Art final Flashcards

To help you prepare for the finals.

1
Q

Let it Dry and Add

A

Paint part one part and let it dry. Then come back and paint the next part.

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2
Q

Wet on wet (wash)

A

Wet the paper first (not too much, No Puddles!) Then apply an even coat of color across the entire wet area. The color will go only as far as the wet area.

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3
Q

Wash with Salt Texture

A

Wet the paper first (not too much), wash then sprinkle salt and let it dry. Rub the salt off after it’s dried.

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4
Q

Wash with Plastic Texture

A

Complete a wash then crumple plastic wrap over the wash and let it dry before peeling the plastic off.

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5
Q

Wax Resist

A

First you draw a design on DRY paper with crayon, then add a wash over the top ( or wet paint on top).

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6
Q

Wet on Dry

A

The paper is dry when you paint, so the colors shouldn’t run.

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7
Q

Graded(Wet-on-Wet) wash

A

The paper is wet before you add paint. Then you go back and forth with the brush, pulling it down the paper until all the color is gone. Let the paint fade lighter as you move the brush across.

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8
Q

Watercolor Pencil

A

This can be used two ways. First you can draw and then add water, Second you can draw directly on wet paper.

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9
Q

Wedging

A

kneading the clay like bread dough to mix the clay and eliminate air bubble.

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10
Q

Slab

A

a clay hand building technique that uses flatten pieces of clay.

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11
Q

Pinch

A

a clay hand building technique that uses hollow bowls shaped by pressing an opening into a ball of clay.

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12
Q

Coil

A

a clay hand building technique that uses rope-like pieces of clay.

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13
Q

Score

A

to scratch the clay surface to attach clay to clay.

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14
Q

Slip

A

water or watery clay used to “glue” clay to clay.

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15
Q

Revise

A

when you think your sculpture is completed, stop and think about what else you can do to make your sculpture better.

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16
Q

Hollow

A

when there is space or air inside an enclosed object.

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17
Q

Kiln

A

a heated enclosure, similar to an oven, for firing clay.

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18
Q

Fire

A

to bake the clay so that it is solid and will keep its shape permanently.

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19
Q

Glaze

A

a glass-like coating on the outside will keep its shape of ceramics.

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20
Q

Recycle

A

re-used dried clay instead of throwing it away (mix the clay with water, let soak, and then wedge).

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21
Q

Bone Dry (Greenware)

A

when the clay has dried out completely and there is no more water left inside of the clay. Once ceramics are at this stage, they can be bisque fired.

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22
Q

Pottery Wheel

A

a machine used to shape and make pottery.

23
Q

Bisque Firing

A

the first kiln firing for ceramics.

24
Q

Subtractive Clay Process

A

removing clay to create a finished sculpture.

25
Q

Additive clay process

A

adding clay to work to achieve a finished sculpture.

26
Q

In the Round

A

this phrase refers to being able to see or view something in three dimensions and from all sides. In sculpture and pottery, this means that you are working on or viewing a piece.

27
Q

Color Scheme

A

A combination of related colors that work well together. Examples: warm, cool, monochromatic.

28
Q

Primary colors

A

the colors that make up every color you see. Example: Red, Yellow, Blue.

29
Q

Secondary colors

A

Colors that are created by mixing two primary colors together. Examples:Green, Orange, Violet.

30
Q

Tertiary or Intermediate Colors

A

Colors achieved by mixing a primary and a secondary color together. Examples: Yellow-Green ,Blue-Green, Red-Orange.

31
Q

Warm colors

A

Red, Orange, Yellow

32
Q

Cool colors

A

Blue, Green, Violet

33
Q

Complementary

A

Colors that are directly across from another on the color wheel. Examples: Orange and Green, Blue and Green, Yellow and Violet.

34
Q

Analogous

A

Colors that are next to each other on the color wheel and share the same hue. Examples:Yellow,Yellow-Orange, and Yellow-Green.

35
Q

Monochromatic

A

Tints and Shades of one color.
Adding white creates Tints of the original color
Adding black creates shades of the original color.

36
Q

Contour Line Drawing

A

is a smooth line that follows the edges and ridges of the object being drawn.

37
Q

Sketch

A

a simple drawing artist creates to capture a thought or idea.

38
Q

Thumbnail Sketch

A

a small sketch often used to explore a theme or plan another more detailed art work.

39
Q

Composition

A

the way in which things (color, line, shape, form, texture, space) are arranged to form a visual image.

40
Q

Shading

A

a gradual change from light to dark values.

41
Q

Blending

A

layering two or more colors to create a more interesting color.

42
Q

Realistic

A

Art work in which the objects look real; the subject is recognizable.

43
Q

Abstract

A

has a subject that has been distorted to create an unrealistic composition. This can done by changing the color, simplifying it or distorting the subject matter.

44
Q

Non-Objective

A

artwork that does not have an identifiable subject (you cant’t tell the source of inspiration).

45
Q

Printmaking

A

is transferring an inked image from one prepared surface to another.

46
Q

Chinese

A

the first people to print-2,000 years ago.

47
Q

Katsushika Hokusai

A

Well known Japanese printmaking, his most famous series of prints featuring Mount Fujiyama.

48
Q

Important Invention

A

the printing press was invented in 1438 by Johannes Gutenberg.

49
Q

Edition

A

a group of identical prints all made from single plate, the number on the right tells how many total prints are in the edition, the number on left tells us what print this is. Examples: 6/100

50
Q

Relief printing

A

the image to be printed is raised up and holds the ink on top of the plate. (this is the type is printing you are going to do).

51
Q

Printing plate

A

the surface where the image is carved into or placed on top.

52
Q

Bench hook

A

used to protect your fingers from being cut.

53
Q

Brayers

A

tool used to roll out printing ink.

54
Q

Registration

A

the alignment of your print.