Analysis Flashcards

1
Q

Gender and attitude towards sexual relationships

A

-Attractive, expected to cultivate beauty
-upper class ladies of society be subservient
-expected to marry respectable young men
- having chaste demeanour, but also flirtatious

Blanche’s attempts to maintain a Southern Belle image contributes to her vulnerability, and, thus, her tragedy. Mitch’s reaction of his offer of marriage is crucial to this

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2
Q

Nostalgia for pre-American Civil War south:

A

large white houses; cavalier gentlemen; cultured, literate people who enjoyed music and literature; stable economy based on cotton. But this ignored Slavery, racism and violent oppression

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3
Q

Old south vs New South

A

Stanley = New South
Blanche = Old South
Stella = adaptation to New South
“But maybe he’s what we need to mix our blood with now that we’ve lost Belle Reve to protect us”

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4
Q

Literary genre of southern gothic

A

Lurid reflections appear on the walls around Blanche. The shadows are of a grotesque and menacing form…
The night is filled with inhuman voices like cries in the jungle. The shadows and lurid reflections move sinuously as flames along the wall spaces

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5
Q

Gender & Power

A
  • Misogynistic America where women exists to serve men
  • Explains Blanche’s dependence on the attention of men for self validation

“Men don’t even acknowledge your existence unless they’re making love to you.” - Blanche, Scene 5

“Law that says the lady mush entertain the gentlemen - or no dice!” - Blanche, Scene 6

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6
Q

Dramaturgy

A
  • Blanche excels at discourse
  • Stanley ultimately wins the argument through physical action (paralinguistic expression), where Blanche is powerless
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7
Q

Gender & Power , Dramaturgy

A
  • Audience imagines the slap, which makes it more graphic and impactful
  • Men dominate women through physical means

[Stella backs out of sight. Stanley advances and disappears. There is a sound of a blow.]

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8
Q

Past vs Future

A
  • Even Blanche recognises the change in social structure. However, her pride and arrogance as a Southern Belle still remains.

“Maybe he’s what we need to mix with our blood now that we’ve lost Belle Reve.” - Blanche, Scene 2

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9
Q

Realism vs. Fantasy, Symbolism

A
  • When Blanche arrived, she put on nothing but a facade.
  • Here Stanley physically retrieves the symbol for fantasy and returns it to her. Stanley symbolises reality and snaps Blanche out of her fantasy
  • Social realism triumphs over fantasy

“You left nothing here but empty perfume bottle - unless it’s the paper lantern. You want the lantern?” - Stanley, Scene 11

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10
Q

Realism vs. Fantasy

A
  • The web of lies Blanche spins is the only thing protecting her from the blinding truth that is her past
  • She deliberately live in her own manufactured truth

“I don’t want realism. I want magic!” - Blanche, Scene 9

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11
Q

Varsouviana Polka

A
  • Symbolises Blanche’s past with her ex-husband
  • It returns to haunt her at various parts of the play
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12
Q

Varsouviana Polka

A
  • Symbolises Blanche’s past with her ex-husband
  • It returns to haunt her at various parts of the play
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13
Q

Hegemonic masculinity

A

the prevalent view of what it is to be a man
- Stanley shows this by demanding “what belongs to the wife belongs to the husband”
this shows his territorial and possessive nature

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14
Q

Hegemonic femininity

A

the prevalent view of what it is to be a woman
- the woman has the subservient role within a relationship, they are seen as weak and dependent on men

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15
Q

Diminutive mode of address

A

Stanley calls Stella “baby” this could perhaps show that she is weak and nothing more than an infant

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16
Q

Realistic/naturalistic speech

A

Williams uses features such as short or fragmented utterances, ellipsis, elision, dialect and expletives to replicate ‘natural’ speech to create believable characters

17
Q

Idiolect

A
  • character speech style
18
Q

Historical context

A

Williams was affected by the American civil war (as a southerner)
- south suffered economically due to abolition of slavery (Belle Reeve)

19
Q

Freytag’s pyramid (narrative structure)

A
  • five part dramatic structure that goes from introduction, into the rise to the climax, falling action and finally the resolution (denouement)
  • the entire plot is driven by conflict
20
Q

Aristotle’s catharsis

A

describes catharsis as the purging of the emotions and pity and fear that is aroused in the viewer of the tragedy
Scene 10 - Blanche is unable to escape the harshness of her life as Stanley “takes a step towards her” she is attacked by both her past and the people in her present life

21
Q

Speakers acommodation

A

divergence/convergence

22
Q

Upwards convergence

A

Stanley advances his lexicon to assert his dominance over his wife when referring to legal matters (Napoleonic code)

23
Q

Upwards diveregence

A

Blanche raises her lexical proficiency to embarrass and belittle Stanley as she has a higher social class

24
Q

Old money vs New money

A

Stanley represents the American dream that all men are born equal and can succeed equally, whereas Blanche represents the old world, where class and race are still important issues.