American Cultural Theories seminar Flashcards

1
Q

language (6)

A
  • In the following I am going to analyse this cultural text within the theoretical framework of Roland Barthes’s myth
  • Creates a stark divide between individuals through language
  • Perception of differences fosters a belief that treating them differently is justified
  • Process of differentiation encapsulated as othering
  • The dehumanizing trajectory the discourse has taken
  • By critically examining the myths conveyed by discourse, we can better understand how cultural norms are perpetuated and work towards dismantling harmful ideologies surrounding …
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2
Q

Myth (7+2)

A
  • Stories that shield people from harsh realities & banish contradiction
    -> Serve to sustain the social order & reinforce class distinctions
  • Ideological
  • Second order semiotic system –> creates a new level of meaning/ additional meaning
  • Message that’s conveyed when an object, image or phrase becomes associated with a concept or value
    -> Takes on a symbolic meaning
  • Shape the way we view the world
  • 2 systems of signification
    -> …
  • Form of discourse that tries to make cultural norms appear as facts of nature
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3
Q

2 systems of signification (2+5)

A

-> Denotation
o Literal level of meaning -> shared by all members of a society
-> Connotation
o Meanings that are generated by connecting signifiers to wider cultural concerns
-> When connotations are accepted as “normal”
* Act as conceptual maps of meaning (-> make sense of the world)
* Now they’re myths

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4
Q

Ideology (6+2)

A
  • Set of ideas, values & beliefs that is accepted by a society, class or social group
  • System of ideas forming the basis of an economic or political theory
  • Justifying ideas of a social group
    -> Justifying their practices
  • Attempt to fix meanings & world views in support of the powerful
    -> Helps maintain & reproduce power of the ruling class
  • Works on the level of connotation ( on the level of myth)
  • Works for hegemony
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5
Q

Myth vs. ideology (2)

A
  • Myth is to be believed & ideology is to be followed and brought into practice
  • Myths are often in service of an ideology
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6
Q

Hegemony (2+2)

A
  • Antonio Gramsci
  • Dominance especially by one state/ social group over others
    -> Total social authority over subordinate groups
    -> Shaping consensus so that power of the dominating group appears legitimate & natural
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7
Q

Hegemony vs. Ideology (2)

A
  • Hegemony speaks of a relationship of power that exists between different groups
  • Ideology is a set of ideas
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8
Q

Discourse (9+6)

A
  • Michel Foucault
  • Complex system of language knowledge & power
  • Shapes & regulates how people think, speak & understand the world within a social & historical context
    -> Normative & regulative framework
    -> Historically & socially contingent
    o Temporarily stabilizes meaning
  • Creates the subject
    -> Defines acceptable ways to discuss subjects
  • Shapes the meaning assigned to objects & practices
    -> & the way we perceive things
  • Self justifying (-> empowers people to continue acting the way they’re acting)
  • Works on the unconscious level (ideology & myth as well)
  • Creates contrast -> “othering”
    -> How is “the other” produced?
  • Inextricably linked with power relations
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9
Q

History of racial ideology (2+1)

A
  • “all men are created equal” -> how do we justify slavery? -> racial ideology created
    -> POCs are “different” & “inferior” -> so it’s “okay” to have slavery -> different “race”
  • Capitalism -> free labour -> justify a system of exploitation -> economically smart
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10
Q

Whiteness (1)

A
  • Whiteness perpetuated as the norm
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11
Q

Disability (2+1)

A
  • Concept of disability used to put on another level of suppression
  • Concept of the norm (“the natural”) -> discourse constructs the norm
    -> Creates the “abnormal” -> opens the door to discrimination
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12
Q

Intersectionality (3)

A
  • Disrupts single axis perspectives of discrimination
  • Helps identify how systems of discrimination affects people differently based on how they’re discriminated
  • Shows that oppression is layered
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13
Q

Discovery of America & the new space (3+4)

A
  • Moving away from European corruption
  • Wanted to created this sacred ground in America
    -> Creation of a free & untouched place
    o Native Americans didn’t have a space in that vision
    -> Erased
    -> Manifest destiny, city on a hill, virgin island
  • America was “different” -> landscape specifically -> “untouched landscape”
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14
Q

Manifest destiny (4+3)

A
  • Idea in the (1830s) that the divine mission of the US is to overspread the entire American Continent
    -> Because of it’s “superior” democratic institutions
  • Form of exceptionalism & beginning of American imperialism
  • Used to justify the forced removal of native Americans
  • US leaders & citizens in the 19th century believed in manifest destiny
    -> Inevitable extension of national power across the continent
    o Therefore inevitable destruction of native nations
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15
Q

American Exceptionalism (3+2)

A
  • “god given”
  • Idea that America is different from all other states
    -> Because of a divine mission in world history
    -> “the greatest country in the world”
  • Myth of manifest destiny functions as a tool for reinforcing & promoting the ideology of American exceptionalism
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16
Q

Manifest destinies link to capitalism & economic value (1+3)

A
  • Capitalist ideology believes that things are only useful if they create profit
    -> Settlers saw no monetary profit coming from land that’s not being occupied
    -> Should be turned into farms & homesteads
    o Myth -> millions of people lived there -> settlers just didn’t count native Americans
17
Q

Painting (4+11)

A
  • westward expansion
    -> viewed as great opportunity to start anew
    -> but also economic opportunities
    o painting pictures westward expansion in a good light
  • Right half representing eastern America & left half western America
    -> Left -> storm clouds, dark -> “bad”
    -> Right -> bright -> “good”
  • Person
    -> light exudes from her
    -> so bright & goddess/ angel like -> divine
    o Like a glorious & righteous thing
    o Manifest destiny -> divine mission
    -> Responsible for smooth & uplifting transformation of wilderness into civilization
    o In reality not smooth -> brutal & thousands of deaths
    -> Trail of tears
18
Q

Myth in the painting (2+9)

A
  • Myth -> Manifest Destiny (..)
    -> that shield white Americans from the harsh reality that westwards expansion was forced removal of native Americans & an act of ethnic cleansing resulting in thousands of deaths
    -> serves to sustain the social order & reinforce class distinctions between native Americans & white settlers
    -> shapes the way we view the westward expansion
    o according to manifest destiny -> inevitable
    o therefore justified & appears to be natural
    -> painting is a signifier
    o instead of viewing it just as a conventional painting -> a new level of meaning (showing westward expansion in a good way, as this divine & righteous mission) -> symbolic meaning -> myth of manifest destiny
    -> on the level of connotation now
    o works on the unconscious level
  • Myth of Manifest destiny functions as a tool for reinforcing & promoting the ideology of American exceptionalism (..)
19
Q

Ideology in the painting (1+3)

A
  • Ideology (..) -> American exceptionalism (..)
    -> Belief that America is inherently better & divine mission is to expand over continent
    -> Justifies westward expansion
    -> Works for hegemony
20
Q

Hegemony in the painting (1+2)

A
  • Hegemony (..)
    -> can see in the painting the total social authority of white Americans/ settlers over native Americans
    -> Power relations are clear (weapons, diseases,…)
21
Q

Discourse in the Painting (1+4)

A
  • All within the discourse (..) of westward expansion & American imperialism
    -> This painting shows how the way we think about westwards expansion is being shaped & regulated
    -> Creates subject of the native Americans as uncivilized people & white settlers as peaceful bringers of goodness & civilization
    o Creates this contrast -> “othering”
    -> The other is produced (through this painting) through different lighting -> dark & bright, uncivilized & civilized -> bad & good
22
Q

intersectionality in the painting

A

intersects with the concept of whiteness (..) & disability (..)