AP Lit Terms to Know Flashcards

1
Q

Reference to something outside the work, especially a well-known historical/literary event, person, or work.

A

Allusion

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2
Q
A
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3
Q

A speaker/author/character’s disposition toward/opinion of a subject.

A

Attitude

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4
Q

Items/parts that make up a larger picture/story

A

Details

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5
Q

Techniques of deploying the sound of words, especially in poetry. Some techniques include rhyme, alliteration, assonance, consonance, and onomatopoeia. They are often used to create a pleasant/discordant sound, imitate another sound, or reflect a meaning.

A

Devices of Sound

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6
Q

Word choice. Any word that is important to the meaning and the effect of a passage. Several words with a similar effect are worth discussing in a response on this technique.

A

Diction

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7
Q

Writing that uses figures of speech such as metaphor, simile, and irony. Use of words to mean something other than their literal meaning.

A

Figurative Language

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8
Q

The images of a work, its sensory details. This term has several definitions, but the most relevant ones are visual, auditory, or tactile images evoked by words of a literary work or the images that figurative language evokes. Look especially carefully at sensory details, metaphors, and similes of the passage, and sometimes diction.

A

Imagery

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9
Q

A figure of speech in which intent and actual meaning differ, characteristically praise for blame or blame for praise; a pattern of words that turns away from a direct statement of its own obvious meaning. It implies discrepancy. Sometimes, this technique is employed simply by understating: “Men have died from time to time…”

A

Irony

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10
Q

Figurative language in which a comparison is made without using “as,” “like,” or “than.”

A

Metaphor

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11
Q

The methods involved in telling a story; the procedures used by a writer of stories or accounts. This is a general term that asks you to discuss the procedures used in the telling of a story. Some examples are: POV, time manipulation, dialogue, or interior monologue.

A

Narrative Techniques

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12
Q

The vantage point of a story in which the narrator can know, see, and report whatever they choose. The narrator is free to describe any characters’ thoughts, skip about in time/place, or speak directly to the reader.

A

Omniscient POV

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13
Q

Any of several possible vantage points from which a story is told. This may be omniscient, limited to a single character, or limited to several characters. This also encompasses using the first or third person.

A

POV

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14
Q

General phrase for linguistic devices/techniques a writer can use. This encompasses style and rhetoric and can be expanded by touching upon through diction, syntax, figurative language, and imagery.

A

Resources of Language

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15
Q

The devices used in effective/persuasive language.

A

Rhetorical Techniques

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16
Q

Writing that seeks to arouse a reader’s disapproval of something through ridicule. Generally comedy that exposes errors with an eye to correct vice and folly.

A

Satire

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17
Q

The background/physical location of a story–time and place.

A

Setting

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18
Q

A directly expressed comparison using “like,” “as,” or “than.”

A

Simile

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19
Q

Management of language for a specific effect.

A

Strategy/rhetorical strategy

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20
Q

Arrangements of materials within a work, relationship of the parts of a work to the whole, logical divisions of a work.

A

Structure

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21
Q

Mode of expression in language, the characteristic manner of an author’s expression

A

Style

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22
Q

Something that is both itself and a sign of something else

A

Symbol

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23
Q

The structure of a sentence and its arrangement of words. This includes length/brevity, and kinds of sentences (questions, exclamations, etc).

A

Syntax

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24
Q

The main thought expressed by a work

A

Theme

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25
Q

The manner in which an author expresses their attitude, the intonation of the voice that expresses meaning.

A

Tone

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26
Q

A story in which people, things, and events have another meaning

A

Allegory

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27
Q

Multiple meanings a literary work may communicating, especially 2 incompatible meanings

A

Ambiguity

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28
Q

Direct address, usually to someone/something not present.

A

Apostrophe

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29
Q

Implications of a word/phrase

A

connotation

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30
Q

Device of style/subject that is recognized due to its common nature.

A

Convention

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31
Q

Dictionary meaning of a work

A

Denotation

32
Q

Explicitly insturctive

33
Q

Use of material unrelated to the work’s subject

A

Digression

34
Q

A pithy saying, often using contrast. This is also a brief/pointed verse form.

35
Q

A figure of speech using indirection to avoid offensive bluntness

36
Q

Characterized by distortions/incongruities.

37
Q

Deliberate exaggeration/overstatement

38
Q

The special language of a profession/group. Pejorative association with evasion, unintelligibility to outsiders, etc.

39
Q

Not figurative–fact

40
Q

Songlike, characterized by emotion, subjectivity, and imagination

41
Q

A combination of opposites

42
Q

A story designed to suggest a principle, illustrate a moral, or answer a question–allegorical stories

43
Q

A statement that seems to be self-contradicting but is actually true.

44
Q

A composition imitating another work’s style, often for comic effect

45
Q

Figurative use of language that endows the nonhuman with human traits

A

Personification

46
Q

Quality of some fictional narrators whose words the reader can trust.

A

Reliability

47
Q

A question asked for effect, not for a reply

A

Rhetorical Question

48
Q

A speech in which a character who is alone speaks their thoughts alone. The same thing as a monologue, except the person is alone.

49
Q

A conventional pattern, expression, character, or idea

A

Stereotype

50
Q

A form of reasoning in which two statements are made and a conclusion is drawn from them.

51
Q

Repetition of identical or similar consonant sounds, normally at the beginning of words

A

Alliteration

51
Q

The theme, meaning, or position that a writer undertakes to prove/support

52
Q

Repetition of identical or similar vowel sounds
“A land laid waste with all its young men slain”

53
Q

A four-line stanza rhymed abcb with four feet in lines one and three and three feet in lines two and four.

A

Ballad Meter

54
Q

Unrhymed iambic pentameter (used in most of Shakespeare’s plays)

A

Blank Verse

55
Q

A metrical foot of 3 syllables, an accented syllable followed by two unaccented syllables

56
Q

A line with a pause at the end, such as a period, comma, colon, semicolon, exclamation point, or question mark

A

End-stopped

57
Q

Poetry not written in a traditional meter that is still rhythmical (Walt Whitman!)

A

Free Verse

58
Q

Two end-stopped iambic pentameter lines rhymed aa, bb, cc with the thought usually completed in the two-line unit.

A

Heroic Couplet

59
Q

A line with 6 feet

60
Q

A two-syllable foot with an unaccented syllable followed by an accented syllable

61
Q

Rhyme that occurrs within a line, rather than at the end

A

Internal Rhyme

62
Q

Use of words whose sound suggests their meaning

A

Onomatopoeia

63
Q

A line containing 5 feet. Most common line in English verse written before 1950.

A

Pentameter

64
Q

A seven-line stanza of iambic pentameter rhymed ababbcc, used by Chaucer and other medieval poets

A

Rhyme Royal

65
Q

Normally a fourteen-line iambic pentameter poem

66
Q

Usually a repeated grouping of 3+ lines with the same meter/rhyme scheme

67
Q

A 3-line stanza rhymed aba, bcb, cdc

A

Terza Rima

68
Q

A line of 4 feet

A

Tetrameter

69
Q

That which goes before–especially the word, phrase, or clause to which a pronoun refers

A

Antecedent

70
Q

A group of words containing a subject and its verb that may or may not be a complete sentence

71
Q

The omission of content necessary for a complete construction that is still understandable

72
Q

The mood of a verb that gives an order

A

Imperative

73
Q

To restrict/limit in meaning

74
Q

A similar grammatical structure within a sentence/paragraph

A

Parallel Structure

75
Q

A sentence is grammatically complete only at the end. A loose sentence is grammatically complete before the period. The important idea in this type of sentence is completed at the end, whereas in loose sentences the important idea is placed first

A

Periodic Sentence

76
Q

The structure of a sentence