Art Movements Flashcards
1
Q
Leonardo da Vinci
A
Italian Renaissance (14th-17th centuries)
2
Q
Michelangelo
A
Italian Renaissance (14th-17th centuries)
3
Q
Raphael
A
Italian Renaissance (14th-17th centuries)
4
Q
Sandro Botticelli
A
Italian Renaissance (14th-17th centuries)
5
Q
Titian
A
Italian Renaissance (14th-17th centuries)
6
Q
Donatello
A
Italian Renaissance (14th-17th centuries)
7
Q
Brunelleschi
A
Italian Renaissance (14th-17th centuries)
8
Q
Masaccio
A
Italian Renaissance (14th-17th centuries)
9
Q
Ghiberti
A
Italian Renaissance (14th-17th centuries)
10
Q
Emphasis on humanism, anatomy, and naturalism
A
Italian Renaissance (14th-17th centuries)
11
Q
Use of linear perspective and chiaroscuro
A
Italian Renaissance (14th-17th centuries)
12
Q
Detailed realism and focus on naturalism, with intricate attention to textures and surfaces
A
Northern Renaissance (15th-16th centuries)
13
Q
Use of oil paints for rich color and fine detail, enabling lifelike textures (skin, fabrics, jewels)
A
Northern Renaissance (15th-16th centuries)
14
Q
Religious subjects often set in everyday scenes
A
Northern Renaissance (15th-16th centuries)
15
Q
Jan van Eyck
A
Northern Renaissance (15th-16th centuries)
16
Q
Albrecht Dürer
A
Northern Renaissance (15th-16th centuries)
17
Q
Hieronymus Bosch
A
Northern Renaissance (15th-16th centuries)
18
Q
Pieter Bruegel the Elder
A
Northern Renaissance (15th-16th centuries)
19
Q
Hans Holbein the Younger
A
Northern Renaissance (15th-16th centuries)
20
Q
Elongated proportions and exaggerated poses, often creating unnatural elegance
A
Mannerism (1520–1600)
21
Q
Parmigianino
A
Mannerism (1520–1600)
22
Q
El Greco
A
Mannerism (1520–1600)
23
Q
Bronzino
A
Mannerism (1520–1600)
24
Q
Benvenuto Cellini
A
Mannerism (1520–1600)
25
Dramatic use of light (tenebrism), intense contrast between light and dark
Baroque (17th-18th centuries)
26
Dynamic movement, emotional intensity, and grandeur with rich color palettes and deep shadows
Baroque (17th-18th centuries)
27
Caravaggio
Baroque (17th-18th centuries)
28
Peter Paul Rubens
Baroque (17th-18th centuries)
29
Rembrandt
Baroque (17th-18th centuries)
30
Gian Lorenzo Bernini
Baroque (17th-18th centuries)
31
Diego Velázquez
Baroque (17th-18th centuries)
32
Johannes Vermeer
Baroque (17th-18th centuries)
33
Artemisia Gentileschi
Baroque (17th-18th centuries)
34
Nicolas Poussin
Baroque (17th-18th centuries)
35
Light, playful, and decorative style with pastel colors and delicate brushwork
Rococo (18th century)
36
Jean-Honoré Fragonard
Rococo (18th century)
37
François Boucher
Rococo (18th century)
38
Jean-Antoine Watteau
Rococo (18th century)
39
Giovanni Battista Tiepolo
Rococo (18th century)
40
Thomas Gainsborough
Rococo (18th century)
41
Elisabeth Vigée Le Brun
Rococo (18th century)
42
Emphasis on moral virtues, patriotism, and civic duty with sharp lines, clear forms, and restrained compositions
Neoclassicism (Late 18th-19th centuries)
43
Reaction against the excesses of the Rococo
Neoclassicism (Late 18th-19th centuries)
44
Inspired by archaeological discoveries of ancient Rome and Greece
Neoclassicism (Late 18th-19th centuries)
45
Jacques-Louis David
Neoclassicism (Late 18th-19th centuries)
46
Jean-Auguste-Dominique Ingres
Neoclassicism (Late 18th-19th centuries)
47
Focus on nature, landscapes, and exotic or historical subjects
Romanticism (Late 18th-19th centuries)
48
Reaction against Neoclassical rationalism and order with dramatic, expressive, and often chaotic compositions
Romanticism (Late 18th-19th centuries)
49
Francisco Goya
Romanticism (Late 18th-19th centuries)
50
Eugène Delacroix
Romanticism (Late 18th-19th centuries)
51
J.M.W. Turner
Romanticism (Late 18th-19th centuries)
52
Caspar David Friedrich
Romanticism (Late 18th-19th centuries)
53
Théodore Géricault
Romanticism (Late 18th-19th centuries)
54
William Blake
Romanticism (Late 18th-19th centuries)
55
John Constable
Romanticism (Late 18th-19th centuries)
56
Emanuel Leutze
Romanticism (Late 18th-19th centuries)
57
Gutzon Borglum
Romanticism (Late 18th-19th centuries)
58
Thomas Cole (and the Hudson River School)
Romanticism (Late 18th-19th centuries)
59
Depiction of everyday life, often focusing on the working class
Realism (Mid-19th century)
60
Emphasis on objective, truthful representation
Realism (Mid-19th century)
61
Gustave Courbet
Realism (Mid-19th century)
62
Jean-François Millet
Realism (Mid-19th century)
63
Honoré Daumier
Realism (Mid-19th century)
64
Édouard Manet
Realism (Mid-19th century)
65
Winslow Homer
Realism (Mid-19th century)
66
Thomas Eakins
Realism (Mid-19th century)
67
Focus on capturing light, color, and momentary effects
Impressionism (Late 19th century)
68
Attention to the changing qualities of light at different times of day
Impressionism (Late 19th century)
69
Loose, visible brushstrokes and unblended colors
Impressionism (Late 19th century)
70
Claude Monet
Impressionism (Late 19th century)
71
Pierre-Auguste Renoir
Impressionism (Late 19th century)
72
Edgar Degas
Impressionism (Late 19th century)
73
Camille Pissarro
Impressionism (Late 19th century)
74
Édouard Manet
Impressionism (Late 19th century)
75
Mary Cassatt
Impressionism (Late 19th century)
76
Vincent van Gogh
Post-Impressionism (Late 19th century)
77
Paul Cézanne
Post-Impressionism (Late 19th century)
78
Paul Gauguin
Post-Impressionism (Late 19th century)
79
Georges Seurat
Post-Impressionism (Late 19th century)
80
Henri Toulouse-Lautrec
Post-Impressionism (Late 19th century)
81
Emphasis on representing emotions, dreams, and mysticism
Symbolism (Late 19th century)
82
Focus on symbols, allegories, and metaphorical imagery
Symbolism (Late 19th century)
83
Gustav Klimt
Symbolism (Late 19th century)
84
Edvard Munch
Symbolism (Late 19th century)
85
Antoni Gaudí
Art Nouveau (1890–1910)
86
Bold, vivid colors used in an unrestrained, expressive way
Fauvism (Early 20th century)
87
Rejection of realistic color palettes in favor of emotion-driven colors
Fauvism (Early 20th century)
88
Henri Matisse
Fauvism (Early 20th century)
89
Fragmentation and abstraction of objects into geometric shapes
Cubism (Early 20th century)
90
Multiple viewpoints within a single picture plane
Cubism (Early 20th century)
91
Reduction of subjects to their essential forms
Cubism (Early 20th century)
92
Minimal use of color, often monochromatic
Cubism (Early 20th century)
93
Pablo Picasso
Cubism (Early 20th century)
94
Georges Braque
Cubism (Early 20th century)
95
Juan Gris
Cubism (Early 20th century)
96
Jean Metzinger
Cubism (Early 20th century)
97
Use of distorted forms and bold colors to convey emotional experience
Expressionism (Early 20th century)
98
Focus on inner turmoil, anxiety, and the darker sides of human nature
Expressionism (Early 20th century)
99
Wassily Kandinsky
Expressionism (Early 20th century)
100
Anti-art, absurdity, and rejection of traditional aesthetics
Dada (1916–1924)
101
Focus on spontaneity, chance, and non-sense
Dada (1916–1924)
102
Use of readymades (found objects) as art
Dada (1916–1924)
103
Satirical, anarchic, and anti-establishment themes
Dada (1916–1924)
104
Marcel Duchamp
Dada (1916–1924)
105
Exploration of the unconscious mind, dreams, and psychoanalysis
Surrealism (1920s–1940s)
106
Juxtaposition of irrational, fantastical, or dream-like imagery
Surrealism (1920s–1940s)
107
Salvador Dalí
Surrealism (1920s–1940s)
108
Max Ernst
Surrealism (1920s–1940s)
109
René Magritte
Surrealism (1920s–1940s)
110
Emphasis on spontaneity, emotion, and large-scale abstraction
Abstract Expressionism (1940s–1950s)
111
Gesture and physicality of paint application (action painting)
Abstract Expressionism (1940s–1950s)
112
Non-representational forms and use of color to convey emotion
Abstract Expressionism (1940s–1950s)
113
Jackson Pollock
Abstract Expressionism (1940s–1950s)
114
Mark Rothko
Abstract Expressionism (1940s–1950s)
115
Willem de Kooning
Abstract Expressionism (1940s–1950s)
116
Use of imagery from popular culture, advertising, and mass media
Pop Art (1950s–1960s)
117
Andy Warhol
Pop Art (1950s–1960s)
118
Roy Lichtenstein
Pop Art (1950s–1960s)
119
Robert Rauschenberg
Pop Art (1950s–1960s)
120
Richard Hamilton
Pop Art (1950s–1960s)
121
David Hockney
Pop Art (1950s–1960s)
122
Jasper Johns
Pop Art (1950s–1960s)
123
Emphasis on abstraction and universality by reducing art to essential forms and colors
De Stijl (1917–1931)
124
Use of geometric shapes, primarily rectangles and straight lines
De Stijl (1917–1931)
125
Restriction to a limited color palette: primary colors (red, blue, yellow), and non-colors (black, white, gray)
De Stijl (1917–1931)
126
Piet Mondrian
De Stijl (1917–1931)
127
Theo van Doesburg
De Stijl (1917–1931)
