APL Rhetorical Terms Flashcards

1
Q

Abstract

A

refers to a language that describes concepts rather than concrete images(ideas/qualities rather than observable/specific things, people, places)

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2
Q

Allegory

A

narrative in prose or verse in which characters, events,& settings represent abstract qualities. Writer intends a second meaning to be read beneath the surface of the story. (Moral, religious, political, social, and satiric)

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3
Q

Anecdote

A

short, simple narrative of an incident. Used for humorous effect or to make a point

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4
Q

Annotation

A

explanatory notes added to a text to explain, cite sources, or give bibliographical data.

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5
Q

Antithesis

A

presentation of two contrasting images. Ideas balanced by word, phrase, clause, or paragraphs. “To be or not to be…” “ Ask not what your country can do for you, ask what you can do for your country…”

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6
Q

Aphorism

A

short, witty statement of a principle or truth about life: “Early bird gets the worm.”

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7
Q

Apostrophe

A

poetry sometimes prose. device of calling out to an imaginary, dead, or absent person or to be a place, thing, or personified abstraction.

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8
Q

Arguementation

A

writing that attempts to prove the validity of a point of view or an idea by presenting reasoned arguments; persuasive writing

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9
Q

Cacophony; Dissonance

A

harsh, awkward, or dissonant sounds used deliberately in poetry or prose, Opposite of Euphony

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10
Q

Caricature

A

descriptive writing that greatly exaggerates a specific feature of a person’s appearance or a facet of personality

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11
Q

Colloquialism

A

word or phrase (slang) used in everyday conversation & informal writing but is often inappropriate in formal writing (y’all/aren’t)

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12
Q

Coherence; Unity

A

quality of a piece of writing in which all parts contribute to the development of the central idea, theme, or organizing principle

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13
Q

Concrete Language

A

language that describes specific, observable things, people or places, rather than ideas or qualities

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14
Q

Connotation

A

implied or suggested meaning of a word because of its association in the reader’s mind

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15
Q

Consonance

A

repetition of identical consonant sounds within two or more words in close proximity, boost/best, also seen in several compound words, fulfill/ping-pong

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16
Q

Conundrum

A

riddle whose answer is or involves a pun; may also be a paradox or difficult problem

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17
Q

Deduction

A

Process of moving from a general rule to a specific example

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18
Q

Denotation

A

Literal meaning of a word as refined

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19
Q

Description

A

picturing in words of something or someone through detailed observation of color, motion, sound, taste, smell, and touch; 1 of the 4 modes of discourse.

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20
Q

Diction

A

word choice, element of style; creates tone, attitude, and style as well as meaning. Different types and arrangement of words have significant effects on meaning. Essay written in academic diction much less colorful but perhaps more precise than street slang

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21
Q

Didactic

A

writing whose purpose is to instruct or to teach. Usually formal and focuses on moral or ethical concerns.May be fiction or nonfiction that teaches a specific lesson or moral or provides a model of correct behavior or thinking.

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22
Q

Discourse

A

Spoken or written language, literary work; the four traditionally classified modes of discourse ore description, exposition, narration, and persuasion.

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23
Q

Emotional Appeal-Pathos

A

when a writer appeals to a readers’ emotions to excite and involve them in the argument.

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24
Q

Epigraph

A

The use of a quotation at the beginning of a work that hints at its theme. Hemingway begins The Sun Also Rises with two epigraphs. One of them is “you are a lost generation” by Gertrude Stein.

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25
Q

Ethical Appeal-Ethos

A

When a writer tries to persuade the audience to respect and believe him or her based on a presentation of image of self through the text. Reputation is sometimes a factor in ethical appeal, but in all cases the aim is to gain the audience’s confidence.

26
Q

Euphemism

A

More acceptable and usually more pleasant way of saying something that might be inappropriate or uncomfortable.”He went to his final reward” is a common euphemism for “he died ‘. Euphemisms are also often used to obscure the reality of a situation. The military uses “collateral damage” to indicate civilian deaths in a military operation.

27
Q

Euphony

A

Succession of harmonious sounds used in poetry or prose: opposite of cacophony.

28
Q

Example

A

Individual instance taken to be representative of a general pattern. Arguing by example is considered reliable if examples are demonstrated true or factual as well as relevant.

29
Q

Explication

A

Art of interpreting or discovering the meaning of a text. Explication usually involves close reading and special attention to figurative language.

30
Q

Exposition

A

The immediate revelation to the audience of the setting and other background information necessary for understanding the plot: also, explanation: one of the four modes of discourse.

31
Q

Generalization

A

When a writer bases a claim upon an isolated example or asserts that a claim is certain rather than probable. Sweeping generalizations occur when a writer asserts that a claim applies to all instances instead of some.

32
Q

Genre

A

Type of literary work, such as a novel or poem; there are also sub-genres, such as science fiction or sonnet, within the larger genres.

33
Q

Humor

A

Anything that causes laughter or amusement; up until the end of the Renaissance, humor meant a person’s temperament.

34
Q

Hyperbole

A

Deliberate exaggeration in order to create humor or emphasis.

35
Q

Image

A

Word or words, either figurative or literal, used to describe a sensory experience or an object perceived by the sense, an image is always a concrete representaion

36
Q

Paradox

A

Statement that seems to contradict itself but that turns out to have a rational meaning, as in this quotation from Henry David Thoreau; “I never found the companion that was so companionable as solitude.”

37
Q

Parallelism

A

Technique of arranging words, phrases, clauses, or larger structures by placing them side by side and making them similar in form. Parallel structure may be as simple as listing two or more modifiers in a row to describe the same noun or verb; it may take the form of two or more of the same type of phrases that modify the same noun or verb; it may also take the form of 2 or more subordinate clauses that modify the same noun or verb. Or, parallel structure may be a complex bend of single-word, phrase, and clause parallelism all in the same sentence.

38
Q

Parody

A

A work that ridicules the style of another work by imitating and exaggerating its elements. It can be utterly mocking or gently humorous. Depends on allusion and exaggerates and distorts the original style and content.

39
Q

Pathetic Appeal; Pathos

A

When a writer tries to persuade the audience by appealing to their emotions aspects of a literary work that elicit sorrow or pity from the audience. An appeal to emotion that can be used as a means to persuade

40
Q

Pendantic

A

Term used to describe writing that borders on lecturing. It is scholarly and academic and often overly difficult and distand

41
Q

Persuasion

A

Form of argument, one of four modes of discourse; Language intended to convince through appeals to reason or emotion.

42
Q

Regionalism

A

Element in literature that conveys a realistic portrayal of a specific geographical locale, using the locale and its influences as a major part of the plot.

43
Q

Repitition

A

Word or phrase used two or more times in close proximity.

44
Q

Rhetorical Modes

A

Exposition, Description, Narration, Argumentation

45
Q

Rhetorical Question

A

One that does not expect an explicit answer. It is used to pose an idea to be considered by the speaker or audience

46
Q

Sarcasm

A

Harsh, caustic personal remarks to or about someone; less subtle than irony

47
Q

Satire

A

A work that reveals a critical attitude toward some element of human behavior by portraying it in an extreme way. Satire doesn’t simply abuse or get personal. Targets groups or large concepts rather than individuals.

48
Q

Speaker

A

Voice of a work; an author may speak as himself or herself or as a fictitious peerson

49
Q

Stereotype

A

Character who represents a trait that is usually attributed to a particular social or racial group and who lacks individuality; a convectional pattern, expression or idea

50
Q

Style

A

An author’s characteristic manner of expression-his or her diction, syntax, imagery, structure, and content all contribute to style.

51
Q

Subjectivity

A

A personal presentation of events and characters, influenced by the author’s feelings and opinions

52
Q

Syllogism

A

Form of reasoning in which two statements are made and a conclusion is drawn from them. Consists of a major premise, minor premise, and conclusion.

EX: Major-all tragedies end unhappily
Minor-hamlet is a tragedy
Conclusion-therefore, Hamlet ends unahppily

53
Q

Synecdote

A

A figure of speech in which a part of something is used to represent a whole, such as using “boards” to mean a stage or “wheels” to mean a car–or “All hands on Deck”

54
Q

Syntactic Fluency

A

Ability to create a variety of sentence structures, appropriately complex and/or simple and varied in length.

55
Q

Syntactic Permutation

A

Sentence structure s that are extraordinarily complex and involved. Are often difficult for the novice reader to follow.

56
Q

Syntax

A

Grammatical structure of a sentence; arrangement of words in a sentence. Syntax includes length of sentences, kinds of senteces

57
Q

Theme

A

Central idea or message of a literary work

58
Q

Thesis

A

Main idea of a piece of writing. It presents the author’s assertion or claim. Effectiveness of a presentation is often based on how well the writer presents, develops, and supports the thesis.

59
Q

Tone

A

Characteristic emotion or attitude of an author toward the characters, subject, and audience.

60
Q

Transition

A

Word or phrase that links one idea to the next and carries the reader from sentence to sentence, paragraph –> paragraph

61
Q

Understatement

A

Opposite of exaggeration. It is a technique for developing irony and/or humor where one writes or says less than intended.

62
Q

Voice

A

Refers to two different areas of writing. One refers to the relationship between sentence’s subject and verbs.