Age Flashcards

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1
Q

Children…

A

Children are often represented as vulnerable and as being in need of adult protection, which ties in with the way in which childhood is socially constructed in contemporary society.

The advertising industry represents children as consumers, possibly deliberately to socialise them into becoming consumers in later life, and to increase peer-pressure demand for their products.

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2
Q

Content analysis of children…

A

> As victims of horrendous crimes

> As cute

> As little devils

> As brilliant

> As brave, little angels

> As accessories

> As modern

> As active consumers

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3
Q

Children as victims…

A

As victims of horrendous crimes – some critics of the media have suggested that White children who are victims of crime get more media attention than adults or children from ethnic minority backgrounds.

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4
Q

Children as cute…

A

As cute – this is a common stereotype found in television commercials for baby products or toilet rolls.

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5
Q

Children as little devils…

A

As little devils – another common stereotype especially found in drama and comedy, e.g. Bart Simpson.

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6
Q

Children as brilliant…

A

As brilliant – perhaps as child prodigies or as heroes for saving the life of an adult.

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7
Q

Children as brave…

A

As brave little angels – suffering from a long-term terminal disease or disability.

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8
Q

Children as accessories…

A

As accessories – stories about celebrities such as Madonna, Angelina Jolie or the Beckhams may focus on how their children humanise them.

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9
Q

Children as modern…

A

As modern – the media may focus on how children ‘these days’ know so much more ‘at their age’ than previous generations of children.

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10
Q

Children as active consumers…

A

As active consumers – television commercials portray children as having a consumer appetite for toys and games.

Some family sociologists note that this has led to the emergence of a new family pressure, ‘pester power’, the power of children to train or manipulate their parents to spend money on consumer goods that will increase the children’s status in the eyes of their peers.

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11
Q

Youth…

A

> As a social construction

> As a social problem

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12
Q

Youth as a social construction…

A

There is a whole media industry aimed at socially constructing youth in terms of lifestyle and identity. Magazines are produced specifically for young people.

Record companies, Internet music download sites, mobile telephone companies and radio stations all specifically target and attempt to shape the musical tastes of young people.

Networking sites on the Internet, such as Facebook, Bebo and MySpace, allow youth to project their identities around the world.

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13
Q

Youth as a social problem…

A

Youth are often portrayed by news media as a social problem, as immoral or anti-authority and consequently constructed as folk devils as part of a moral panic.

The majority of moral panics since the 1950s have been manufactured around concerns about young people’s behaviour, such as their membership of specific ‘deviant’ sub-cultures (e.g., teddy boys, hoodies) or because their behaviour (e.g., drug taking or binge drinking) has attracted the disapproval of those in authority.

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14
Q

Supporting research of youth as a social problem…

A

Wayne et al. (2008) conducted a content analysis of 2130 news items across all the main television channels during May 2006. They found that young people were mainly represented as a violent threat to society.

They found that it was very rare for news items to feature a young person’s perspective or opinion. They note that the media only delivers a one-dimensional picture of youth, one that encourages fear and condemnation rather than understanding.

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15
Q

More interestingly…

A

They argue that it distracts from the real problems that young people face in the modern world such as homelessness, not being able to get onto the housing ladder, unemployment or mental health and that these might be caused by society’s, or the government’s, failure to take the problems of youth seriously.

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16
Q

The elderly…

A

Research focusing on media representations of the elderly suggests that age is not the only factor that impacts on the way the media portrays people aged 65 and over.

17
Q

Newman…

A

Newman (2006) notes that upper class and middle class elderly people are often portrayed in television and film dramas as occupying high-status roles as world leaders, judges, politicians, experts and business executives.

Moreover, news programmes seem to work on the assumption that an older male with grey in his hair and lines on his face somehow exudes the necessary authority to impart the news.

18
Q

However…

A

Female newscasters, such as Anna Ford, have long complained that these older men are often paired with attractive young females, while older women newsreaders are often exiled to radio.

Leading female film and television stars are also often relegated to character parts once their looks and bodies are perceived to be on the wane, which seems to be after the age of 40.

19
Q

Ways the elderly are represented…

A

Sociological studies show that when the elderly do appear in the media, they tend to be portrayed in the following one-dimensional ways.

> As grumpy

> As mentally challenged

> As dependent

> As a burden

> As enjoying a second childhood

20
Q

Elderly as grumpy…

A

As grumpy, conservative, stubborn and resistant to social change.

21
Q

Elderly as mentally challenged…

A

As mentally challenged suffering from declining mental functions.

22
Q

Elderly as dependent…

A

As helpless and dependent on other younger members of the family or society.

23
Q

Elderly as a burden…

A

As an economic burden on society (in terms of the costs of pensions and health care to the younger generation) and/or as a physical and social burden on younger members of their families (who have to worry about or care for them).

24
Q

Elderly as enjoying a second childhood…

A

As reliving their adolescence and engaging in activities that they have always longed to do before they die.

25
Q

Is this improving?…

A

However, recent research suggests that media producers may be gradually reinventing how they deal with the elderly, especially as they realise that this group may have disposable incomes, i.e. extra money to spend on consumer goods.