Acts Flashcards

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1
Q

Act 1 Elements

A

HBT

  1. Hook
  2. Backstory
  3. Trigger
    (i. e., Gun w/a trigger)

Act 1

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2
Q

What’s Backstory?

A

What happened to get us to this point

Act 1

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3
Q

What Makes a Good Hook?

A
  1. in medias res
  2. Choose the latest starting point possible

Act 1

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4
Q

Act 2 Elements

A
CSE
Crisis
Struggle 
   (C 'n S sum up Act 2)
     As Struggle ratchets up:
        Character and Plot Develop
         "A" driving "P" reacting
             Darkest before dawn 
Epiphany

Act 2

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5
Q

How Does Epiphany Figure in the Story?

A

Epiphany comes at the end of the Act 2
Protagonist Realizes something internal
Others can also Realize things (internal or external)

Act 2

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6
Q

Crisis and Conflict (C ‘n C) as opposed to (C ‘n S)

A

Crisis is an attack on P’s tragic flaw

Crisis is triggered at end of Act 1

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7
Q

How Can Struggle Advance the Story?

A

Struggle is the road to Epiphany
It ratchets up the narrative by showing doors and closing them
Struggle need not be restricted to Antagonist
Struggle can be ≠ Antagonist’s minions (real & imaginary)

Act 2

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8
Q

Act 3 Elements

A

Plan
Climax
Ending

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9
Q

What Is Plan?

A

A Plan based on epiphany
Plan = Action = Plot may be simple or complicated
Note. Story has already ended with Act 2
No more change is coming
But there’s still the Climax
Then the Ending

Act 3

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10
Q

What makes an effective Climax?

A

An effective Climax = Protagonist realizes something internal

Act 3

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11
Q

What makes an effective Ending?

A

Satisfies the reader
Although inevitable it can be unpredictable

Act 3

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12
Q

Discuss at least 3 different kinds of Endings

A
Resolution
Circular
Reversal
Bittersweet
Open
Cliff hanger
Twist
Revelatory
Monologue

Act 3

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13
Q

S ‘n S Elements (A ‘n R)

A

Scene ‘n Sequel aka Action/Reaction = A ‘n R

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14
Q

The elements of A ‘n R

A

Action = Reaction =
Goal Emotion
Conflict Thought
Disaster Decision

              Action = Goal of next scene
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15
Q

Basic Suspense Technique

A

Leave out the Sequel (R) at end of chapter

Technical device shunned by Hitchcock who always shows the reaction.

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