ao5 Flashcards
Different criticisms used to interpret Othello (3)
Feminist criticism
Post-colonial (studies way Othello is perceived in his society)
Structuralist criticism (looks at language shifting and language meaning)
Marxist socialists
How does Othello conform to typical conventions of Shakespeare’s comedy plays?
Though it is a tragedy of intrigue, jealousy and cuckoldry often topics of a comedy play - links between stereotypes of characters in Othello and Shakespeare’s comedies e,g Twelfth Night when Anotonio demands his purse off the wrong twin.
Comic relief enriches tragedy and provides perspectives - ‘Othello’s credulity diminishes his tragic effect?”
is othello purely a tragedy?
- Othello draws close to aspects of comedy – MIDSUMMERS NIGHT A DREAM and tragedy – ROMEO AND JULIET
- both enrich the depth of Othello’s tragic fall and the characterisation of Iago
Is othello a play just about racism? (EMMA SMITH) (5)
- The central thesis is that Othello is protean – audiences are continually interested in ‘race, difference and belonging’ (EMMA SMITH)
- The play may be a plea for a more tolerant society in which Othello and Desdemona’s marriage could flourish
OR IS IT A PLAY ABOUT OUTISDERS AND OTHELLO’S STRADDLING OF TWO WORLDS?
- Othello is regarded in two ways at the start of the play – he has eloped with Desdemona without her father’s permission, but he’s also a potential saviour of Venice in his military role – this duality will permeate the play
- Othello is in an ‘estranged position as both a Moor’ and ‘of Venice’, the commander of the Venetian forces and the unacceptable son-in-law, the Christian defender against a malignant Turk, and that turbaned and circumcised Turk himself’
- Othello’s tragedy is catalysed by his ‘unbearable cognitive dissonance’ – a successful black man in a white society, a man who has self-control and loses it, a professionally brilliant soldier who is clueless in a domestic sphere – so is Othello just about racism?
EMMA SMITH QUOTES ABOUT OUTSIDERS IN OTHELLO (2)
- Outsiders – all three central characters are ‘different outsiders struggling with their own disempowered status’ – ‘Othello, Iago and Desdemona all struggle to be autonomous selves within the confines of what is expected and assumed about them by others’