ACTIVE AUDIENCE MODELS Flashcards

1
Q

Use and Gratifications model

A
  • uses and gratifications model suggests that the audience is an active agent when using the media as they are using it for their own purpose and to satisfy their needs.
  • gratification model discusses ‘what people do with the media’ meaning they do not directly discuss media effects.
  • Active audience theorists argue that individual characteristics may influence how and why people access the media to gratify their needs.
  • These could be base on social class, gender, ethnicity and age
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2
Q

Zillman

A
  • A person’s mood may influence media choice
  • boredom might encourage the choice of exciting content, whereas stress might encourages the choice of relaxing content
  • Explains that the same tv programme may satisfy the needs of individuals differently
  • These different needs are associated with individual personalities, stages of maturation, backgrounds and social roles
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3
Q

McQuail

A
  • following categories of common reasons for media use:
  • information
  • personal identity
  • integration and social interaction
  • entertainment
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4
Q

information

A
  • mquail
  • finding out about relevant events, seeking advice on practical matters or opinions and decisions, satisfying curiosity and general interests, learning, gaining a sense of security through knowledge.
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5
Q

Personal identity

A
  • mcquail
  • reinforcement for personal values, finding models of behaviour, identifying with valued others in the media, gaining insight into oneself.
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6
Q

Integration and social interaction

A

mcquail

  • gaining insight into circumstances of others, identifying with others, finding a basis for conversation, having a substitute for real life companionship, helping to carry our social roles, enabling one to connect with family, friends and society
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7
Q

entertainment

A
  • mcquail
  • escaping or being diverted from problems, relaxing, getting cultural or aesthetic enjoyment, filling time, emotional release, sexual arousal
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8
Q

Hall

A

Coding/Decoding model

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9
Q

Coding/Decoding model

A
  • people make sense of media texts and claimed audiences were active not passive.
  • importance of examining code and decoding of media texts:
  • Coding
  • Decoding
  • suggests that there are different possible ways of ‘reading’ a media passage
  • It is clear that:
  • An active audience engages, interprets and responds to a media text in different ways and is capable of challenging the idea encoded in it.
  • A passive audience is more likely to accept the messages encoded in a media text without challenge and are therefore more likely to be directly affected by the messages.
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10
Q

Coding

A
  • hall
  • media messages are produced or coded by media professionals in ways that support the power structures of society
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11
Q

decoding

A
  • hall
  • argues that the audiences are able to understand, and decode these messages in a way that reflects their social background and ideas
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12
Q

different possible ways of ‘reading’ a media passage:

A
  • Dominant or hegemonic reading
  • The negotiated reading:
  • The oppositional reading
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13
Q

Dominant or hegemonic reading

A
  • hall
  • the audience takes in the meaning that media professionals intent: they ‘believe the message’
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14
Q

The negotiated reading

A
  • hall
  • the audience mixes the dominant reading with alternative ideas and the meaning is slightly altered in relation to that intended by media professionals
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15
Q

The oppositional reading:

A
  • hall
  • the audience constructs a meaning that is totally different to the dominant reading intended by media professionals.
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16
Q

klapper

A

Selective Filter Model

17
Q

Selective Filter Model

A
  • Klapper developed the selective filter model and argued that audiences are not passive receptors of media propaganda but that the media reinforces already held beliefs and attitudes
  • stated that for a media message to have any effect, it must pass through 3 filters:
18
Q

3 filters that the media messages have to go through to have an effect

A
  • selective exposure
  • ## selective perception
19
Q

SELECTIVE EXPOSURE

A
  • the audience must choose to view, read or listen to the content of specific media. Media messages can have no effect if no one sees or hears them.
  • However, what the audience chooses to access depends upon their interests, education, work commitments etc.
  • the audience has a choice to engage with the media they are exposed to.
20
Q

SELECTIVE PERCEPTION

A
  • the audience may not accept the message; some people may take notice of some media content, but decide to reject or ignore others.
  • For example, a smoker may reject an anti-smoking message in favour of other messages.