As lovers, Othello and Desdemona either worship or despise one another. There is no middle ground Flashcards

1
Q

She loved me for the dangers I had passed…

A

…And I loved her that she did pity them

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2
Q

Othello’s weakness is that he is too much of a…

A

…soldier to be a good lover -Levis

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3
Q

The tyrant custom has made the steel…

A

… couch of war my bed of down

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4
Q

my…

A

…fair warrior

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5
Q

“She loved me for the dangers I had passed, and I loved her that she did pity them”

A

synthetic parallelism that reveals

  1. Othello’s love is based on self fulfilment
  2. Jacobean conventions of love as men- strong and women- emotional
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6
Q

“Othello’s weakness is that he is too much of a soldier to be a good lover” -Levis

A

Othellos hamartia

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7
Q

“The tyrant custom has made the steel couch of war my bed of down”

A

metaphor subverts the typical marital “bed” imagery with “war” shows incompatibility of military heroism with love in Othello.

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8
Q

“my fair warrior”

A
  • arguably worship by aligning with archetypal strength of a soldier
  • however still subverts love with war
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9
Q

she turned to folly…

A

…and she was a whore

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10
Q

“she turned to folly and she was a whore”

A

aligning her will sexual promiscuity and corruption, damning her to hell as a traitor to God, him and society

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11
Q

“green eyed monster”

A

it is jealousy that initially motivated Othello’s hatred of Desdemona

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12
Q

Excellent wretch!… when I love…

A

…thee not, Chaos is come again”

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13
Q

“Excellent wretch”

A

oxymoronic compliment adds a disturbing impact as he blurs worship and despise, foreshadowing his spiral into despising Desdemona

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14
Q

“Chaos is come again”

A

foreshadowing the tragedy of this play as Desdemona’s death

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15
Q

“death was preferred to dishonour” -Cox

A

Othello chooses to destroy Desdemona rather than have his name tainted by her transgressions

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16
Q

“devine Desdemona”

A

once pure state is corrupted

17
Q

my downright violence and storm…

A

…of fortunes may trumpet the world

18
Q

“my downright violence and storm of fortunes may trumpet the world”

A

SF subverts the traditional passivity of women in love.

Hyperbole reveals her love as worldly

19
Q

let me…

A

…go with him

20
Q

“let me go with him”

A

imperative shows her autonomy over her father and thus the extent of her worship

21
Q

commend me to my fine…

A

…Lord. O farewell

22
Q

“commend me to my fine Lord. O farewell”

A

love and worship even when murdered.

“lord” subverts religious and romantic love showing that sh worshipped him as a God

23
Q

“Desdemona becomes a stereotype of passivity” -Jardine

A

the intensity of her love for Othello materialises her passivity which ultimately condemns her to a passive death