Art as a Way of Life (Lesson 1) Flashcards

1
Q
  • Art as a creative work that depicts the world in a completely different light and perspective, and the source is due to human freedom (Jean Paul Sartre as cited in Greene, 1995)
  • Hence, refining one’s ability to appreciate art allows him to deeply understand the purpose of an artwork and recognize the beauty it possesses (Collins & Riley, 1931)
A

Art Appreciation as a Way of Life

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2
Q
  • In art, creativity is what sets apart one artwork from another.
  • An artist embraces originality, puts his own flavor into his work, and calls it his own creative piece.
A

The Role of Creativity in Art Making

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3
Q
  • Imagination is not constrained by the walls of the norm, but goes beyond that.
  • An artwork does not need to be a real thing, but can be something that is imaginary (Collingwood, 1938).
  • Artists use their imagination that gives birth to reality through creation.
  • In the same way that imagination produces art, art also inspires imagination.
A

Art as a Product of Imagination, Imagination as a Product of Art

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4
Q
  • Robin George Collingwood, an English philosopher who is best known for his work in aesthetics, explicated in his publication The Principles of Art (1938) that what an artist
    does to an emotion is not to induce it, but express it.
  • Some forms of art expression include visual arts, lm, performance art, poetry performance, architecture, dance, literary arts, theater arts, and applied arts.
A

Art as Expression

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5
Q
  • Roughly and broadly, the functions of art are classified into three: personal (public display or expression), social (celebration or to affect collective behavior), and physical
    (utilitarian)
A

Functions of Art

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6
Q

Does Art Always Have to Be Functional?

A
  • The value of a work of art does not depend on function but on the work itself.
  • Despite these, efficiency cannot be mistaken as beauty. While it certainly determines
    beauty in some works of art, an efficient functional object is not necessarily beautiful.
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7
Q

Philosophical Perspectives on Art

A
  1. Art as an Imitation.
  2. Art as a Representation
  3. Art as a Disinterested Judgment
  4. Art as a Communication of Emotion
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8
Q

For Plato, when one ascribes beauty to another person, he refers to an imperfect beauty that participates only in the form of beauty in the World of Forms

A

Art as an Imitation

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9
Q

Aristotle considered art as an aid to philosophy in revealing truth. It allows for the experience of pleasure. art also has an ability to be instructive and teach its audience things

A

Art as a Representation

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10
Q

According to Leo Tolstoy, art plays a huge role in communication to its audience’s emotions that the artist previously experienced about life; thus, it is cognitive as well .

A

Art as a Communication of Emotion

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11
Q

Kant considered the judgment of beauty, the cornerstone of art, as something that can be universal despite its subjectivity. Kant mentioned that judgment of beauty, and therefore, art, is innately autonomous from specific interests.

A

Art as a Disinterested Judgment

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12
Q

The primary stage of engaging with art is its__________

A

Perception

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13
Q

____________ is illustrated in the way that selective perception renders one or two details more prominent than others, prompting the viewer to focus on some details as essential or as standouts

A

Subjectivity

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14
Q

Types of Subjects

A
  • Representational art
  • Non - representational art
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15
Q

Have subjects that refer to objects or events occurring in the real world

A

Representational art

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16
Q

does not make a reference to the real world, whether it is a
person, place, thing, or even a particular event. It is stripped down to visual elements such as shapes, lines, and colors that are employed to translate a particular feeling, emotion, and even concept

A

Non - representational art

17
Q

Sources of Art Subjects

A
  • Landscapes
  • Still - life
  • Legends and Life of the Saints
  • Animals
  • Church Rituals & Religious Activities
18
Q

observing the beauty of physical environment.

A

Landscapes

19
Q

to illustrate their beauty when touched by the painters.

A

Still - life

20
Q

the vigor and grace of animals in motion have captured painters’ imagination and sculptors’ imagination, too.

A

Animals

21
Q

Legends and Life of the Saints

A

many stories about them have been told w/c have found
their way into the arts.

22
Q

have great influence on language and speech
patterns.

A

Church Rituals & Religious Activities

23
Q

is the meaning of a work of art. The content of a work of art not only refers its subject matter and its underlining meanings or themes

A

Content

24
Q

Plato

A

Ascribes beauty from another person

25
Q

Immanuel Kant

A

Beauty is universal despite its subjectivity

26
Q

Leo Tolstoy

A

Artist express their emotions through art

27
Q

Aristotle

A

Represents art by revealing the truth

28
Q

3 Levels of meaning/interpretation

A
  • Factual
  • Conventional
  • Possible variations of meanings
29
Q
  • English philospher known for his works in aesthetics
A

Robin George Collingwood

30
Q

What is Collingwood’s work?

A

The Principles of Art (1938)

31
Q

Define the different functions of art

A
  • Physical (Utilitarian, useful)
  • Personal (Publcic display or expression
  • Social (Collective behavior)
32
Q

Efficiency cannot be mistaken as _________

A

Beauty

33
Q

The manner depends to a large extent on the interest, imagination, creativity, and purpose of the artist

A

Realism

34
Q

Dramatizing art to create ab emotional effect

A

Distortion

35
Q

Technique of simplifying and reorganizing objects accrdng to artist’s creative expressions

A

Abstraction