American Film Specialist Areas Flashcards

1
Q

What is the focus of the course section on American Film since 2005?

A

The focus is on how films affect the spectator and what they communicate ideologically.

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2
Q

What are the two films studied in this course section?

A
  • Moonlight (Jenkins, 2016)
  • Carol (Haynes, 2015)
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3
Q

What type of audience does a film that encourages passive spectatorship create?

A

An audience that is more focused on their emotional response.

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4
Q

What are some characteristics of films that encourage passive spectatorship?

A
  • Meet and satisfy all genre expectations
  • Be produced by a mainstream studio for a mass audience
  • Provide a closed ending
  • Establish clear characters with defined goals
  • Conform to narrative logic and causality
  • Focus on action-driven sequences
  • Follow clear narrative structures
  • Have ideological values that conform to dominant power structures
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5
Q

What defines a film that encourages active spectatorship?

A

It encourages the audience to intellectually engage with the text.

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6
Q

List characteristics of films that encourage active spectatorship.

A
  • Deconstruct or subvert genre conventions
  • Place anti-heroes or morally questionable characters as protagonists
  • Give characters implicit or intangible motivations
  • Character-driven narratives
  • Narratives that challenge traditional structure
  • Have ambiguous or difficult ideologies
  • Explore ideologies that challenge dominant power structures
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7
Q

True or False: A film’s ideology is solely based on its themes.

A

False.

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8
Q

What does examining a film’s ideology involve?

A

Looking at its messages and ideas.

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9
Q

What techniques can directors use to communicate a film’s ideology?

A
  • Cinematography
  • Mise en scene
  • Sound
  • Editing
  • Performance
  • Narrative Structure
  • Characters and Character Arcs
  • Dialogue
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10
Q

What does it mean when a director encodes an ideological meaning into a text?

A

It means the director embeds a specific message that audiences must decode.

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11
Q

What is an ideological critical approach to film analysis?

A

It allows us to examine one idea at a time.

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12
Q

What are some perspectives from which we might examine a film?

A
  • Gender
  • Ethnicity and Race
  • Class
  • Sexuality
  • Age
  • Politics
  • Society
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13
Q

What is Barry Jenkins known for in the film industry?

A

Being an African American filmmaker and an auteur.

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14
Q

What are some themes explored by Barry Jenkins in his films?

A
  • Marginalised identities
  • Romance narratives
  • The American Black experience
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15
Q

Fill in the blank: Barry Jenkins directed the film _______.

A

[Moonlight]

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16
Q

What unique visual style is associated with Barry Jenkins’ films?

A

Shallow focus straight-on Close Ups that break the fourth wall.

17
Q

What awards did ‘Moonlight’ win?

A
  • Best Picture
  • Best Supporting Actor
  • Best Adapted Screenplay
18
Q

What controversy surrounded the Oscars win for ‘Moonlight’?

A

The 2015 #oscarssowhite backlash and the La La Land incident.

19
Q

What is the significance of the film’s position on themes?

A

It communicates the film’s ideological stance on those themes.

20
Q

What is the role of the audience’s individual identity in film response?

A

It influences how the audience interprets and responds to the text.

21
Q

True or False: The audience’s response is entirely independent of the film’s intended message.