AOS1: Western Classical Music from 1600-1910 Flashcards

1
Q

Conjunct

A

Melody: smooth line, mostly stepwise

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2
Q

Disjunct

A

Melody: broken line, lots of leaps and jumps

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3
Q

Triadic

A

Melody: line moving using the notes of the chord. 1st, 3rd, and 5th.

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4
Q

Scalic

A

Melody: line going up and down the notes of a scale, in order.

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5
Q

Arpeggio

A

Melody: playing the notes of a chord on after an other.

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6
Q

Passing Note

A

Melody: a note which passes between two notes a 3rd apart, joining them together.

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7
Q

Diatonic

A

Melody & Harmony: notes which belong to the key/chord.

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8
Q

Chromatic

A

Melody & Harmony: notes which do not belong the the key/chord.

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9
Q

Slide / Portamento

A

Articulation: Sliding between two notes.

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10
Q

Ornamentation

A

Melody: ways in which performers and composers decorate a melody.

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11
Q

Acciaccatura

A

Melody: Grace note: a short note which is squeezed in.

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12
Q

Appoggiatura

A

Melody: Grace note: a note which takes half of the value from the proceeding note.

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13
Q

Ostinato

A

Melody: a short melodic phrase or chord sequence that is repeated. Can either last a whole piece or a section of music.

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14
Q

Articulation

A

Articulation: The way a note is played.

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15
Q

Consonant

A

Harmony: notes which sound ‘nice’ together.

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16
Q

Dissonant

A

Harmony: notes which do not sound ‘nice’ together.

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17
Q

Pedal

A

Harmony: A note which is held, as the harmony changes above it. Usually the tonic or dominant.

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18
Q

Drone

A

Harmony: notes which sound continuously through a piece. Think - Bagpipes.

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19
Q

Perfect Cadence

A

Harmony: sounds finished. V-I.

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20
Q

Plagal Cadence

A

Harmony: sounds finished (Amen). IV-I.

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21
Q

Imperfect Cadence

A

Harmony: sounds unfinished. I-V.

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22
Q

Interrupted Cadence

A

Harmony: doesn’t go where you expect. V-vi.

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23
Q

Tiérce de Picardie

A

Harmony: perfect cadence in a minor key, which ends on the tonic major. v-I.

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24
Q

Seventh Chords

A

Harmony: an extra third built on top of a regular triad. C-E-G-Bb.

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25
C Major
Tonality: key with 0 sharps/flats
26
G Major
Tonality: key with 1 sharp
27
D Major
Tonality: key with 2 sharps
28
A Major
Tonality: key with 3 sharps
29
E Major
Tonality: key with 4 sharps
30
F Major
Tonality: key with 1 flat
31
Bb Major
Tonality: key with 2 flats
32
Eb Major
Tonality: key with 3 flats
33
Ab Major
Tonality: key with 4 flats
34
A Minor
Tonality: key with 0 sharps/flats
35
E minor
Tonality: key with 1 sharp
36
B minor
Tonality: key with 2 sharps
37
F# minor
Tonality: key with 3 sharps
38
C# minor
Tonality: key with 4 sharps
39
D minor
Tonality: key with 1 flat
40
G minor
Tonality: key with 2 flats
41
C minor
Tonality: key with 3 flats
42
F minor
Tonality: key with 4 flats
43
Modulation
Tonality: gradual process of changing key.
44
Relative Major / Minor
Tonality: keys which share the same number of flats/sharps. F/Dm
45
Tonic Major / Minor
Tonality: keys which share the same tonic. C Major / C minor
46
Binary Form
Structure: A B
47
Ternary Form
Structure: A B A
48
Rondo Form
Structure: A B A C A
49
Arch Form
Structure: A B C B A
50
Through-Composed
Structure: a piece which is composed from beginning to end, in no regular structure.
51
Theme and Variations
Structure: A melody which is followed by a set of variations of it. Changing the time signature, speed and usually increasing in difficulty.
52
Sonata
Structure: solo instrument accompanied by piano.
53
Sonata Form
Structure: Exposition, Development, Recapitulation.
54
Minuet and Trio
Structure: Two dances played one after another. Usually in triple time.
55
Call & Response
Structure: One instrument plays first, followed by others that respond.
56
Ground Bass
Structure: A repeating bass line which repeats throughout the composition.
57
Continuo
Structure/Instrumentation: A string instrument which plays the bass line along with a keyboard instrument that realises figured bass.
58
Cadenza
Structure/Melody: A solo passage towards the end of a piece which allows the soloist to show off.
59
Arco.
Sonority: string technique - bowed.
60
Pizz.
Sonority: string technique - plucked.
61
Con Sord.
Sonority: Italian - with mute.
62
Monophonic
Texture: one instrument playing alone.
63
Octaves
Texture: instruments playing the same melody line at different octaves.
64
Unison
Texture: Two or more instruments playing the same thing at the same octave.
65
Homophonic
Texture: Lines of music moving together, playing different notes. Think Bach Chorales.
66
Polyphonic / Contrapuntal
Texture: Lots of lines of music of equal importance playing different things.
67
Canon
Texture: instruments playing the same melody, beginning at different times.
68
Antiphonal
Texture: Call & Response
69
A Cappella
Texture: Unaccompanied singing. (In a church style).
70
Melody & Accompaniment
Texture: One melody accompanied by chords.
71
Quadruple time
Rhythm & Metre: 4 beats in a bar
72
Triple time
Rhythm & Metre: 3 beats in a bar
73
Duple time
Rhythm & Metre: 2 beats in a bar
74
Anacrusis
Rhythm & Metre: a pick up beat/note
75
Augmentation
Rhythm & Metre: to make rhythms longer
76
Diminution
Rhythm & Metre: to make rhythms smaller
77
Hemiola
Rhythm & Metre: a rhythmic pattern of syncopated beats with two beats in the time of three or three beats in the time of two.
78
Semibreve
Rhythm & Metre: a 4 beat note
79
Minim
Rhythm & Metre: a 2 beat note
80
Crotchet
Rhythm & Metre: a 1 beat note
81
Quaver
Rhythm & Metre: a 1/2 beat note
82
Semiquaver
Rhythm & Metre: a 1/4 beat note
83
Triplets
Rhythm & Metre: 3 notes in the space of 2
84
Rubato
Rhythm & Metre: speeding up and slowing down a piece of music for expressive purposes. "Borrowed Time"
85
General Pause
Rhythm & Metre: Silent bar
86
Tempo
Rhythm & Metre: Italian meaning 'speed'
87
Pianissimo (pp)
Dynamics: Very quiet
88
Piano (p)
Dynamics: quiet
89
Mezzo-piano (mp)
Dynamics: Medium-quiet
90
Mezzo-forte (mf)
Dynamics: Medium-loud
91
Forte (f)
Dynamics: Loud
92
Fortissimo (ff)
Dynamics: Very Loud
93
Crescendo, cresc.,
Dynamics: gradually getting louder
94
Diminuendo, dim., >
Dynamics: gradually getting quieter
95
Sforzando, sfz.
Dynamics: Attack the note (usually come away after)