AO1 Points Flashcards
1
Q
Sense of Futility
A
- Beckett created a sense of futility through the setting, reminiscent of a war-torn landscape and the bleak, basic props.
- Beckett holds a mirror up to the audience’s futile search for meaning through the character’s nonsensical language and cyclical plot structure. Beckett uses the absurdist plot to highlight the futility of human existence.
- Beckett uses the theme of futility to highlight the hopeless wait for salvation and comment on human’s hope in religion rather than living life.
2
Q
Use of Setting
A
- Beckett uses the setting, reminiscent of a war-torn landscape to highlight the destruction of war on individual identities and relationships.
- The unspecified historical and cultural context surrounding the setting allows Beckett to hold a mirror up to the audience and comment on the timeless human tendency to look for meaning where there is none.
- The emptiness and lack of change in the setting reflects the purgatorial state to which the characters are subjected. Highlighting the futility of hope in religion.
3
Q
Use of Humour
A
- The absurdity caused by the mismatch between the comedic tone and the dark content can be seen as a reaction to a world emptied of meaning and significance.
- Use of physical comedy and allusion to comedy double acts aims to display a tragic search for identity with ironic comedic overtones.
- The absurdity of Beckett’s comedy is particularly evident in the presentation of Pozzo and Lucky’s relationship. Beckett subverts the traditional clown character to highlight lucky’s violent oppression.
4
Q
Use of the Absurd
A
- The absurdity of the circular dialogue and play structure highlights Vladimir and Estragon’s humorous yet tragic situation. It creates a sense of wasted life and futile hope for change.
- Presented through the character’s interactions with the set pieces. Physical comedy with the hats, boots, rope and baggage highlights darker undertones of oppression, loss of identity and meaninglessness.
- Also presented through the character’s relationships reminiscent of traditional comedic duos. Both Lucky and Pozzo’s and Estragon and Vladimir’s relationship present ideas of miscommunication and oppression.
5
Q
Relationship between Vladimir and Estragon
A
- Highlight key tragic themes of a lack of progress resulting from miscommunication.
- Vladimir’s imitation of Pozzo and Lucky’s relationship highlights the fluidity of identity and how abusive tendencies are passed on.
- The baron setting and basic props allow the audience to focus on their relationship. Also elevates themes of futility and suffering.
6
Q
Presentation of human suffering
A
- Presented through the baron setting which highlights the emptiness of human existence and suffering caused by their waiting.
- Presented through Lucky and Pozzo’s relationship. Lucky suffers most throughout the play and can only express himself once he is wearing the bowler hat.
- Symbols of oppression and futility throughout the play- hats, the rope, lucky’s baggage, turnips and bones.
7
Q
Theme of survival
A
- Through the poor symbols of depravity, Beckett presents the characters as surviving in the most basic way rather than living their lives.
- Beckett uses religious allusions to comment on the human tendency to wait for salvation to give meaning to their survival.
- The basic human instinct of survival seems to be lacking in Vladimir and Estragon. They directly counteract it, contemplating suicide and choosing to wait rather than live.
8
Q
Theme of frustration
A
- A feeling of frustration is evoked in the audience through the repetitive structure, conversation and events.
- A tone of frustration is presented through Pozzo’s constant oppression of Lucky and a release of frustration with his speech.
- Frustration is also presented through Beckett’s use of physical comedy.
9
Q
Presentation of communication
A
- The lack of communication between characters is presented through a disconnect between their language and actions- a typical trope of the absurd.
- The lack of communication with Godot is presented through the lack of plot development and change as well as the figure of the boy (unreliable communicator between Godot and Vladimir).
- Lucky’s character represents the destruction of communication when he goes dumb in the second part. This is also present with his continued oppression and non-sensical language during his speech.