Art of India: Intro. and Buddhist Art Flashcards

1
Q

Vedic civilization

A

came from NW Indoeurope;

Aryans instituted the caste system of social hierarchy based on birth with no upward mobility; Aryans were part of Vedic civilization

laborer–>trader–>military–>priest

developed a complex network of rituals based on sacrifice to gods who controlled elemental forces

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2
Q

Upanishadic Civilization and Three Sacred Principles

A

Ganges river;

produced the Upanishads=sacred texts introducing 3 sacred principles that would become important in both Buddhism and Hinduism

  1. ) samsara: life is rebirth into human or animal forms; reincarnation
  2. ) karma: cycles of reincarnation are determined by deeds
  3. ) moksha (Hindu) or Nirvana (Buddhist): cessation or liberation, stopping the endless cycle or reincarnation;
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3
Q

Chandragupta Maurya

A

established a line of rulers that would unite India;

he unified India married the daughter of the Macedonian general who tried to invade India;

established trade and stopped the incursion of forces in this way

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4
Q

Alexander the Great

A

extended his empire to the Indus River

Macedonian generals tried to extend the border to India, but were defeated by Chandragupta Maurya

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5
Q

Ashoka

A

grandson of Maurya; witnessed a bloody battle in Kalinga and converted to Buddhism

made a special point to spread Buddhism not by force but by convincing people

created monumental sculpture which advocate Buddhist principle;

his columns don’t rest on the ground but go underground for about 10 ft., representing the Buddhist universal axis from earth to the sky

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6
Q

yakshi/yaksha figures

A

sensual figures of female/male nudity;

will characterize Buddhist art personifications of fertility and associated with vegetation

yakshis: ample breasts, tight waist, round hips, not totally nude, holding fly whisk; surround Buddha to keep flies off of him

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7
Q

Identify

A

Lion Capital Ashokan Pillar, Sarnath

polished sandstone

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8
Q

Lion Capital Ashokan Pillar, Sarnath

polished sandstone

A

Sarnath=where Buddha preaches first sermon

emphasis on columns capped by lion (Buddha is often associated with lions)—the idea that a lion roars and his mouth is open; message can be spread by open mouth

long standing tradition to cap columns with animals

wheel on capital represents the chakra-divine law set into action here on earth (following this law allows devotees to reach enlightenment)

on the columns were inscribed the laws of dharma

the 4 lions back to back suggest the universality of the message

the lotus flower is a common motif: something beautiful coming out of the mud in pristine condition

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9
Q

identify

A

Great Stupa, Sanchi

3rd century BC - 1st century AD

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10
Q

Great Stupa, Sanchi

3rd century BC - 1st century AD

A

Buddha was cremated and ashes were put into 8 containers,

stored in stupas mound like shape;; not hollow but solid mound of earth and rubble

not a tomb but a place to hold important relics

Buddha was seen as a mortal that reached enlightenment, but with time people wanted to venerate and worship someone

ashes were then subdivided to make countless stupas

shape of stupa suggests a mandala (a geometric pattern in a square or circle with circle within a circle within a circle); this was seen as sacred diagram of order of the universe; symbol of the order of cosmos

enter the stupa through one of the four gateways and have to walk in a clockwise motion to show veneration to Buddha

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11
Q

elements of a stupa

A

Torana = gateways; the gates in the great stupa are on the four points of a compass and represent images of Buddha indirectly; emphasis on spiral mandalas and elephants

vedika and harmika are residences of gods

axis pillar = axis of the universe

vedika wall = stone walls

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12
Q

identify

A

Yakshi, Eastern Gateway, Great Stupa, Sanchi

stone

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13
Q

Yakshi, Eastern Gateway, Great Stupa, Sanchi

Stone

A

mythological female figure is touching mangos, with foot touching the trunk of the tree

personification of abundance

almost totally nude but representing the love for ornamentation

females in Indian art and architecture are very different from Western art

there is an S-shaped curve in the body of the yakshi

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14
Q

identify

A

Chaitya Hall, Karle

100 AD

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15
Q

Chaitya Hall, Karle

100 AD

A

rock cut structure; site of a great stupa but in large cave carved inside of a rock face

horshoe arch leads in and an Ashokan column is present

not a site of Buddha worship–Buddha is a human who transceded regeneration

mithunas: male/female pairs on either side of Buddha–again like with yakshis representations of sensuality and abundance

lotus flowers are found on capitals and elephants can be found around the cave

125 ft. deep cave sites are fairly remote making it more like a pilgrimage; not too far from major trade sites however

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16
Q

Buddha

A

Buddha: actual person, died around 80 years old;

lived 563-483 BC; born into a royal family

miraculous conception and birth: Maya (mother) had dream that she would be impregnated by an elephant, producing son that is fully grown, standing by her side;

immediately after his birth, Buddha took 7 steps ;

astrologer prophesized that he would either be a great ruler or a great religious teacher and so his father kept him in palace to prevent him from being religious teacher

Buddha at age 29 makes 3 chariot rides outside the palace and sees an old person, a corpse and a sick person for the first time; his fourh chariot ride shows him a holy man

Siddharta left palace and sent all his belongings back; lived 6 years as an aesthetic, renouncing food, sex, etc. and he almost starved to death when girl brought him bowl of rice

achieves enlightenment after sitting under tree and defeats the demon forces of Mara;

after this, he leaves the tree and teaches people the Middle way (one of balance)

spends the next 45 years walking around and teaching, said to preform miracles like taming wild elephant

17
Q

8 great events in Buddha’s life

A

birth,

victory over Mara

first sermon

descent from heaven

taming wild elephant

monkey’s gift (Buddha being sustained)

miracles

death

18
Q

4 Teachings of Buddha

A
  1. life is suffering
  2. cause of suffering is desire
  3. one can over come desire
  4. overcoming desire by following 8-fold path of right understanding following this will lead to Nirvana
19
Q

identify

A

Life and Death of the Buddha, Gandhara

schist

20
Q

Life and Death of Buddha, Gandhara

schist

A

presents Buddha’s birth, enlightenment, first sermon and death

schist: sedimentary rock that is medium-grade

shows a fully grown man standing next to his mother

Buddha is represented in anthropomorphic form, whereas in Sanchi he was shown only as a set of footprints, not in actual form (or an empty chair)

Will typically be shown standing, walking, sitting(2), reclining

21
Q

dharmachakra mudra

A

pointer finger and thumb touching on both hands

teaching mudra

22
Q

Dhyana mudra

A

hands in lap, slightly crossed at fingers, facing up

meditation mudra

23
Q

Abhaya mudra

A

right hand up, palm facing out

mudra of blessing, protection, “have no fear”

24
Q

characteristics of Buddha

A

ushnisha: bun on top of head as a biological crown of sorts
urna: dot on forehead (all seeing 3rd eye)

elongated earlobes (royal prince who had jewelry-stretched out his ears; reference to his royal lineage)

chakras on soles of feet, palms of hands

often seated on a lotus throne

25
identify
Meditating Buddha, Gandhara gray schist
26
Meditating Buddha, Gandhara grey schist
monk's robe (looks like toga)--example of Western influence circular form behind head: bland circle; integration of Christian concept of halo; pagan sol invictus urna, ushnisha, meditation mudra, seated on lion throne/platform eyes are closed in meditation doesn't look typically Indian: but more western in physical appearance Gandhara was heavily influenced by Roman empire Gandharan depictions of Buddha focus on the pre-enlightenment, anorexic stage of his life
27
Bodhisattva
figures that look like Buddha, but wear jewelry reached enlightenment but instead of accepting nirvana, stay behind to help others also reach enlightenment
28
identify
Buddha on Lion Throne, Mathura red sandstone
29
Buddha on Lion Throne, Mathura red sandstone
figures around him hold fly whips to get rid of flies open hand = blessing mudra robe only over one shoulder, semi-transparent eyes are open and his gaze confronts us Mathuran tradition uses red sandstone figure appears more like yakshas--more bulk or mass, he doesn't look so frail
30
Identify
Seated Buddha Preaching First Sermon, Sarnath tan sandstone
31
Seated Buddha Preaching First Sermon, Sarnath tan sandstone
associated with deer park in Sarnath he sets in action the dharma wheel of law starts the Gupta tradition of Buddha back in act of meditating with closed eyes like a fusion of Gandharan and Muthuran traditions robe over both shoulders but is transparent; mudra of teaching is shown; not linear articulation in body: smooth, rounded, swelling halo from Gandharan becomes very ornate with linearity and ornamentation
32
Two Schools of Buddhism
Mahayana: Great Path; help all people reach enlightenment, idealize Bodhisattva; appeals to India, China, Korea and Japan; broad goals Theravada: the path of the elders; primary responsibility of Buddhism is to help individuals achieve enlightenment; appeals to South India and SE Asia
33
Identify
Cave 19, Ajanta Second Half of 5th Century
34
Cave 19, Ajanta Second Half of 5th Century
associated with monk's quarters (vihara: residence for monks); not just a place to store ash entrance with horshoe arch and lotus columns; inside is what looks like a stupa, but it is not in early forms of Buddhism, Buddha is not shown, footprints, empty chairs etc.; now, Buddha is included in the depictions, Buddha is shown in the stupa rhythmical pattern of columns, leaving a path to walk around counterclockwise; when you enter dark cave from daytime, your eyes need to adjust and as they do, more and more details begin to appear--mystical effect
35
Identify
Bodhisattva Padmapani, Cave 1, Ajanta Second Half of 5th Century
36
Bodhisattva Padmapani, Cave 1, Ajanta Second Half of 5th Century
Buddhist paintings don't survive very long; often painted on palm leaves and wood here it was done on dry plaster: secco clay, straw, white plaster, paint pallet was limited: white, black, blue (sparingly), green, red and yellow emphasis on linearity and detail (like in the Gupta tradition) Buddha renounced jewelry, so this is one important way to identify a Bodhisattva