American Realism Flashcards

1
Q

American Realism

A

Representational Scenes of everyday life narrative

influence of photography window into another world

convincing space on 2D canvas

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2
Q

Eastman Johnson

A

1848 trained at Dusseldorf

Attention to American subject mattere

expresses sympathies for African Americans

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3
Q

Winslow Homer

A

Visited front during Civil War 1866

Genre paintings content departed from sentimentalism and combined authenticity and reserved realism

England 1881, small fishing village

subjects have serious quality and emotion, multi-valent images within paintings

Man’s struggle with nature

very American - industrialism, mystery, realism, sentimental

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4
Q
A

Winslow Homer

Croquet Scene, 1866

young upper class people engaged in leisure

compared to Monet’s Women in the Garden but opposite style of impressionism

solidity of line

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5
Q
A

Winslow Homer

Snap the Whip, 1872

quaint, simplicity of the past, childhood, protected time

breaking away from childhood, growing up

rustic past, barefoot, one room school house

sentimentality, nostalgia, authenticity

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6
Q
A

Winslow Homer

Morning Bell, 1872

lone figure going to the mill - new industrialism

strong lines, diagonal ramp

unaswered questions - who are the women?

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7
Q
A

Winslow Homer

The Life Line, 1884

demonstration of new technology for rescue

complete fiction, made up view

life and death, freezing Atlantic

evoke sympathy, deeper connection, women frail, men strong

faceless as everyman

essential struggle of life

Prown’s take - “rock thrusting sea”, Homer’s face behind the scarf, sexual connotation

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8
Q
A

Winslow Homer

Fog Warning, 1884

Man by himself in small boat rough seas, masculine, physical labor

fog rollin gin threatening, dominating sky, coppy water

role of self made man, fisherman, man vs. nature

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9
Q
A

Winslow Homer

Eight Bells, 1886

Out on the sea living vitally through own wits, knowledge, strength

traditional values

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10
Q
A

Winslow Homer

The Veteran in a New Field, 1893

war is over, return to farming

proved masculinity nothing left to do, agrarian past

Homer is the lonesome man, autobiographical quality

central, unidentifiable figure

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11
Q
A

Winslow Homer

The Gulf Stream, 1899

ship in background makes more grim, opportunity for salvation

looking to the right intently, not concerned with sharks

black man sent adrift, rudderless, no control of destiny

current of water taking him

isolation, lack of resources

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12
Q
A

Winslow Homer

Right and Left, 1909

nature study, Japanese flattening

suggestion of human presence - man w/ shot gun

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13
Q
A

Eastman Johnson

Sugaring Off at the Camp, Fryeburg, Maine, 1861-65

rural realism

connection with simple past, productive labor, sense of community

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14
Q
A

Eastman Johnson

The Brown Family, 1869

clarity of line, reflection, effect on glass dome and glint of light

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15
Q
A

Eastman Johnson

The Old Stage Coach, 1871

engages innocence of childhood, appeal to Americans

psychological response to the war?

nostalgia, simplier past

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16
Q
A

Eastman Johnson

Catching the Bee, 1872

unwise and dangerous exploration of nature

structure basis for Hollyhucks painted few years later

17
Q
A

Eastman Johnson

Hollyhocks, 1874-76

transition in style

reduce into flatter fields of color, looser

18
Q
A

Eastman Johnson

Husking Bee, Island of Nantucket, 1876

looser painting

entertainment and necessity in 19th century

community comes together to husk the corn, transforms labor

nostalgic view of community, farming, sustenance

19
Q
A

Eastman Johnson

Winnowing Grain, 1877-79

20
Q

Thomas Eakins

A

regarded as America’s most preeminent realist

Philadelphia, lived with his family, PFA

images latent with sexual and homosexual overtones

use of photography and intense drawing studies, realistic, true as possible, extreme scientific element to painting

21
Q
A

Thomas Eakins

Max Schmitt in a Single Scull, 1871

contemporary scene, particularly American, painting what he sees, rooted in experience, masculine sport, leisure activity for upper classes

Max Schmitt in foreground, Eakins in background, heroic moment, physical labor

precise - specific season, time of day, place, vanishing point

Fiction - Eakins puts himself in the boat, sense of authority

appears real but rings caused by oars are not actual, false representation

22
Q
A

Thomas Eakins

The Pair-Oared Shell, 1872

icredibly detailed studies, perspectival drawings, mapping out rational space

used photography and traced lantern figures

23
Q
A

Thomas Eakins

The Gross Clinic, 1875

rejected from 1876 Centennial Exhibition in Philadelphia, thought too graphic

Dr. Gross performing public operation

cleaning infection in bone to save leg/arm, no antibotics at time

don’t know figure

Eakins signs name on operating table, he is in background audience sketching work as he sees it

24
Q
A

Thomas Eakins

Singing a Pathetic Song, 1881

Song of pathos (emotionality), Pathetic - type of popular sentimental music, intimate scene, detail in dress scientific exactness, moody moment

based on a photograph, pattern in wallpaper exact

25
Q
A

Thomas Eakins

Swimming, 1885

young nude men swimming around, committed to the human nude, scietific exactness, men enjoying nature, pyramidal structure, balance

Eakins in bottom corner swimming towards group