Alston - key knowledge (context) Flashcards

1
Q

How did the company change as Alston replaced North as Artistic Director?

A

-More abstract
-Use of Cunningham technique
-Austere
-Neo-classical
-Streamlined focus/vision
-Architectural - influence of design

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2
Q

What key work was brought into the repertoire in 1986?

A

Soda Lake, using Nigel Hall’s minimalistic sculpture

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3
Q

Which early choreographers work was performed in 1991?

A

‘Embrace Tiger and Return to Mountain’ by Tetley - plotless work which fitted into Alston’s choreographic style and it was quite an abstract piece

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4
Q

What Trisha Brown work was included in the repertoire in 1989 and why was it significant?

A

This was Opal Loop - it was significant because it was the first time dancers that did not belong in her company performed her dance

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5
Q

What was the content of the statement that was released when Alston took over as Artistic Director?

A

His works do not belong to a particular storyline and that movement is the most important thing, the focus

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6
Q

Who left the company in 1987 and what marked the event?

A

Christopher Bruce to pursue an international career and there was a full evening dedicated to the performance of some of his key works

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7
Q

Who was associate choreographer 1989-1993?

A

Chivon Davies - similar style to Alston - post modern

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8
Q

Rambert performed in Cunningham’s Touchbase in 1992, why was this significant?

A

It was based on the computer software, life forms

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9
Q

Why was Alston a good choice to take over as Artistic Director?

A

-Alston believed Rambert set a good example for courage and to experiment
-North was a populist - played it safe
-Alston also had a lot of experience, with being choreographer of the company already, he also had his own dance school in the past - Strider - had leadership qualities

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10
Q

When and why did the company change its name?

A

The company changed its name in 1987 as it was no longer just a ballet school

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11
Q

What key initiative was revived with number 5 and where was it held?

A

This was a collaboration project that was held at the riverside rather than the previous place which was the Jeanetta Cochrane - based around music and design - Alston also wanted to bring the collaborations back (paused at North)

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12
Q

When Alston left Rambert what happened to the company?

A

The company made lots of redundancies leaving only a few dancers and choreographers - it relaunched with Christopher Bruce and 25 dancers

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13
Q

How does Alston use music?

A

-He is very musical and uses it as a starting point
-He looks for happy accents in the music which makes him different to Cunningham

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14
Q

How does Alston describe his use of spatial design?

A

-Like ‘drawing in the air’
-Drive through/skim through space
-In a lot of his dances, the design is interactive with the dancers

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15
Q

What other practitioners were in the Rambert repertoire (and key works)?

A

-Touch Base by Cunningham - big opportunity for British dancers - used life forms
-Opal Loop - Trisha Brown - post-modernist and part of the Judson Church group - in this dance it was described they were dancing in an ‘indoor cloud’ - experimental - quartet
-Siobhan Davies - house style - ‘Embarque’

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16
Q

Frederick Ashton memorial

A

This was made for young choreographers to help create pieces in 1989

17
Q

How many classes did the dancers do under his artistic directorship?

A

3 contemporary and 2 ballet

18
Q

Why did Alston have a disagreement with the board?

A

His dances are too intellectual and vision too streamlined and abstract - started to lose ticket sales