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AP Music Theory Review > AP Review > Flashcards

AP Review Flashcards

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1
Q

order of sharps

A

fcgdaeb

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2
Q

order of flats

A

beadgcf

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3
Q

major key with 1 sharp

A

G

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4
Q

major key with 2 sharp

A

D

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5
Q

major key with 3 sharp

A

A

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6
Q

major key with 4 sharp

A

E

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7
Q

major key with 5 sharp

A

B

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8
Q

major key with 6 sharp

A

F#

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9
Q

major key with 7 sharp

A

C#

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10
Q

major key with 1 flat

A

F

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11
Q

major key with 2 flat

A

Bb

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12
Q

Major key with 3 flats

A

Eb

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13
Q

Major key with 4 flats

A

Ab

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14
Q

Major key with 5 flats

A

Db

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15
Q

Major key with 6 flats

A

Gb

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16
Q

Major key with 7 flats

A

Cb

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17
Q

Minor with no flats/sharps

A

a

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18
Q

Minor with 1 flat

A

d

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19
Q

Minor with 2 flats

A

g

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20
Q

Minor with 3 flats

A

c

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21
Q

Minor with 4 flats

A

f

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22
Q

Minor with 5 flats

A

b flat

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23
Q

Minor with 6 flats

A

e flat

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24
Q

Minor with 7 flats

A

a flat

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25
Q

Minor with 1 sharp

A

e

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26
Q

Minor with 2 sharps

A

b

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27
Q

Minor with 3 sharps

A

f sharp

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28
Q

Minor with 4 sharps

A

c sharp

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29
Q

sound same look different

A

Inharmonic

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30
Q

Same name different key signature

A

Parallel

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31
Q

Same key signature different name

A

Relative

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32
Q

Minor that follows the key

A

Natural minor

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33
Q

Minor with raised 7

A

Harmonic minor

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34
Q

Minor with raised 6 and 7 ascending and natural descending

A

Melodic minor

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35
Q

In major what chords are minor

A

2,3,6,7

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36
Q

In major what chord is diminished

A

7

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37
Q

Raise 5th to make..

A

Augmented

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38
Q

Dominant chord

A

5th

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39
Q

Minor triad with lowered 5

A

Diminished

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40
Q

Lowered 3rd

A

Minor chord

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41
Q

Major triad with raised 5

A

Augmented

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42
Q

In minor which keys are major

A

3,6,5

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43
Q

In minor the root of the 7th is…

A

Raised

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44
Q

In minor what is dim

A

2

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45
Q

Supertonic

A

2

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46
Q

Mediant

A

3

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47
Q

Subdominant

A

4

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48
Q

Submediant

A

6

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49
Q

Leading tone

A

7

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50
Q

Tonic

A

1

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51
Q

Dominant

A

5

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52
Q

In major what is the relative minor

A

6

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53
Q

Amen cadence

A

4 to 1

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54
Q

Perfect cadence

A

5 to 1 soprano sings key

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55
Q

Anything that divides into 2 equal parts

A

Simple

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56
Q

Anything that divides into 3 equal parts

A

Compound

57
Q

3/4 is what meter

A

Simple triple

58
Q

12/8 is what meter

A

Compound quadruple

59
Q

9/4 is what meter

A

Compound triple

60
Q

2/2 is what meter

A

Simple duple

61
Q

what meter is 6/16

A

Compound duple

62
Q

What meter is 4/8

A

Simple quadruple

63
Q

4/4 is what meter

A

Simple quad

64
Q

6/8 is what meter

A

Compound duple

65
Q

Major third with minor third

A

Major

66
Q

Minor third with major third

A

Minor

67
Q

Major third with major third

A

Augmented

68
Q

Minor third with minor third

A

Diminished

69
Q

Minor triad with minor 7

A

m7

70
Q

Combo of major triad with minor 7

A

Mm7

71
Q

Dim triad with minor 7

A

1/2 dim 7

72
Q

Dim triad with dim 7

A

Fully dim 7

73
Q

First inversion

A

6

74
Q

Second inversion

A

6/4

75
Q

First inversion for 7 chord

A

6/5

76
Q

second inversion for 7 chord

A

4/3

77
Q

Third inversion for 7 chord

A

4/2

78
Q

Combining independent musical lines

A

Counterpoint

79
Q

Highest note of a melody

A

Focal point

80
Q

No part moves

A

Static

81
Q

One part moves

A

Oblique

82
Q

Both move in opposite directions

A

Contrary

83
Q

Both move in same direction at different intervals

A

Similar

84
Q

sequence that can be played in every key

A

modified sequence

85
Q

sequence that keeps the pattern in one key

A

tonal sequence

86
Q

pattern that is repeated immediately

A

sequence

87
Q

repeated bass pattern

A

ostinato

88
Q

3 can go to

A

6 and 4

89
Q

6 can go to

A

4 and 2

90
Q

4 can go to

A

5, 7, 2, and 1

91
Q

2 can go to

A

5 and 7

92
Q

7 can go to

A

1

93
Q

5 can go to

A

6 and 1

94
Q

5 to 1 soprano sings key

A

perfect authentic cadence

95
Q

5 to 1 soprano does not sing key

A

imperfect authentic cadence

96
Q

anything to 5

A

half cadence

97
Q

4 to 1

A

plagal cadence

98
Q

phrases combined to form larger sections

A

period

99
Q

each half has 2 phrases in each section

A

double period

100
Q

repeat sign; repeating but something is slightly different *second ending

A

parallel double period

101
Q

ends on a 6

A

deceptive cadence

102
Q

AAAA…

A

strophic

103
Q

AB

A

binary

104
Q

ABACA

A

rondo

105
Q

ABCBA

A

arch

106
Q

ABA C ABA

A

sonata rondo

107
Q

exposition, development, recapitulation

A

sonata

108
Q

single melody/voice

A

monophony

109
Q

2 or more simultaneous voices/melodies

A

polyphony

110
Q

melody supported by 1 or more musical lines *accompaniment

A

homophony

111
Q

varying a singular melody

A

heterophony

112
Q

5/5

A

2

113
Q

5/4

A

1

114
Q

5/2

A

6

115
Q

5/3

A

7

116
Q

5/7

A

4

117
Q

5/6

A

3

118
Q

goes by step in the same direction

A

passing tone

119
Q

leaves by step and comes back to previous note by step

A

neighbor tone

120
Q

approach by same note and resolves by step

A

retardation

121
Q

approached by leap left by step

A

appogiatora

122
Q

approached by step left by leap

A

escape tone

123
Q

repetition of part of a melody

A

fragmentation

124
Q

repeat but rhythms get longer

A

augmentation

125
Q

repeat by rhythms get shorter

A

diminuition

126
Q

rhythm ratio of 3:2

A

hemiola

127
Q

pick up note

A

anacrusis

128
Q

accidental in chord progression means…

A

secondary dominant

129
Q

1 mode

A

ionian

130
Q

2 mode

A

dorian

131
Q

3 mode

A

phrygian

132
Q

4 mode

A

lydian

133
Q

5 mode

A

mixolydian

134
Q

6 mode

A

aeolian

135
Q

7 mode

A

locrian

136
Q

approached by step or leap and leaves by same; moving before approach

A

anticipation

137
Q

in minor what is diminished

A

2 and/or 7

138
Q

in major what is diminished

A

7

AP Music Theory Review (1 decks)

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