An Ideal Husband Critics Flashcards

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1
Q

“Goring… acts as Wilde’s personal voice”

A

George Woodcock

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2
Q

“Wilde recultivated an eroding sexual stereotype of the victorian era that women are intellectually the inferiors of men”

A

Kerry Powell

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3
Q

“Women were creatures of vast feeling but scant intellect”

A

Kerry Powell

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4
Q

“The Ideal husband is caricatured as a sort of plaything at the mercy of his wife’s every whim”

A

Norbert Kohl

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5
Q

“Women… were technically powerless… at the same time, the plays were really about them, and everything the men did was designed to win their love, admiration or forgiveness”

A

Roger Ebert

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6
Q

“As long as everyone plays by the rules in public, they can be broken in private”

A

Roger Ebert

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7
Q

“Lady Chiltern loves her husband but loves his upright character even more”

A

Roger Ebert

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8
Q

“characters regard each other as ‘pure’ representations”

A

Harold Bloom

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9
Q

“R.C’s machiavellian justification for his own reckless ambition for power and wealth”

A

Harold Bloom

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10
Q

“Reveals the gap between moral posturing and the reality of public power”

A

Peter Raby

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11
Q

“Insincere society that refuses to acknowledge its reliance on secrecy and public masks”

A

K. Neal

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12
Q

“An Ideal Husband hints at social and political corruption but withdraws into conventional ideology about the respective worth of men and women”

A

Philip Cohen

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13
Q

“[the upper class] did not give a damn about conventional morality”

A

Pearsall

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14
Q

“[Lady C is] priggish and naive”

A

Katherine Worth

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15
Q

“In AIH… Wilde proved he could glitter and say something at the same time”

A

Alvin Klein

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16
Q

“He wanted… to render a true portrait of English society’s follies”

A

Alvin Klein

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17
Q

“[Chiltern is] a spokeperson for every man who is presumed, and pressured, to be more than he is”

A

Alvin Klein

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18
Q

“Wilde’s.. astringent observations of women’s tendency to create impossible standards for men and live vicariously through their reflected glory”

A

Helen Meany

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19
Q

“Lord Goring is the play’s moral barometer”

A

Helen Meany

20
Q

“Wilde’s wit masked a vision of life”

A

Michael Billington

21
Q

“Sir Robert represents the hollow sham of public life”

A

Michael Billington

22
Q

“[Mrs Cheveley is] a dubious predator… an instrument of truth”

A

Michael Billington

23
Q

“The fundamental flavour of Wilde’s works is happiness”

A

Borges

24
Q

“The play is unquestionably very poor”

A

H.G Wells (contempory)

25
Q

“[RC] is man enough to to brave it rather than commit a second and greater treachery”

A

William Archer (contemporary)

26
Q

“[RC] licks the dust before [Mrs C] and is quite prepared to involve his country in a second Panama catastrophe in order to save his own skin”

A

William Archer (contemporary)

27
Q

“Sir Robert Chiltern proves himself to be one of those gentlemen who can be honest as long as it is absolutely convenient, and no longer”

A

William Archer (contemporary)

28
Q

“several scenes in which the dialogue is heavily overburdened with witticisms”

A

William Archer (contemporary)

29
Q

“All the literary dignity of the play, all the imperturbable good sense and good manners”

A

George Bernard Shaw (contemporary)

30
Q

“so unapproachably playful… the delight of every playgoer”

A

George Bernard Shaw (contemporary)

31
Q

“a play which has no thesis… a play and nothing else”

A

George Bernard Shaw (contemporary)

32
Q

“Sir Robert Chiltern’s assertion of the individuality and courage of his wrongdoing as against the mechanical idealism of his stupidly good wife”

A

George Bernard Shaw (contemporary)

33
Q

“[Wilde’s] catch and whimsicality of the dialogue tickle the public”

A

Clement Scott (contemporary)

34
Q

“A strepitous, polychromatic, scintillating affair”

A

AB Walkley (contemporary)

35
Q

“Mr Wilde is practically of the same mind as his audience, and gets his reward”

A

AB Walkley (contemporary)

36
Q

“[Wilde] is far from being a realist”

A

AB Walkley (contemporary)

37
Q

“Mr Wilde flatters the public, presents it with a false picture of life”

A

AB Walkley (contemporary)

38
Q

“[politicians wouldn’t] refuse seats in the cabinet because their wives bid them”

A

AB Walkley (contemporary)

39
Q

“The whole play is designed to fill us with joy over the escape of a sinner from the penalty of his sin through the trick of a diamond bracelet”

A

AB Walkley (contemporary)

40
Q

“[AIH] seemed to me so helpless, so crude, so bad, so clumsy, feeble and vulgar”

A

Henry James (contemporary)

41
Q

“[AIH] is not only an excellent piece of art, but an excellent piece of sense”

A

William Dean Howells (contemporary)

42
Q

“[Mrs Cheveley is] a sulphourous female”

A

William Dean Howells (contemporary)

43
Q

“Lady Chiltern’s unlikely word-for-word parroting of Goring’s advice tends not to validate his words but rather teeter on the edge of absurdity”

A

Sos Eltis

44
Q

“it is crucially unclear whether Lady Chiltern ends the play cowed, politically sidelined, coldly pragmatic, or educated in a more humane and charitable understanding of others’ frailty”

A

Sos Eltis”

45
Q

“Sir Robert varies his moral standpoint according to circumstances”

A

Sos Eltis