Advanced - Non-Chord Tones Flashcards

The objective of "Non-Chord Tones" is to help you identify the different types of non-chord tones, how they are used and the theory behind their use. A non-chord tone is a note which is not part of the accompanying harmony. They may be diatonic or chromatic additions, usually used to smooth out a melodic line or to create a more interesting melody. Learn more with the Advanced Workbook - UltimateMusicTheory.com

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1
Q

Identify the non-chord tone - Approached by a step and left by a step in the same direction.

A

Passing tone (p)

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2
Q

Identify the non-chord tone - Approached by a step and left by a step in the opposite direction.

A

Neighbor tone (n)

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3
Q

Identify the non-chord tone - Approached by a step and left by two notes, one above and one below the chord tone.

A

Neighbor group (n.gr)

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4
Q

Identify the non-chord tone - Approached by a leap and left by a step.

A

Appoggiatura (app)

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5
Q

Identify the non-chord tone - Approached by a step and left by a leap in the opposite direction.

A

Escape tone (e)

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6
Q

Identify the non-chord tone - Approached by the same tone and left by a step down.

A

Suspension (s)

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7
Q

Identify the non-chord tone - Approached by the same tone and left by a step up.

A

Retardation (r)

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8
Q

Identify the non-chord tone - Approached by a step or leap and left by the same tone.

A

Anticipation (ant)

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9
Q

Identify the non-chord tone - Begins on a chord tone, sustaining the tone through another chord where it becomes a non-chord tone, until finally resolving to fit the harmony of the next chord.

A

Pedal point (ped)

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10
Q

Name and describe the non-chord tone.

A

Anticipation (ant): Approached by a step or leap and left with the same tone.

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11
Q

Name and describe the non-chord tone.

A

Appoggiatura (app): Approached by a leap and left by a step.

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12
Q

Name and describe the non-chord tone.

A

Escape tone (e): Approached by a step and left by a leap in the opposite direction.

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13
Q

Name and describe the non-chord tone.

A

Neighbor tone (n): Approached by a step and left by a step in the opposite direction.

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14
Q

Name and describe the non-chord tone.

A

Neighbor group (n.gr): Approached by a step and left by two notes, one above and one below the chord tone.

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15
Q

Name and describe the non-chord tone.

A

Passing tone (p): Approached by a step and left by a step in the same direction.

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16
Q

Name and describe the non-chord tone.

A

Pedal point (ped): Begins on a chord tone, sustaining the tone through another chord where it becomes a non-chord tone, until finally resolving to fit the harmony of the next chord.

17
Q

Name and describe the non-chord tone.

A

Retardation (r): Approached by the same tone and left by a step up.

18
Q

Name and describe the non-chord tone.

A

Suspension (s): Approached by the same tone and left by a step down.

19
Q

Name and describe the non-chord tone.

A

Passing tone (p): Approached by a step and left by a step in the same direction.

20
Q

Name and describe the non-chord tone.

A

Neighbor tone (n): Approached by a step and left by a step in the opposite direction.

21
Q

Name and describe the non-chord tone.

A

Neighbor group (n.gr): Approached by a step and left by two notes, one above and one below the chord tone.

22
Q

Name and describe the non-chord tone.

A

Appoggiatura (app): Approached by a leap and left by a step.

23
Q

Name and describe the non-chord tone.

A

Escape tone (e): Approached by a step and left by a leap in the opposite direction.

24
Q

Name and describe the non-chord tone.

A

Suspension (s): Approached by the same tone and left by a step down.

25
Q

Name and describe the non-chord tone.

A

Retardation (r): Approached by the same tone and left by a step up.

26
Q

Name and describe the non-chord tone.

A

Anticipation (ant): Approached by a step or leap and left with the same tone.

27
Q

Name and describe the non-chord tone.

A

Pedal point (ped): Begins on a chord tone, sustaining the tone through another chord where it becomes a non-chord tone, until finally resolving to fit the harmony of the next chord.