aft Flashcards
w&m: set your clock and positional reference
session setup
w&m: to enable the sync HD
peripherals
w&m: put pro tools transport online
transport
w&m: to enable avid icon d-control
peripherals
w&m: to view field recorder metadata
workspace
w&m: to set the frame rate of your session
session setup
w&m: to quickly navigate and select clips
universe
A pro tools hd session may contain up to __ video tracks
64
A maximum of __ video tracks may be online at the same time in a pro tools session
1
A ___ video track is denoted by a small “Q” next to the tack name
quicktime
A video track may be displayed on the timeline in either __ or __ display view
frames, blocks
when using 9-pin machine control __ can be used as a positional reference between the video deck and protools
serial timecode
The on-screen visible version of timecode that is superimposed over a video image is called __
Bitc
this synchronization signal is embedded as black and white bars in the non-visible lines of a video signal and can be read while transport is paused
Vertical Interval Timecode
Clock references that are based off of session’s sample rate?
Loop sync and word clock
what connections on the Avid MOJO DX and Aja Kona 3G video card is not supported by protools
Audio inputs and outputs
NTSC (North American) frame rate
29.97 fps
PAL frame rate
25 fps
Film (universal)
24 fps
NTSC Monochrome (b/w)
30 fps
proprietary clock source used by protools is
Loop Sync
This sync signal is used to control transport via a 9-pin cable
Machine Control
what is typically used as a clock reference for house sync
blackburst/video ref
LTC or SMPTE timecode is encoded as an __ bit word
80
refers to the last 16 bits of a SMPTE address that denotes the end of an address and contains directional information for the SMPTE reader
sync word
Drop frame timecode skips counting __ frames at the top of every minute except for the tenth minute to account for __ frames lost in every hour of 29.97 timecode
2, 108
Supervisor of all post production sound and the director’s main contact in the sound department
supervising sound editor
The assistant to the production sound mixer and the boom op
sound assistant
responsible for creating all original music for the soundtrack
composer
the head of all production sound and responsible for mixing dialogue and ambience during filming as well as maintaining quality control and take notes
production sound mixer
responsible for the final mix of all elements for the soundtrack
re-record mixer
responsible of positioning all lab plant, and boom microphones during filming without impeding the camera crew, lighting crew or actors
boom operator
responsible for all synchronized post production sound effects.
foley editor
responsible for the editing and possible re-record of all dialogue
adr editor
responsible for all music features on a film’s soundtrack (performed music, sourced music, and original music)
music editor
A meeting between the director and the heads of the sound departments at the start of post production outlining the sound requirements of the film
spotting session
shortcuts: session setup window
command + 2
shortcut: pro tools online
command + j
shortcuts: enable spot mode
F3
shortcuts: Import session data
shift + option + I
shortcuts: create or clear sync point
command + ,
shortcuts: import video file
shift + option + command + I
shortcuts: align clip start to cursor
ctrl + click
shortcuts: align clip end to cursor
ctrl + command + click
shortcuts: video track online
shift + command + j
shortcuts: lock video track
right click
shortcuts: display/hide video window
command + 9
shortcuts: display/hide universe window
command + 7
