Antony and Cleopatra - Cleopatra Flashcards

You may prefer our related Brainscape-certified flashcards:
1
Q

If you find him sad…

A

Say I am dancing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Give me mine angle;

A

We’ll to the river […] my bended hook shall pierce […] as I draw them up

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

I have seen her…

A

Die twenty times upon far poorer moment

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

I little thought /

A

You should have followed

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

He is a god…

A

And knows / what is most right

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

No more but e’en…

A

A woman, and commanded / by such a poor passion as the maid that milks […] if it were for me / to throw my sceptre at the injurious gods […]

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Patience is sottish, …

A

And impatience does / become a dog that’s mad

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Sole sir…

A

O’th’world

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Mine will now be yours, /

A

[…] yours would be mine

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

If she first meet…

A

The curled Antony,/ he’ll make demand of her

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

The gold I give thee…

A

Well I melt and pour/ down thy ill-uttering throat

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Thou shalt be whipped…

A

With wire, and stewed in brine

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

By sea,

A

What else?

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

If knife, …

A

Drugs, serpents, have/edge, sting, or operation, I am safe

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Fortune break…

A

Her wheel,/provoked by my offence

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

I shall show…

A

The cinders of my spirits/through th’ashes of my chance

17
Q

Mechanical slaves/

A

With greasy aprons, […] in their thick breaths,/rank of gross diet, shall we be enclouded/and forced to drink their vapour

18
Q

The quick comedians/

A

Extemporally will stage us and present/our Alexandrian revels […] I shall see/some squeaking Cleopatra boy my greatness/i’th’posture of a whore

19
Q

Now from head to foot /

A

I am marble-constant; now the fleeting moon / no planet is of mine

20
Q

Give me my robe.

A

Put on my crown. I have/immortal longings in me

21
Q

Eternity was…

A

In our lips and eyes

22
Q

O, my oblivion…

A

Is a very Antony / and I am all forgotten

23
Q

But I might sleep out…

A

This great gap of time

24
Q

My salad days…

A

When I was green in judgement

25
Q

Though he be painted…

A

One way like a Gorgon,/the other way’s a Mars

26
Q

Dull of…

A

Tongue, and dwarfish

27
Q

If I be so, /

A

From my cold heart let heaven engender hail,/and poison it in the source, and the first stone/drop in my neck; as it determines, so/dissolve my life!

RSC version: cleo is gentle
Globe: cleo is angry

28
Q

Thou art /

A

The armourer of my heart

29
Q

Oh Sun,/

A

Burn the great sphere thou I mov’st in; darkling stand/the varying shore o’th’world

30
Q

The crown o’th’earth…

A

Doth melt. My lord! / o, withered is the garland of the war; / the soldier’s pole is fall’n!

31
Q

His face was…

A

As the heav’ns, and therein struck / The sun and moon, which kept their course and lighted / the little O, the earth

32
Q

O, couldst thou speak,/

A

That I might hear thee call Caesar ass/ unpolicied

33
Q

Cleopatra is:

A

A “consistent inconsistency” - Anna Brownell Jameson

34
Q

“What deconstructs…

A

Political order in the play is desire, and the figure for this is Cleopatra. In predictably patriarchal style, Cleopatra is portrayed as capricious and self-contradictory, undoing all coherence in her exasperating inconsistency.”

Terry Eagleton

35
Q

Linda Fitz on Cleo

A

She “learns and grows as Antony does not […] Shakespeare has taken pains to let Cleopatra explain her contrary behaviour […] cleopatra’s variety is,at last, finite”

36
Q

Katharine Ott on Octavia v Cleo

A

“Octavia exemplifies Rome itself […] Highlighting Cleopatra’s foreign nature and her sexuality, which the Romans find unattractive and unacceptable”.