Advertising: Vocab and Concepts Flashcards

Be able to identify/define and give an example of each.

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1
Q

Advertising

A

Activity explicitly about paying media space/time to direct attention towards goods/services

medium of info, selling, entertainment

Key components:

  • States a presence
  • Has to persuade
  • It pays
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2
Q

Consumer Culture

A

symbols and message people use and consume

how we understand and interpret these meanings

  • consumer culture applies obsolescence to all products and so we think of products beyond their material function, as a fashion accessory
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3
Q

Planned Obselescence

A

Giving items a shelf life: Encourage product obsolescence by regularly changing characteristics of products, restyling (wings on cars, colours on fridges, and hemlines on skirts)

“We must accelerate obsolescence” (apparel industry)

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4
Q

Fashion

A

style changes made independent of utility; obsolescence on the basis of style

*the notion that the new by nature is superior to the old even if the older product was still functional

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5
Q

Smooth Coating

A

Coating food in sauces, jellies, juices; it is a disguise, hides the flaws and the nature of the food goods themselves

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6
Q

Overpromise

A

Buying something in the grocery store that you could never recreate in the kitchen

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7
Q

Ideology

A

A set of beliefs underlying customs, habits, and practices common to a given culture, some are marginalized and others hegemonic (dominant and the cultural norm)

  • What seems natural, normal, and true may seem ridiculous to one group, but it makes sense to the group involved
  • May be forcefully imposed or willingly subscribed to; held consciously or unconsciously
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8
Q

Therapeutic Ethic

A

Nothing will be satisfied; keep buying

  • today consumption continues to be a form of therapy = commodities fulfill emotional needs
  • societies shifted from protestant work ethic, civic responsibility, and self denial to legitimizing ideas of leisure, spending and individual fulfillment
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9
Q

Commodity Self

A

Self-worth, in part, through the consumption of goods

Buying as a way of giving our lives meaning; subjectivity, sense of self constructed through the use of commodities (depleted of use value and cost of production)

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10
Q

Commodity Fetishism

A

Goods are emptied of the basic meaning surrounding they production (labour, cost, waste) and filled with abstract meaning given through discourses like advertising

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11
Q

Strategies vs Tactics

A

STRATEGIES - Practices by which dominant institutions seek to structure time, location, and actions of their social subjects; structure the lives of their underlings; television schedules to appeal to demographic

TACTICS: practices employed by people who are not people of power (i.e. using a DVR to bypass commercials)

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12
Q

Denotation/Conotation

A

Literal meaning VS social, historical, cultural meaning, relies on context, experience, deeper meaning, brings it into the realm of culture, ideologies

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13
Q

Bricolage/Counterbricolage

A

BRICOLAGE: the practice of working with whatever materials are at hand, “making do” with what one has; refers to the activity of taking consumer products and commodities and making them one’s own by giving them new meaning.

COUNTER BRICOLAGE: The practice used by advertisers and marketers of manufacturing and selling as commodities aspects of bricolage style (i.e. ripped jeans, leggings as pants)

Practice of the marginal, counter - meaning appropriation, to take, repackage and resell those ideas for the mainstream sale of products (Diesel Jeans - gay identity to sell jeans) identity politics as a movement to seem cool

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14
Q

Repeat Motif

A

Gets its meaning from repetition; shape of the bottle and name is consistent, recognizable, prolific, brand rather than a mere product

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15
Q

Side-By-Side Approach

A

Evolution from salesmen to confidantes…
Side by side with the consumer

Anxieties and social pressures made the consumer uneasy, the advertiser intervened with advice on how to triumph over the problem

Don’t size up? Buy the product.

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16
Q

Copy

A

Text of a print, radio, or television advertising message that aims at catching and holding the interest of the prospective buyer, and at persuading him or her to make a purchase all within a few short seconds.

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17
Q

Type Tricks

A

Making font look different - change in style, size, way they were presented on print

18
Q

Slogans

A

A short and striking or memorable phrase used in advertising.

A motto associated with a political party or movement or other group.

19
Q

Equivalence

A

create relationship of sameness; between product and its signifier (i.e. woman and the animal, car and luxury)

20
Q

Objective Correlative

A

create relationship of sameness; between product and its signifier (i.e. woman and the animal, car and luxury)

21
Q

Diffrentiation

A

Separate it products from the competition in the same category; ads used to define the difference

i.e. 7-up: “the Uncola”

22
Q

Referent Systems

A

System of signs from which the ad draws it imagery and its idea, draw on links and placement of signs in order to create differentiation

23
Q

Nostalgia

A

Longing for a prior state, irretrievable, cannot be attained again (use of children, innocence in ads)

24
Q

Intertextuality

A

One text references another popular text; requires that you will get the reference; other standards in popular culture

i.e. You can’t handle the truth / You can’t handle the tooth

25
Q

Chromolythography

A

Method for making multi-coloured prints

26
Q

Puffing/Puffery

A

Lies in advertising

“best hamburger in the world” is a claim that may sound like a lie but cannot be truly disproved/approved

27
Q

Barker

A

People yelling in the street to advertise

28
Q

Participatory Copy

A

Ads that ask consumers to participate in a simple way, such as touching their TV screens, searching for a word or simply plugging in their earphones. These ads are simple, yet still clever and engaging, offering the benefits of interactive advertising without requiring a high level of commitment from an already busy consumer.

29
Q

Scare Copy

A

Plays on anxieties of consumer so they are inclined to buy the product

AKA negative appeal

30
Q

Penny Paper

A

Cheap, tabloid-style papers produced during the mid 19th century (steam-powered printing)

Famous for costing one cent compared to other papers (~6 cents) and were revolutionary by making news accessible to working and middle class citizens

When paper was really cheap to allow for more advertising

31
Q

Cult of Thinness

A

Obsession with things that are skinny (from Killing Us Softly)

32
Q

Spot

A

television advertising occupying a short break during or between programmes.

33
Q

Ether Advertising

A

When the phone company suggested that time could be sold to private interest and they called this subsidy this term

34
Q

William Benton

A
1930’s Advertising Agent, William Benton
•	revolutionize the radio commercial
•	create a vivid picture through sound
•	consumer research techniques
•	on-air promotional cue cards
•	the singing commercial, jingles
35
Q

Market Segmentation

A

Tailored to specialized population

Two major categories: Age (Teenagers and Seniors) and Race (African Americans and Latinos)

36
Q

Rosser Reeves

A

“The consumer tends to remember just one thing: one small claim or one small concept.”

Emphasize science – background research, information, pseudoscience (sketchy)

Simple repetition of a single theme

Throwback to days where ads grab attention rather than entertain

Did not consider attention span of audience

Buy the product, get the benefit

Claim that the competition could not make

  • Unique selling proposition (USP)
  • Science was the difference

The “reason why” and “hard sell” – commanding voice, not appealing/entertaining/fluffy, repetitive, intrusive, straight-forward

37
Q

David Ogilvy

A

Comes from New Yorker magazine (context of ad added to status) - Madison Avenue in 1949

As a maverick in a relatively dull industry
- Classisist – wanted to return to the Golden Age of advertising

Buy product not for the product’s sake but b/c it was associated with a particular image
“Create the right individuality is the supreme accomplishment”
High price and high status products
Elite setting with high status people, luxury car, handsome picture
- Long headline, straight forward, low key copy
- Sense of status and lifestyle through simple headline and resting picture
- A hook to capture people’s attention (create link to other kinds of ads)

i.e. Hathaway man (with the eyepatch)

38
Q

Leo Burnett

A

Anchored pitch in the product itself
Copyrighter in Chicago

Instead of out of depression hard-sell or using premiums and sex to sell

Using a bit of info, artwork, humour

  • Stress on an inherent dream
  • Something in the product that could only be found in the product itself
  • Though about what keeps the product in the marketplace and keep this thing (an idea, substance, a colour)
  • Relied on ability to empathize with a mass audience

i.e. Pillsbury Chocolate Cake (Did you ever?)
and Marlboro Man (cowboy)

39
Q

Bill Bernbach

A

Shift to new ideas and advertising
- In NYC

Turning second-rate product and lower tier retailers to a real advantage

i.e. Ohrbach’s – “I found out about Joan”
• low-priced second tier dress shop
• humour and something surprising
• Breakfast at Tiffany’s Audrey Hepburn

40
Q

Icons

A

Well-known figures (Tony the Tiger, Aunt Jemima)

Approach of art historian, colour, details, lighting, setting

41
Q

Testimonials

A

Using someone’s review of the product to give it credibility/add social drama/realism

42
Q

Reason Why Campaign

A

Information-based, list of product’s benefits