and fellow actors
Perform as rehearsed for a live audience or to camera

45
Q

What is the role of the director ?

A

Role
To bring out the best performance from
the actors and tell the story of the play in
a compelling way
Oversee creative choices on stage such as
costume, design, lighting and sound—
although these decisions are made in
conjunction with the other creatives
involved.

46
Q

What are the responsibilities of the director ?

A

Responsibilities
Research and read the play
Fully plan and prepare for each rehearsal
Creatively lead the rehearsal process
Work collaboratively with the actors and
other creatives in the room.

47
Q

What are good principles for a director to have ?

A

The following principles are useful for directors to have in mind when working on
a play:
- Create an environment of trust – Convey faith in the actors ability
- Recognize what actors need
- Be direct
- Listen – Good ideas can come from anywhere
- It’s about the work, not about you – recognize your insecurities and do not be
ruled by them.
- Make decisions – rehearsal is a process, and wrong decisions are better than
no decisions.
- Trust yourself – if you are moved then it is moving. If you laugh, then it’s funny.
If you are bored…
- Know your material – read and reread the play in detail.
- Get on your feet – plays are there to be performed
- Push your actors - people respond to positive challenges

Praise your actors – People respond to positive feedback
- Do not, as a rule, try to show the actor how to do it
- Do not be judgmental in your direction -
Example - In a scene of conflict where B is being provoked by A the direction:
Try to get character A out of your presence (active)
May be more production than:
Be more angry with A (general)
Which is better than
You’re not nasty enough to A (judgemental)
Which is certainly better than:
Try waving your arms at A (prescriptive).
extract from The Young Vic Book by Ruth Little

48
Q

How should the director/ actor relationship be like ?

A

Trust.
Collaboration. Respect.
THE ACTOR & DIRECTOR
RELATIONSHIP
This is a relationship built on
reciprocal trust.
Trust in the directors leadership
from the actor.
Trust in the actors skill and work
ethic from the director.
Collaboration - both parties
working together on the collective
drive to stage the play.
Respect – Respect for the
directors decision. Respect for the
choices of the actor.

49
Q

What is the chorus ?

A

One of the earliest forms of the
chorus was in ancient Greek theatre.
Here the chorus is a theatrical device
where a small group of performers,
usually unrelated to the action of the
play, underscore the moral themes,
actions, character development &
message of the story to the
audience.
The chorus speak directly to the
audience and often don’t interact
with the main characters at all.
Example - The muses in Disney’s
Hercules & The Three Urchins in Little
Shop of Horrors.
Sometimes, the chorus can be a
character who do interact with the
action of the play.

50
Q

What are the types of chorus you can get ?

A
  • Music & Movement: Traditional chorus’ and often still
    now in modern theatre will utilise song, music and
    movement to tell the story.
  • Chorus as individuals - a group of people but with their
    own characters, views and opinions.
  • Chorus as stereotype – chorus represent a ‘type’ of
    person: The Bridesmaids, The workers, The nosey
    neighbours etc