Antony and Cleopatra Flashcards

1
Q

Stage direction which shows Cleopatra’s theatricality

A

“She hales him up and down”

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2
Q

How Antony immediately establishes authority over Caesar in Act 2 Scene 2

A

by asking him to “Sit, sir.” after Caesar says “Sit.”

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3
Q

How Antony likens his marriage with Octavia to a transaction

A

He says to Caesar “dispatch we / The business we have talked of.”

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4
Q

Political context: Pompey is annoyed with Antony, which shows how interpersonal relationships can have a significant effect on global affairs (they are on the verge of armed conflict as a result)

A

“I came before you here a man prepared to take this offer. But Mark Antony put me to some impatience.”

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5
Q

How Enobarbus describes Cleopatra’s theatricality

A

“We cannot call her winds and waters sighs and tears; they are greater storms and tempests than almanacs can report”

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6
Q

How Enobarbus describes Cleopatra’s majesty

A

“The barge she sat in, like a burnished throne […] The oars were silver […] O’erpicturing that Venus”

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7
Q

How Cleopatra describes herself previous to knowing Antony

A

“I was / A morsel for a monarch”

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8
Q

Positive description of Cleopatra

A

“Age cannot wither her, nor custom stale / Her infinite variety. Other women cloy / The appetites they feed, but she makes hungry / Where most she satisfies.”

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9
Q

2 quotations that portray Antony as a strong soldier

A
  1. Caesar: “Was borne so like a soldier that thy cheek / So much as lanked not”
  2. Cleo: “the arm / And burgonet of men”
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10
Q

2 quotations to show how Antony has changed since becoming infatuated with Cleopatra

A

“The triple pillar of the world transformed into a strumpet’s fool”

“He fishes, drinks, and wastes / The lamps of night in revel; is not more manlike / Than Cleopatra”

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11
Q

Quotation to show how Antony indulges in pleasure

A

Pompey says “Keep his brain fuming. Epicurean cooks, / Sharpen with cloyless sauce his appetite”

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12
Q

What the Soothsayer says to Antony in comparison to Caesar

A

“Near him thy angel / Becomes afeard. […] Thy lustre thickens / When he shines by.”

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13
Q

Cleopatra describing Antony as a lover versus Antony as a soldier

A

“Though he be painted one way like a Gorgon, the other way’s a Mars”

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14
Q

Enobarbus’ (correct) prediction in Act 2 Scene 6 about what Antony will do

A

“He will to his Egyptian dish again.”

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15
Q

2 quotations to show Antony’s love for Cleopatra

A

“There’s beggary in the love that can be reckoned”

“Let Rome in Tiber melt and the wide arch / Of the ranged empire fall!”

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16
Q

Antony realising that he must return to his duties in Rome

A

“These strong Egyptian fetters I must break, / Or lose myself in dotage”

17
Q

3 key quotations from Antony’s argument with Caesar

A

“I learn you take things ill which are not so, / Or, being, concern you not.”

“I know you could not lack.”

“No, Lepidus, let him speak. The honour is sacred which he talks on now, / Supposing that I lacked it.”
(conveys his political wisdom)

18
Q

Antony’s excuse for ignoring his duties

A

“Poisoned hours had bound me up / From mine own knowledge”

19
Q

In his first scene with Octavia (his new wife), Antony is already apologising to her for his behaviour

A

“I have not kept my square”

20
Q

2 quotations to show Cleopatra’s reaction to Fulvia’s death

A

“Can Fulvia die?”

“Now I see, I see, / In Fulvia’s death how mine received shall be”

21
Q

Cleopatra describing how much Antony means to her

A

“O, my oblivion is a very Antony”

22
Q

Quote to show the extent of Cleopatra’s love for Antony - she cannot survive without him

A

“Give me to drink mandragora.” […] “That I might sleep out this great gap of time / My Antony is away.”

23
Q

When Cleopatra is missing Antony and sexual allusion is used to convey this

A

“O happy horse, to bear the weight of Antony!”

24
Q

2 occasions in which Cleopatra echoes Antony

A

“He shall have every day a several greeting, / Or I’ll unpeople Egypt.”

“Melt Egypt into Nile”

25
Reversal of gender roles between Antony and Cleopatra
“I drunk him to his bed. [...] I wore his sword Philippan.”
26
Cleopatra's outburst of anger at the messenger who tells her that Antony is marrying Octavia
“The gold I give thee will I melt and pour / Down thy ill-uttering throat.”
27
Cleopatra immediately regretting her angry outburst upon hearing news of Antony's marriage (showing how her emotions fluctuate so much)
“These hands do lack nobility, that they strike / A meaner than myself”
28
Caesar describing the fickle public
“This common body, / Like to a vagabond flag upon the stream, / Goes to and back”
29
Pompey's description of Caesar
“Caesar gets more money where / He loses hearts.”
30
What Caesar says to Antony in their argument following his succession of criticisms
“You have broken the article of your oath, which you shall never have tongue to charge me with”
31
Caesar's concluding statement on his relationship with Antony
“We shall remain in friendship, our conditions so differing in their acts.”
32
Antony's description of Caesar's fortune
“The very dice obey him”
33
2 quotations from the feast, in which Caesar refuses to drink while everyone else revels in pleasure
“I had rather fast from all, four days, than drink so much in one.” “Our graver business / Frowns at this levity.”
34
Critical quotation about Antony
Antony was a ‘sensualist and a voluptuary’ who ‘dragged a fine nature through the common sewer of licentiousness’ (Charles Cowden Clarke)
35
Critical quotation about Cleopatra
here [...] has he given us the perfect and everlasting woman’ (Algernon Swinburne)
36
Critical quotation about Antony and Caesar's conflict
Jonathan Dollimore argues that "the conflict between Antony and Caesar represents a collision between older conceptions of power centred upon individual honour"
37
Menas and Enobarbus discussing men and women (Act 2 scene 6, two lines)
Menas: All men's faces are true, whatsome'er their hands are. Enobarbus: But there is never a fair woman has a true face.
38
What Cleopatra says to Antony in act 1 scene 3 about honour
‘Your honour calls you hence; / Therefore be deaf to my unpitied folly, / And all the gods go with you!’
39
Caesar on Antony's honour
‘Antony, / Leave thy lascivious wassails [...] It wounds thine honour that I speak it now.’ (act 1 scene 4)