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CSUN Fall Semester > ART 124A Vocabulary > Flashcards

ART 124A Vocabulary Flashcards

1
Q

Additive colors

A

Pertaining to the light primaries of red, green, and blue (video color primaries)

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2
Q

Aesthetic

A

Pertaining to the philosophy of what is beauty, relating to its nature, creation and appreciation

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3
Q

Anatomy

A

The science of the morphology or structure of animals or plants

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4
Q

Animation

A

A motion picture made by a series of images each showing a different phase of movement

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5
Q

Asymmetrical

A

Without balance, or where one half of the picture is not the mirror image of the other

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6
Q

Atmospheric perspective

A

The effects of impurities in the atmosphere on how we see an object a.k.a. Arial

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7
Q

Axis

A

A real or imaginary straight line on which an object rotates or is regarded as rotating

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8
Q

Background

A

The space behind the subject in a portrait or still life. The part of the scene that is or seems to be the furthest away from the viewer

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9
Q

Balance

A

A state of equilibrium in amount, weight, value, importance between two or more parts of a thing. Or that which suggests the offsetting or contrasting of parts so as to produce an aesthetic equilibrium in the whole

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10
Q

Carving

A

The technique of cutting and abrading the surface of a block of material to shape it into a particular form, the creation of sculpture by cutting away hard materials such as stone or wood

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11
Q

Chiaroscuro

A

A use of light and dark in a painting or drawing to produce illusion of form or solidity

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12
Q

Color wheel

A

A conventional way to show the relationships of paint colors to one another by arranging them in a circle or wheel. Primary colors – red, yellow, blue Secondary colors – orange, green, Violet

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13
Q

Composition

A

The act of putting together a whole by combining parts, the total content of a work of art (includes the design)

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14
Q

Complementary colors

A

Colors opposite one another on the color wheel. Mixed together into grays. Mixed in full strength they produce dark gray or brown

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15
Q

Conceptual art

A

Art that may exist only as an idea and not necessarily as a physical reality

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16
Q

Contrapposto

A

Positioning or twisting of the human body so that hips, shoulder and head are turned in different directions to suggest movement and tension between parts of the body

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17
Q

Contrast

A

To compare so as to emphasize the differences

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18
Q

Craftsmanship

A

Skilled in workmanship, how well something is done

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19
Q

Critique

A

And analysis or evaluation of a subject requiring careful judgment

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20
Q

Cross-hatching

A

It text me quit uses intersecting parallel lines to create tone or shading affect

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21
Q

Cube

A

A solid having six equal sides

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22
Q

Curvilinear

A

A type of line that is characterized by curves

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23
Q

Cylinder

A

A solid described by the edge of a rectangle rotated around its axis

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24
Q

Design

A

The skillful layout or the arrangement of parts in a work of art

Elements of design: shape, color, texture, line, direction, value

Principles of design: unity, conflict, dominance, repetition, alternation, balance, harmony, gredation

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25
Q

Dominance

A

In design theory the resolution of conflicting ideas make one idea more important than the other. For example, in a drawing containing both circles and triangles, one or the other should be more important

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26
Q

Emphasis

A

Special attention given to something in order to make it stand out. To be given a particular prominence

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27
Q

Eye level

A

A plane parallel to the ground and passing through the observers eyes

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28
Q

Focal point

A

A center of interest in a picture

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29
Q

Font

A

The assortment of a type in size and in style. A set of glyphs or images representing the characters from some particular character set in a particular size and typeface

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30
Q

Foreground

A

The part of a scene or picture that appears nearest to the viewer

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31
Q

Foreshortening

A

To represent some lines of an object as shorter than they actually are in order to give the illusion of proper relative size, in accordance with the principles of perspective. To shorten a detail so it appears to have depth.

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32
Q

Form

A

The three-dimensional characteristics of an object, it’s height, width and depth

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33
Q

Format

A

The generalize arrangement or plan of something whether it be shape, size or type

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34
Q

Frontal

A

Of the front, the part of something that faces forward or is regarded as facing forward

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35
Q

Geometric forms

A

Forms that are characterized by straight lines, triangles, circles, or similar regular forms

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36
Q

Gesture

A

A movement or movement of the body or of its parts that express or emphasize ideas or emotions

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37
Q

Gesture drawing

A

Any drawing technique intended to capture an action, movement or attitude of a person or animal. Usually such drawings are quick, sketchy and spontaneous

38
Q

Graphic art

A

A type of art including painting, drawing, printmaking that are expressed on flat surfaces

39
Q

Ground

A

The bass, the background surface over which a coating is applied before the application of paint

40
Q

Harmony

A

A state of agreement or proportionate arrangement, a combination of parts in a pleasing whole

41
Q

Horizon line

A

The imaginary line where sky and ground meet

42
Q

Hue

A

The name of a particular color

43
Q

Implied line

A

Alina is expressed in directly or suggested by allusion

44
Q

Intensity

A

The degree or extent of something, it’s relative strengths

45
Q

Line

A

A thin continuous mark as that made by a pen, pencil, or brush applied to a surface, a locus of points

46
Q

Line quality

A

The expressive characteristics of a line

47
Q

Medium

A

Material or technique as use for expression or delineation in art

48
Q

Middle ground

A

In a representational picture it is the area that is neither closest nor furthest from the view

49
Q

Mixed media

A

The use of more than a single kind of material in a work of art

50
Q

Montage

A

And artistic composition made up of different kinds of elements of a similar thing

51
Q

Movement

A

A tendency or trend in our involving many artists aiming at common goals

52
Q

Negative space

A

The space or area around an object in a picture

53
Q

Non-Representational

A

A type of art that does not intend to represent, in recognizable form, objects in the observable

54
Q

Objectivity

A

The quality of being of regarded as independent of the mind, the actual, without bias or prejudice

55
Q

One point perspective

A

Also known as parallel perspective, a system of converging lines towards a single vanishing point that creates the illusion of depth

56
Q

Organic shape

A

Shapes which are derived from living organisms

57
Q

Overlapping

A

A technique for suggesting depth with the object in front is seemingly closer and the object in the back (the one that is partially covered) is seemingly farther away

58
Q

Pattern

A

An arrangement of forms often repetitive or that which serves as a model or a template

59
Q

Perspective

A

A technique for suggesting depth and distance in a picture by making parallel lines meet

60
Q

Picture plane

A

The image area or the surface of a picture

61
Q

Plasticity

A

Capable of being shaped or formed, pliable

62
Q

Positive space

A

The space or shape that is occupied by the subject in a drawing or a painting (the occupied space)

63
Q

Process

A

The procedure or steps taken to achieve a particular goal

64
Q

Proportion

A

The comparative relationship between parts, things, or elements (with respect to size, amount, degree) relative to the whole

65
Q

Rectilinear

A

Characterized by straight lines

66
Q

Render

A

Rendering in visual art and technical drawing means the process of creating, shading and texturing of an image, especially a photo realistic one. It can also be used to describe the quality of execution of that process. This is synonymous with illustrating. The emphasis of the term is on the correct reproduction of light and shadow and the service properties of the depicted objects, not on the emotional impact, composition, or other more generic qualities, more often it is used in relation to the more exacting, meticulous techniques like pencil or airbrush.

67
Q

Repetition

A

A design principle of reoccurring theme such as size, shapes, colors and so on in order to contribute to the unity of a work of art

68
Q

Representational

A

To put tray or depicts a likeness, and recognizable form, objects in the observable world

69
Q

Rhythm

A

A flow of movement or activity characterized by regular recurrence of these elements

70
Q

Scale

A

The size ratio between the represented and that of the actual object (the relative size)

71
Q

Sfumato

A

The use of careful transitions in value to help define form. Like chiaroscuro but finer and more delicate and often characterized by a smoky quality

72
Q

Shape

A

The contour, outline or the two dimensional quality of an object, which is the height and width

73
Q

Sketch

A

Any quick preliminary drawing or painting not necessarily intended as a final product

74
Q

Space

A

The areas in which things exist occupy or move

75
Q

Sphere

A

A round solid having the service equally spaced from the center of all points

76
Q

Subjectivity

A

Accepted by or produced by the mind or a state of mind resulting from the feelings or temperament of the individual or having to do with the perception or conception of anything by the mine as opposed to it’s reality independent of the mind

77
Q

Subtractive colors

A

These are the colors were objects subtract (or absorbed) from white light reflecting off the remaining color. These primary colors are red, blue and yellow. Associated with pigment colors

78
Q

Superficial muscles

A

Muscles perceivable or of being on the surface

79
Q

Surface anatomy

A

Anatomy which pertains to the outer face or exterior structure

80
Q

Symmetry

A

An arrangement marked by regularity and balance proportions

81
Q

Texture

A

The visual or tactile characteristic of the surface of an object

82
Q

Tint

A

A lighter shade of the color made by dilution or mixing white light

83
Q

Two point perspective

A

Linear perspective that consists onto vanishing points on a horizon line (also known as angular perspective)

84
Q

Unity

A

A design principle that says a work of art is satisfying only if there is a wholeness, and quality of being total or whole, and the state of being one

85
Q

Value

A

The relative lightness or darkness of the color; tone; shade; darker colors have a low value; lighter colors have a high value

86
Q

Vanishing point

A

The point at which a diminishing object seems to disappear

87
Q

Variety

A

The quality or condition of being various or varied; diversity. The state or quality of being varied, the absence of monotony or sameness

88
Q

Volume

A

The amount of space that is occupied in three dimensions

89
Q

Warm colors

A

Colors are often described as having temperature
Warm: purple, red, oranges, and yellows

Warm colors are often associated with fire and sun. They appear on one side of the color wheel, bordered by the neutral colors, and opposite the cool colors. Psychologically, warm colors are said to be stimulating and passionate. Optically, warm colors generally appeared to advance, coming towards the viewer

90
Q

Neutral Colors

A

Colors are often described as having temperature

Neutral: violets and greens

91
Q

Cool Colors

A

Colors are often described as having temperature

Cool: Blue-greens and blues

92
Q

Abstract

A

Not necessarily related to real forms or objects, art relying on other qualities other than just depiction of things for its impact

CSUN Fall Semester (2 decks)

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