APPARITION OF FACE AND FRUIT BOWL ON A BEACH Flashcards

1
Q

title

A

Apparition of Face and Fruit Bowl on a Beach

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2
Q

artist

A

Salvador Dalí

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3
Q

date

A

1938

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4
Q

medium

A

oil on canvas

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5
Q

currently located

A

Wadsworth Atheneum, Connecticut

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6
Q

measurement

A

114 x 144 cm

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7
Q

what is the double image

A

the face a fruit bowl, title calls attention to this

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8
Q

who was Dali

A

a prominent Spanish Surrealist born in Catalonia, Spain (a Catalonian beach appears in many of his works, including this one)

He was a skilled draftsman, best known for the striking and bizarre images in his Surrealist work

His painterly skills are often attributed to the influence of Old Masters

enjoyed indulging in unusual and grandiose behaviour. His eccentric manner and attention-grabbing public actions sometimes drew more attention than his artwork

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9
Q

what is the dominanting form

A

Dominated by a depiction of brown-skinned pears inside a footed fruit bowl, which resembles a wine glass

An optical illusion of a human face occupies the same space as the dish; the fruits suggest wavy hair, the dish’s bowl becomes the forehead, the stem of the dish serves as the bridge of the nose, the dish’s foot doubles as the chin.

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10
Q

what forms the eyes of the face

A

The eyes of the face are formed by background objects lying on the sand at the edge of the Catalan strand

The face’s right eye is what appears to be a vase, and the face’s left eye a fallen cherub

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11
Q

where in spain was dali from

A

Dalí was from the Catalan region of Spain

catalonian beaches often appear in his work

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12
Q

where does the other face appear

A

Another face appears further in the distance, to the right of the elbow of the nude male figure; in the same area of the painting, two dogs are playing along a path in the distance

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13
Q

description of dogs (large dog)

A

One of those small dogs is itself an echo of the immense, illusionary figure of a setter-like dog which stretches from the left to the right margin of the painting

the dog’s head formed by a hill, its eye by a rock arch and its collar formed by a multi-arched bridge in the landscape beyond

The dog’s hind leg is a ‘duck or rabbit’ optical illusion, in which the animal you see depends on the way you look at it

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14
Q

how did dali describe his paintings

A

Dalí described his paintings as “hand-painted dream photographs”

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15
Q

how is his style attributed to old masters despite being surrealist

A

He used as hyper-realist style in his paintings; it is meticulous with high attention to detail

Dalí was inspired by traditional painting techniques especially the skills of early Flemish and Venetian painting; he was also influenced by the minute and meticulous style of the 19th C Academician Jean-Louis Meissonier

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16
Q

which old masters or techniques is dali inspired by

A

Dalí was inspired by traditional painting techniques especially the skills of early Flemish and Venetian painting; he was also influenced by the minute and meticulous style of the 19th C Academician Jean-Louis Meissonier

17
Q

what type of brushed did dali use

A

*Dalí used fine sable brushes (a sable is a marten with a short tail and dark brown fur, native to Japan and Siberia and valued for its fur) and a jeweller’s glass for close work; using the tools he built up fine layers of paint gradually

-creates added realism

18
Q

what is trompe l’oiel and how does dali use it

A

Dalí’s hyper realistic trompe l’oeuil (trick of the eye) technique was designed to make his dream world more tangibly real than observed nature.

-realistic technique combvined with surrealist style makes it seem more unsettlingly real and dream like

19
Q

influence of sigmund freud

A

Dalí was deeply influenced by the writings of Freud; he even went to meet him in 1938 when Freud was living in exile in London

He was also influenced by André Breton’s (the founder of Surrealism) writings on the work of Freud

According to Freud, dreams are coded messages from the unconscious
Dalí and other Surrealists were interested in what could be revealed by their dreams

20
Q

who was sigmund freud and what did he publish on dreams

A

*Sigmund Freud was an Austrian psychoanalyst writing in the late 19th and early 20th centuries

*He revolutionised the way people think about the mind

*He published his groundbreaking Interpretation of Dreams in 1900

21
Q

what were freuds two fundemental discoveries

A

Freud’s two fundamental discoveries involve:
1. The nature of unconscious mental life and the laws which govern its behaviour
2. The meaning of sexuality in human life

22
Q

how did dali get involved in surrealism AND early surrealist days

A

HOW
Dalí went to Paris in 1929; became actively involved with the Surrealist group

EARLY SURREALIST DAYS
*1929 - 1936 he produced a series of highly detailed Dream Surrealist canvases, heavy with dream imagery, sexual innuendo and set usually within landscapes recognisable as of northern Spain (Catalonia) where he was from

23
Q

why did dali break from the surrealist group

A

by 1938, ongoing philosophical and political differences with the Surrealists, especially with André Breton’s (the founder of Surrealism), led to Dali’s break with the group

Though no longer associated with the Surrealists, Dalí never abandoned his Surrealist style / pursuits

24
Q

what is Dream (oneiric) Surrealism

A

Dream Surrealism is one of the two dominant stylistic strands of Surrealist practice (the other is Automatic Surrealism)

25
how does dali adhere to Dream (oneiric) Surrealism in this peice
In this work Dalí is aiming to simulate the conditions of a dream (“the real functioning of thought” – from Breton’s definition in the 1924 Surrealist Manifesto) The painting signals the Freudian notion that every-day objects are transformed in dreaming into significant signs and focus points of desire and distress He employs the minute and hyper-realistic style typical of Dream Surrealism
26
quote about dreams from surrealist manifesto
* “the real functioning of thought” – from Breton’s definition in the 1924 Surrealist Manifesto
27
what was dali's paranoiac-critical method AND what was it based on
*In this work (as in many others) Dalí introduces double images - images which represent two or more things simultaneously In order to generate double images for his paintings Dalí relied on what he called his paranoiac-critical method. This basically involved looking at one thing and trying to see another. *From 1930 Dalí simulated a state of paranoia - putting himself in a self-induced hallucinatory state - to deliberately misinterpret what he saw and use the results as a basis for painting. He saw this as a way of accessing his unconscious BASED ON *Dalí’s paranoiac-critical method was related to contemporary research by Freud and Jacques Lacan (a French psychoanalyst who was in direct contact with Dalí and the Surrealists in the early 1930s). Freud and Lacan were researching the condition of paranoia, which causes sufferers to interpret visual information wrongly (basically to start “seeing things”)
28
Dali quote about his paranoiac-critical method
Dalí wrote “I am the first to be surprised and often terrified by the images I see appear upon my canvas. I register without choice and with all possible exactitude the dictates of my unconscious, my dreams…”
29
who created double images in surrealism
*The double image is something that Dalí introduced into Surrealism
30
influence of cubism and dada
*The paranoiac-critical method often results in the surprising juxtaposition of objects / things (e.g. face / fruit bowl and dog / landscape). This sort of surprising juxtaposition finds its roots in Cubist and Dadaist collage and is a key feature of Surrealist art