Art Flashcards

1
Q

Readymade

A

Every day object presented as a work of art. Marcel Duchamp - Fountain, Bottlerack

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2
Q

Medium

A

Material on or from which an artist chooses to make a work of art.

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3
Q

Print

A

Picture reproduced on paper, often in multiple copies

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4
Q

Watercolor

A

Transparent paint made from pigment and a binder dissolved in water.

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5
Q

Medieval

A

Relating to the Middle Ages; roughly between the fall of the Roman Empire and the Renaissance

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6
Q

Renaissance

A

Period of cultural and artistic change in Europe from the fourteenth to the seventeenth century.

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7
Q

Calligraphy

A

Art of emotive or carefully descriptive hand lettering or handwriting.

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8
Q

Ceramic

A

Fire-hardened clay, often painted, and normally sealed with shiny protective coating.

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9
Q

Patron

A

Organization or individual who sponsorts the creation of works of art.

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10
Q

Manuscripts

A

Handwritten texts

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11
Q

Guilds

A

Medieval associations of artists, craftsmen, or tradesmen

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12
Q

Academies

A

Institutions training artists in both the theory of art and practical techniques.

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13
Q

Provenance

A

Record of all known previous owners and locations of a work or art.

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14
Q

Mural

A

Painting executed directly on to a wall.

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15
Q

Neutral Tones

A

Colors (such as blacks, whites, grays, and dull gray-brown) made by mixing complementary hues.

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16
Q

Oil Paint

A

Paint made of pigment suspended in oil.

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17
Q

Ivory

A

Hard, creamy-colored material from the tusks of such mammals as elephants.

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18
Q

Elements

A

Basic vocabulary of art - line, form, shape, volume, mass, color, texture, space, time and motion, and value (lightness/darkness)

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19
Q

Principles

A

“Grammar” applied to the elements of art - contrast, balance, unity, variety, rhythm, emphasis, pattern, scale, proportion, and focal point.

20
Q

Two-dimensional

A

Having heights and width.

21
Q

Line

A

Mark, or implied mark, between two endpoints.

22
Q

Shape

A

Two-dimensional area the boundaries of which are defined by lines or suggested by changes in color or value.

23
Q

Contrast

A

Drastic difference between such elements as color or value (lightness/darkness)

24
Q

Outline

A

Outermost line of which an object or figure, by which it is defined or bounded.

25
Q

Plane

A

Flat surface

26
Q

Facade

A

Any side of a building, usually the front or entrance.

27
Q

Conceptual Art

A

Work in which the ideas are often as important as how it is made.

28
Q

Automatic

A

Suppressing conscious control to access subconscious sources of creativity and truth.

29
Q

Style

A

Characteristic way in which an artist or group of artists uses visual language to give a work an identifiable for of visual expression.

30
Q

Actual Line

A

Continuous uninterrupted line.

31
Q

Implied Line

A

Line not actually drawn but suggested by elements in the work.

32
Q

Rhythm

A

Regular or ordered repetition of elements in the work.

33
Q

Etching

A

Printmaking process that relies on acid to bite (or etch) the engraved design into the printing surface.

34
Q

Background

A

Part of a work depicted furthest from the viewer’s space, often behind the main subject manner.

35
Q

Volume

A

Space filled or enclosed by a three-dimensional figure or object.

36
Q

Space

A

Distance between identifiable points or planes.

37
Q

Color

A

Optical effect caused when reflected white light of the spectrum is divided into a separate wavelength.

38
Q

Collage

A

Work of art assembled by gluing materials, often paper, onto a surface. From the French coller, to glue.

39
Q

Pattern

A

Arrangement of predictably repeated elements.

40
Q

Highlight

A

Area of lightest value in a work.

41
Q

Positive Shape

A

Shape defined by its surrounding empty space.

42
Q

Negative Space

A

Empty space given shape by its surround, for example the right-pointing arrow between the E and X in FedEx.

43
Q

Abstract

A

Art imagery that departs from recognizable images from the natural world.

44
Q

Woodcut

A

Print created from an incised piece of wood.

45
Q

Figure-Ground Reversal

A

Reversal of the relationship between one shape (the figure) and its background (the ground), so that the figure becomes background and the ground becomes the figure.

46
Q

Concentric

A

Identical shapes stacked inside each other sharing the same center, for example the circles of a target.