Aeneid Critics Flashcards
Jasper Griffin
The chaotic and shameful period of civil wars was giving place to the enlightened supremacy of one man, divinely chosen, who would restore peace and order to Rome and the World.”
Parry
there are two voices in the Aeneid, a public one praising Aeneas and a private one for passing judgement.
Pencil
Aeneas’ shield is a mini-Aeneid and in that respect Vulcan becomes Virgil.
Stephanie Harrison
a link between the theme of early death and the death of Augustus’ nephew, Marcellus
Camps
with the exception of fate, the gods have free scope to act as long as they do not impede each other
Eleanor Powers
Aeneas displays this quality of pietas again when he visits the Underworld. His sole reason to enter the Underworld lies with Anchises himself.
Llewellyn Morgan
the gods in The Aeneid are entertaining
Richard Jenkyns
disagrees that Aeneas is a stoic hero or even a Roman one and says that in fact, his main fault is feeling too much.
Williams
Aiming to achieve personal satisfaction by surpassing others in excellence, but to use his qualities in order to achieve their successes
Lyne
Virgil seems curiously disinclined to show Aeneas responding or relating to others
Hardie
Rather than being strongly driven by an internal desire or ambition, he is forced into a mission by circumstances beyond his control.”
Richard Jenkyns
Book 6 is a journey from darkness to revelation signifying a new direction now for the poem
Richard Jenkyns
Dido can’t match the definition of a tragic hero due to the fact that she is made to fall supernaturally in love with Aeneas
Stephanie Harrison
compares Dido to a tragic heroine. She matches Aristotle’s definition of one (fall by ignorance) Her story also has an inevitability - the suspense is not in what will happen but how
Emily Kearns
“The Gods are didactic, they entertain, they show causation and finally, they offer a mirror on society itself”.