Ambition Flashcards
1
Q
“I have no spur to prick the sides of my intent/ but only Vaulting ambition which o’erleaps itself” 1.7
A
- Shakespeare use of the metaphorical “vaulting ambition” epitomizes the inherent and unstoppable desire for power within Macbeth
- This is an image of a horseman attempting to mount his horse, but it is too eager and falls regardless
- The verb “o’erleaps itself” strongly foreshadows the tragic hero’s own demise in the play. He fails to take heed of his won warning, instead of becoming hubristic and complacent. (more analysis)
2
Q
“a step on which I must fall down, or else o’erleap / For in my way it lies” 1.4
A
- Ambition growing
- The objectifying of the Prince of Cumberland as an obstacle and the reference to him as the pronoun “it” shows how Macbeth is dehumanising them to justify and fulfil his own ambitions.
The repeated use of the verb “o’erleap” emphasises the extent of his ambition.
3
Q
“Stars, hide your fires, let not light see my black and deep desires” 1.4
A
- Perverts Duncan’s earlier comparison of nobility to stars (“but signs of nobleness, like stars, shall shine on all deservers”). He modifies the laudatory language which Duncan uses, and with direct address, commands the stars to darkness. The audience sees his ambitions grow
- “black” connotes to evil and death and reflects Macbeths moral unscrupulousness
- Demonstrates the speed at which Macbeth is corrupted by the promise of power as he is already trying to cover his blood lust
- He doesn’t want heaven to see what he is about to do
4
Q
“burned in desire” “rapt in the wonder of it” 1.5 (from the letter that LM reads)
A
Shakespeare use of the powerful verb “burned” and the intense adjective “rapt” hints Macbeth’s determination and eagerness for power which is intensified as the play advances (needs more analysis)
5
Q
“ingredience of our poison’d chalice to our own lips” 1.7
A
- “ingredience” metaphor for their murderous schemes which forms the “poison” which is a metaphor for the evil that is caused as a result of his evil actions
- “chalice” could also be a metaphor for power and the crown which is corrupt and foreshadows the bloodthirsty reign that will lead to his death as shown through the metaphor “our own lips”
- This could serve as a warning to the Jacobean audience as to what would happen to them if they ever rebel against the king and stresses the importance of the divine right of kings
- Use of ecclesiastical imagery through “chalice” ( a vessel used for drinking blessed wine). Oxymoronic phrase “poison’d chalice” renders the audience aghast as they realize the magnitude of desecrating such a sacred object. This image effectively demonstrates the potentially cataclysmic contagion effect that such wanton, insatiable ambition can bring, foreshadowing the other brutal murders Macbeth organises in the scenes to follow.
6
Q
Is this a dagger i see before me 2.1
A
- This hallucination is a manifestation of Macbeth’s guilt as well as his power-lust and is the product of the supernatural
- could also be seen as something creates by the witches to cajole him into the murder of Duncan
- Jacobean audience would see this as the work of the devil which enhances the ominous and eerie atmosphere
- Marks the start of his mental deterioration as well as his reliance on the supernatural - he starts seeing everything as a supernatural confirmation that he should kill the king
- “handle toward my hand” reveals how his ambition is compelling him to fulfill his dark intentions but also implies how Macbeth has fully decided on murdering the king . this also could be interpreted as him trying to justify killing the king and seeing this as his fate which links to how the Jacobean audience believed in fate and so Macbeth sees murdering the King as something that is beyond his control.
7
Q
“for it is a knell that summons thee to heaven or to hell.” 2.1
- rhyming couplets, evil taking control over him
- sees everything as a sign
- euphemism
A
- The use of rhyming couplets shows his subconscious connection to the witches who also use this structure while speaking. This also indicates that within Macbeth evil is taking control of him and the meaning of this declarative statement demonstrates how he is now certain that he will kill the king - he has made up his mind.
- This also shows his further disintegration as he sees everything now as a symbol to murder the king - even a bell, which could be interpreted as a warning but he sees it as a sign to kill the king which depicts his further downward spiral (caused by his ambition) from a hero a tragic hero.
- The use of euphemism, however, heightens his denial of what he is doing is wrong and shows how he thinks he is destined to kill the king.
8
Q
To be thus is nothing but to be safely thus - Macbeth fears Banquo’s “royalty of nature” 3.1
A
- The repetition of “to be thus” and its inversion reflects his determination and desperation to keep the crown and shows how his ambition has grown into paranoia – thinking that everyone is after the throne.
- This also emphasises how evil Macbeth has become - he has become immensely evil that he fears Banquo’s noble nature, something that he himself was known greatly for. Macbeth has changed after gaining power and this is the beginning of when he falls to his destruction. This also mirrors the first appearance of the witches when they said “fair is foul and foul is fair” - the fact that Macbeth fears Banquo’s good nature echoes this which further associates him with the supernatural
9
Q
Upon my head they placed a fruitless crown, And put a barren sceptre in my gripe, 3.1
A
- The metaphor “fruitless crown” is a direct reference to Macbeth and Lady Macbeth not having heir to the throne
- The semantic field of their childless state is heighten by the reference to “fruitless” and “barren spectre” which highlights Macbeth’s bitterness towards the possibility to passing his crown to Banquo’s sons.
- The possessive pronoun “my” demonstrates how Macbeth is becoming more authoritative and also highlights how his ambition is now leading him to plot murders by himself compared to the previous acts where Lady Macbeth planted the deed in his head. This foreshadows his tyrant-like behavior that grows as the play progresses. The use of singular first person conforms to the patriarchal idea that everything belongs to men - including children.
10
Q
We have scotch’d the snake, not kill’d it 3.2
A
• His ambition has lead him to be constantly manic - he feels that there is going to be retribution if he doesn’t destroy all his enemies.
11
Q
“all that impedes from the golden round” 1.5
A
- Verb “golden” has connotations of riches and power therefore revealing that Lady Macbeth’s deepest desires and the root of her happiness is to have these in her life which she recognizes can be gained through the crown
- The “round” suggests that ambition is of a the cyclical nature in Lady Macbeth’s personality and the fact that she is already eager for the crown also depicts how her ambition is imbued with hope
12
Q
“fill me from the crown to the toe top-full /Of direst cruelty!” 1.5
A
- Superlative “direst” emphasizes the extent of how far into the darkness she is willing to go and the depth of her evilness
- “crown to the toe” shows that she wants to be filled with evil- shows passion and strong desire
- Her insatiable lusting for power is evident through the use of “toe top” – the use of the plosive “t” conveys an overwhelming sense of ambition which is further reinforced through the use of iambic pentameter, used to demonstrate how Lady Macbeth can feel the “cruelty” manifesting inside of her which heightens the tension especially when the Messenger comes on stage to tell her that she will be hosting the King. It is at this moment, the audience realizes her intention to commit regicide
13
Q
“Come, thick night, and pall thee in the dunnest smoke of hell” 1.5
A
- Verb “pall” epitomizes Lady Macbeth embracement of evil and showcases the extent how far she is willing to go to get to power which is reinforced through the superlative “dunnest”. This implies that she wants to be among the most evil therefore demonstrating how fearless she is whilst also encapsulating her strong sense of ambition which influences her to transgress against the traditional gender norms – shocking the Jacobean audience .
- Contrasts to Act 5 when she had a “light by her continually”
14
Q
“But that myself should be the root and father of many kings.”
3.1
A
• Through this quote, we can sense greed and ambition also brewing inside Banquo, showing witches have a negative effect even of the best of people. This supports King James 1’s idea on witches which was expressed through his book on Demonology and stirs fear in the audience
15
Q
“Out damn’d spot” 5.1
A
- The imperative phrase exemplifies her trauma as well as desperation to clean herself of this blood and also her certainty that there is blood on her hands which accentuates the power of her hallucination. This could also evince her frustration and anger emphasizing the emotional torment she is going through because of her evil action
- The adjective “damn’d” has connotations of hell and evil which could imply that she is trying to exorcise her demons . the fact that she is unable to do this caution the audience not to embrace evil as once you do God will no longer protect you.
- Seeing that Lady Macbeth commanded evil spirits to make her masculine in Act 1 scene 5 and has now become hysterical and maniacal serves as a warning to the Jacobean women in the audience to conform to the social expectations of what women should be (at the time); they should not be the driving force behind anything accept rearing children and should be submissive
