Antony and Cleopatra Flashcards

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1
Q

Stage direction which shows Cleopatra’s theatricality

A

“She hales him up and down”

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2
Q

How Antony immediately establishes authority over Caesar in Act 2 Scene 2

A

by asking him to “Sit, sir.” after Caesar says “Sit.”

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3
Q

How Antony likens his marriage with Octavia to a transaction

A

He says to Caesar “dispatch we / The business we have talked of.”

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4
Q

Political context: Pompey is annoyed with Antony, which shows how interpersonal relationships can have a significant effect on global affairs (they are on the verge of armed conflict as a result)

A

“I came before you here a man prepared to take this offer. But Mark Antony put me to some impatience.”

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5
Q

How Enobarbus describes Cleopatra’s theatricality

A

“We cannot call her winds and waters sighs and tears; they are greater storms and tempests than almanacs can report”

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6
Q

How Enobarbus describes Cleopatra’s majesty

A

“The barge she sat in, like a burnished throne […] The oars were silver […] O’erpicturing that Venus”

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7
Q

How Cleopatra describes herself previous to knowing Antony

A

“I was / A morsel for a monarch”

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8
Q

Positive description of Cleopatra

A

“Age cannot wither her, nor custom stale / Her infinite variety. Other women cloy / The appetites they feed, but she makes hungry / Where most she satisfies.”

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9
Q

2 quotations that portray Antony as a strong soldier

A
  1. Caesar: “Was borne so like a soldier that thy cheek / So much as lanked not”
  2. Cleo: “the arm / And burgonet of men”
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10
Q

2 quotations to show how Antony has changed since becoming infatuated with Cleopatra

A

“The triple pillar of the world transformed into a strumpet’s fool”

“He fishes, drinks, and wastes / The lamps of night in revel; is not more manlike / Than Cleopatra”

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11
Q

Quotation to show how Antony indulges in pleasure

A

Pompey says “Keep his brain fuming. Epicurean cooks, / Sharpen with cloyless sauce his appetite”

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12
Q

What the Soothsayer says to Antony in comparison to Caesar

A

“Near him thy angel / Becomes afeard. […] Thy lustre thickens / When he shines by.”

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13
Q

Cleopatra describing Antony as a lover versus Antony as a soldier

A

“Though he be painted one way like a Gorgon, the other way’s a Mars”

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14
Q

Enobarbus’ (correct) prediction in Act 2 Scene 6 about what Antony will do

A

“He will to his Egyptian dish again.”

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15
Q

2 quotations to show Antony’s love for Cleopatra

A

“There’s beggary in the love that can be reckoned”

“Let Rome in Tiber melt and the wide arch / Of the ranged empire fall!”

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16
Q

Antony realising that he must return to his duties in Rome

A

“These strong Egyptian fetters I must break, / Or lose myself in dotage”

17
Q

3 key quotations from Antony’s argument with Caesar

A

“I learn you take things ill which are not so, / Or, being, concern you not.”

“I know you could not lack.”

“No, Lepidus, let him speak. The honour is sacred which he talks on now, / Supposing that I lacked it.”
(conveys his political wisdom)

18
Q

Antony’s excuse for ignoring his duties

A

“Poisoned hours had bound me up / From mine own knowledge”

19
Q

In his first scene with Octavia (his new wife), Antony is already apologising to her for his behaviour

A

“I have not kept my square”

20
Q

2 quotations to show Cleopatra’s reaction to Fulvia’s death

A

“Can Fulvia die?”

“Now I see, I see, / In Fulvia’s death how mine received shall be”

21
Q

Cleopatra describing how much Antony means to her

A

“O, my oblivion is a very Antony”

22
Q

Quote to show the extent of Cleopatra’s love for Antony - she cannot survive without him

A

“Give me to drink mandragora.” […] “That I might sleep out this great gap of time / My Antony is away.”

23
Q

When Cleopatra is missing Antony and sexual allusion is used to convey this

A

“O happy horse, to bear the weight of Antony!”

24
Q

2 occasions in which Cleopatra echoes Antony

A

“He shall have every day a several greeting, / Or I’ll unpeople Egypt.”

“Melt Egypt into Nile”

25
Q

Reversal of gender roles between Antony and Cleopatra

A

“I drunk him to his bed. […] I wore his sword Philippan.”

26
Q

Cleopatra’s outburst of anger at the messenger who tells her that Antony is marrying Octavia

A

“The gold I give thee will I melt and pour / Down thy ill-uttering throat.”

27
Q

Cleopatra immediately regretting her angry outburst upon hearing news of Antony’s marriage (showing how her emotions fluctuate so much)

A

“These hands do lack nobility, that they strike / A meaner than myself”

28
Q

Caesar describing the fickle public

A

“This common body, / Like to a vagabond flag upon the stream, / Goes to and back”

29
Q

Pompey’s description of Caesar

A

“Caesar gets more money where / He loses hearts.”

30
Q

What Caesar says to Antony in their argument following his succession of criticisms

A

“You have broken the article of your oath, which you shall never have tongue to charge me with”

31
Q

Caesar’s concluding statement on his relationship with Antony

A

“We shall remain in friendship, our conditions so differing in their acts.”

32
Q

Antony’s description of Caesar’s fortune

A

“The very dice obey him”

33
Q

2 quotations from the feast, in which Caesar refuses to drink while everyone else revels in pleasure

A

“I had rather fast from all, four days, than drink so much in one.”

“Our graver business / Frowns at this levity.”

34
Q

Critical quotation about Antony

A

Antony was a ‘sensualist and a voluptuary’ who ‘dragged a fine nature through the common sewer of licentiousness’ (Charles Cowden Clarke)

35
Q

Critical quotation about Cleopatra

A

here […] has he given us the perfect and everlasting woman’ (Algernon Swinburne)

36
Q

Critical quotation about Antony and Caesar’s conflict

A

Jonathan Dollimore argues that “the conflict between Antony and Caesar represents a collision between older conceptions of power centred upon individual honour”

37
Q

Menas and Enobarbus discussing men and women (Act 2 scene 6, two lines)

A

Menas: All men’s faces are true, whatsome’er their hands are.

Enobarbus: But there is never a fair woman has a true face.

38
Q

What Cleopatra says to Antony in act 1 scene 3 about honour

A

‘Your honour calls you hence; / Therefore be deaf to my unpitied folly, / And all the gods go with you!’

39
Q

Caesar on Antony’s honour

A

‘Antony, / Leave thy lascivious wassails […] It wounds thine honour that I speak it now.’ (act 1 scene 4)