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Dance > Aqa Subject Specific Vocabulary > Flashcards

Aqa Subject Specific Vocabulary Flashcards

1
Q

Accessory

A

An additional item of costume e.g. gloves

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2
Q

Actions

A

What a dancer does e.g. travelling, turning, elevation, gesture, stillness, use of body parts, floor-work and the transference of weight

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3
Q

Acceleration

A

Speeding up the movement

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4
Q

Accompaniment

A

The sounds that you hear during a dance. For example, percussion

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5
Q

Accumulation

A

When a dancer performs a series of movements and others join in at different times until all perform in unison

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6
Q

Air pattern

A

A design that is traced in the air by a part of the body

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7
Q

Alignment

A

Correct placement of body parts in relation to each other

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8
Q

Appreciation

A

Recognition and understanding of the qualities of dance

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9
Q

Artistic intention

A

The aim of a dance; what the choreographer aims to communicate

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10
Q

Artistry

A

Creative skill

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11
Q

Auditory

A

Relating to sound

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12
Q

Aural setting

A

An audible accompaniment to the dance such as music, words, song and natural sound (or silence)

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13
Q

Balance

A

A steady or held position achieved by an even distribution of weight

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14
Q

Binary

A

A composition in two parts or sections

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15
Q

Canon

A

When the same movements overlap in time

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16
Q

Choreographic approach

A

The way in which a choreographer makes the dance

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17
Q

Choreographic devices

A

Methods used to develop and vary movement a material

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18
Q

Choreographic intention

A

The aim of the dance; what the choreographer aims to communicate

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19
Q

Choreographic process

A

Activities involved in creating dance such as improvisation, selection and development

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20
Q

Choreography

A

The art of creating dance

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21
Q

Climax

A

The most significant part of the dance

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22
Q

Complementary

A

Perform actions or shapes that are similar to but not exactly the same as another dancer’s

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23
Q

Constituent features

A

Characteristics of choreography such as style, stimulus, subject matter, number/gender of dancers, action content, choreographic principles, form and structure, physical and aural settings

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24
Q

Contrast

A

Movements or shapes that have nothing in common

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25
Q

Control

A

The ability to start and stop movement, change direction and hold a shape efficiently

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26
Q

Coordination

A

The efficient combination of body parts

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27
Q

Costume

A

Clothing worn by dancers in performance

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28
Q

Counterpoint

A

When dancers perform different phrases simultaneously

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29
Q

Critical appreciation

A

Evaluation of dance based upon knowledge and understanding, including original insights

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30
Q

Dance film

A

Where dance and film are both integral to a work

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31
Q

Dance for camera

A

Where the choreographer collaborated with (or is) the film maker, where the intention is to produce a dance work in multi media form that cannot be achieved in live performance

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32
Q

Dancewear

A

What the dancer wears for class and rehearsal

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33
Q

Deceleration

A

Slowing down the movement

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34
Q

Development

A

The way in which movement material is manipulated

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35
Q

Direction

A

The facing of a movement

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36
Q

Dynamics

A

The qualities of movement based upon variations in speed, strength and flow

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37
Q

Elements of dance

A

Actions, space, dynamics and relationships

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38
Q

Elevation

A

The action of going up, without support, such as in a jump

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39
Q

End stage

A

A performance space with the audience on one side also known as and on

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40
Q

Episodic

A

A choreography with several sections linked by theme

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41
Q

Execution

A

Carrying out actions with the required intention

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42
Q

Expressive skills

A

Aspects that contribute to performance artistry and that engage the audience such as focus and musicality

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43
Q

Extension

A

Lengthening one or more muscles or limbs

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44
Q

Facial expression

A

Use of the face to show mood feeling or character

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45
Q

Features of production

A

Lighting set properties costume and aural setting

46
Q

Flexibility

A

The range of movement in the joints

47
Q

Focus

A

The overall shape and structure of a dance

48
Q

Formations

A

Shapes or patterns created in space by dancers

49
Q

Fragmentation

A

Use of parts of a phrase or motif

50
Q

Highlights

A

Important movements of a dance

51
Q

Ideational

A

Relating to ideas or concepts

52
Q

Improvisation

A

Exploration or generation of movements with out planning

53
Q

In the round

A

A performing area with the audience seated on all sides

54
Q

Intention

A

Aim or desired outcome

55
Q

Interpretation

A

Finding the meaning that is in the movement

56
Q

Isolation

A

An independent movement of part of the body

57
Q

Kinaesthetic

A

Sensory perception of movement and position

58
Q

Levels

A

Distance from the ground: low, medium or high

59
Q

Lighting

A

Illumination of the performance area

60
Q

Logical sequence

A

the flow of phrases or sections of a dance

61
Q

Manipulation of number

A

How the number of dancers in a group is used

62
Q

Mental rehearsal

A

Thinking through or visualising the dance

63
Q

Mental skills

A

Includes: commitment, concentration, confidence, movement memory, systematic repetition, mental rehearsal, rehearsal discipline, planning of rehearsal, response to feedback and capacity to improve

64
Q

Mobility

A

The range of movement ins joint; the ability to move fluently from action to action

65
Q

Motif

A

A movement phrase encapsulating an idea that is repeated and developed throughout the dance

66
Q

Motif development

A

Ways in which a movement phrase can be varied

67
Q

Movement material

A

The matter of dance: actions, space, dynamics and relationships

68
Q

Musicality

A

The ability to make the unique qualities of the accompaniment evident in performance

69
Q

Narrative

A

Dance that tells a story

70
Q

Pathways

A

Designs traced in space (on the floor or in the air)

71
Q

Performance

A

The presentation of dance to an audience

72
Q

Performance

A

Acquisition and development of physical and expressive skills

73
Q

Performance environments

A

Different settings for dance such as in the round, proscenium and site sensitive

74
Q

Phrase

A

A short sequence of linked movements

75
Q

Phrasing

A

The way in which the energy is distributed in the execution of a movement phrase

76
Q

Physical skills

A

Aspects enabling effective performance such as posture, alignment, balance, coordination, control, flexibility, mobility, strength, stamina, extension and isolation

77
Q

Posture

A

The way the body is held

78
Q

Professional work

A

Original choreography by an individual or company that is recognised nationally or internationally

79
Q

Projection

A

The energy the dancer uses to connect with and draw in the audience

80
Q

Prop/property

A

A portable object that is used in a dance, for example a suitcase

81
Q

Proscenium

A

The arch or opening that creates the effect of a picture frame and separates the stage from the auditorium

82
Q

Rehearsal discipline

A

Attributes and skills required for refining performance such as commitment, systematic repetition, teamwork, responsibility and effective use of time

83
Q

Relationships

A

The ways in which dancers interact

84
Q

Repetition

A

Performing the same action or phrase again

85
Q

Retrograde

A

Reversing a movement phrase

86
Q

Rhythmic content

A

Repeated patterns of sound or movement

87
Q

Rondo

A

A music or dance form with alternating and repeating sections e.g. verse and chorus

88
Q

Safe execution

A

Carrying out actions safely

89
Q

Safe working practice

A

Personal care, respect for others, safe execution and preparation and recovery from dancing

90
Q

Sensitivity to other dancers

A

Awareness of and connection to other dancers.

91
Q

Space

A

The where of movement such as levels, directions, pathways, shapes, designs and patterns

92
Q

Special awareness

A

Consciousness of the surrounding space and it’s effective use

93
Q

Staging/set

A

The presentation of dance in the performing space including set, furniture, props, projection and backdrop

94
Q

Stamina

A

Ability to maintain physical and mental energy over periods of time

95
Q

Stimulus

A

Inspiration for an idea or movement

96
Q

Strength

A

Muscular power

97
Q

Structure

A

The way in which material is organised to create the whole

98
Q

Structuring devices

A

The ways in which a dance is made, built, ordered or organised

99
Q

Style

A

Characteristic way of dancing

100
Q

Style fusion

A

The combination of features of two or more styles

101
Q

Tactile

A

Relating to the sense of touch

102
Q

Technical skills

A

These include accuracy of action, timing, dynamic, rhythmic and spatial content and the reproduction of movement in a stylistically accurate way

103
Q

Ternary

A

A composition in three parts

104
Q

Timing

A

The use of time or counts when matching movements to sound and/or other dancers

105
Q

Transitions

A

Links between dance phrases or sections

106
Q

Types (of music)

A

Genres of music including orchestral, electronic, percussion, vocal and found sound

107
Q

Unison

A

Two or more dancers performing the same movement at the same time

108
Q

Unity

A

A sense of wholeness or harmony

109
Q

Visual

A

Relating to sight

110
Q

Site-sensitive

A

Dances that are designed for non theatre spaces

Dance (3 decks)

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